MIRA GRANT, Author - Interview

Mira Grant is the author of the NEWSFLESH trilogy (comprised of FEED, DEADLINE and the recently-released BLACKOUT). Per the bio from her website:

Mira Grant

Mira Grant

Mira Grant was born and raised in Northern California, where she has made a lifelong study of horror movies, horrible viruses, and the inevitable threat of the living dead. In college, she was voted Most Likely to Summon Something Horrible in the Cornfield, and was a founding member of the Horror Movie Sleep-Away Survival Camp, where her record for time survived in the “Swamp Cannibals” scenario remains unchallenged. Currently, Mira lives in a crumbling farmhouse with an assortment of cats, horror movies, comics, and books about horrible diseases. When not writing, she splits her time between travel, auditing college virology courses, and watching more horror movies than is strictly good for you. Favorite vacation spots include Seattle, London, and a large haunted corn maze just outside of Huntsville, Alabama.

In her guise as mild-mannered urban fantasy authorSeanan McGuire, Mira was the recipient of the 2010 John W. Campbell Award for Best New Writer. You can find her works as both Mira and Seanan at her main bibliography page. Seanan’s website is the best place to find information on where both she and Mira will be appearing.

Both Feed and Deadline have been nominated for Hugo Awards, as has “Countdown,” the first novella in the Newsflesh universe.

ANTHONY: So, Mira, how does it feel to have the final book in the Newsflesh Trilogy finally in the hands of readers?

MIRA: It’s a huge relief.  It’s also terrifying, because the series is closed now: it’s over.  If everyone hated BLACKOUT, there would be nothing I could do.  Luckily, the book has been pretty well received so far, but it’s been a really nerve-wracking experience.

ANTHONY: In reviews, I’ve described FEED as “a political thriller set against the zombie apocalypse” and DEADLINE as “a medical thriller set against the zombie apocalypse.” I think BLACKOUT is going to get tagged as an “end of the world thriller set against the zombie apocalypse.” Did you intend each book to have a different genre feel, or am I imagining things?

MIRA: They were all very different stories–in fact, that’s why DEADLINE ended when it did.  It ended at the moment that the genre transitioned from medical thriller to fringe science/conspiracy thriller.  The fact that this came in the midst of a lot of stuff exploding was sort of secondary to pursuing the themes I wanted to pursue.

ANTHONY: Newsflesh was always intended as a tightly-written trilogy, correct?  Now that all is said and done, do you wish it was an open-ended series, or are you truly done with Shaun and Georgia Mason and their friends and foes?

MIRA: No, I don’t: I’m glad to have written a closed world, because now the survivors get to go off and lead their lives without me.  I’ll still do things in that universe, but unless something changes dramatically, I’m genuinely done with those people.  They’ve earned it.

Blackout

Blackout

ANTHONY: You’ve written several short stories linked to the trilogy. “Countdown” details the events leading up to the advent of the Kellis-Amberlee virus. I found that reading this story while already being aware of what the world is like post-KA only increased my sense of horror. Do you think that’s a prime part of effective horror, letting the reader know things the characters themselves don’t know?

MIRA: Yes, often.

ANTHONY: Even though the book trilogy is completed, you have plans to release further Newsflesh-related short stories, correct? When can we look forward to seeing those? And where can readers find the stories that have already been published?

MIRA: Well, “Everglades” was published in THE LIVING DEAD 2, and is available from Night Shade Books.  “Countdown” is available as an e-book from the Orbit Short Fiction Program, and will be available as a gorgeous limited edition hardcover from Subterranean Press this October.  “San Diego 2014: The Last Stand of the California Browncoats” will be published electronically by the Orbit Short Fiction Program on July 11th, 2012.

ANTHONY: Outside of the world of Newsflesh, what else are you working on, and when can we look forward to seeing it?

MIRA: I’m working on two books under my real name, Seanan McGuire–CHIMES AT MIDNIGHT, in the October Daye series, and HALF-OFF RAGNAROK, in the InCryptid series–and one book as Mira Grant, PARASITE, which kicks off the Forced Evolutions duology.  All three will be released over the course of the next two years.

ANTHONY: Some authors hate this question, but it seems appropriate in this context: if the Newflesh Trilogy were optioned for film (or better yet, for HBO), who do you picture filling the roles of Shaun, Georgia, Mahir, Buffy, and the rest?

MIRA: They have been optioned for film, and I can’t wait to see who gets cast!

ANTHONY: And my usual closing question: What is your favorite book, and what would you say to someone who hasn’t read it to convince them that they should?

MIRA: My favorite book in all the world is IT, by Stephen King.  I think it may be the best book about childhood, and adulthood, and growing up, that’s ever been written.  Also, much of what I say will make more sense if you read this book.  Seriously.

Hollywood Endings EP - Musicians

This is the latest in a series of posts related to various Kickstarter projects I’ve backed and hope you will too. None of them are my own (currently, I’ve got nothing I think I should be doing a Kickstarter for), but all of these are important to me for one reason or another. Some of them are projects of friends. Some of them are just projects I think are cool. Most of them are both.

Hollywood Endings

Hollywood Endings

It’s no secret I’m fond of the HOLLYWOOD ENDING boys. I promote them enough, here and on Facebook and Twitter. It helps that I’ve become friends with some of the parents of the band, and I can see that the band’s current and future success is not just 5 teenage boys pushing themselves, but a real family (or families) effort. So when the guys decided to do a Kickstarter to finance their first EP, I knew I had to contribute and help get the word out.

Unsurprisingly, with their large number of teenage female fans, they hit their modest $5,000 goal within two days of launching the project. Slightly past the halfway point time-wise, they have raised over $7,000. Honestly, I’d like to see them get to $10,000 before their month is up. The more money they have to put towards finishing the EP, promoting it, and touring to support it, the better. The HWE boys are not rich kids out on a lark — they rely heavily on family support to tour, and it would be nice to see them have a bit of bank to utilize.

They’ve already laid money out to film the video for the first single off of the EP. The filming happened over the weekend, surrounding their first headlining show out in California. Some of the extra dollars raised will go towards finishing the video.

You can learn all about the rewards for supporting the Kickstarter (including autographed clothing, lyrics sheets, limited edition memorabilia and physical cds, instruments and more) HERE.

You can also hear more about how things are going for the band by Liking their Facebook page, and following @hwoodending@hollywoodCamB @hollywoodTyler @hollywoodDanny and @hollywooodChrisB on Twitter.

And check out videos on their Youtube channel.

FIRESIDE - Interview

This is a week of posts related to various Kickstarter projects I’ve backed and hope you will too. None of them are my own (currently, I’ve got nothing I think I should be doing a Kickstarter for), but all of these are important to me for one reason or another. Some of them are projects of friends. Some of them are just projects I think are cool. Most of them are both.

Today’s focus is on the recently-successfully-concluded Kickstarter for issue # 2 of FIRESIDE magazine. I backed the first issue, and ended up as a main character in Christie Yant’s story “Temperance,” which opens with my character concluding the worst bender of his life by puking into an open grave … during a funeral.  For issue #2 I chose the reward to be a main character in Damien W. Grintalis’ story, still unnamed, and I can’t wait to see what horrible things she’s going to do to “me.”

Here’s Fireside editor/publisher Brian White, talking about plans for #2 and beyond:

ANTHONY: What is the main concept for Fireside?

 BRIAN: Fireside has two goals: to publish great storytelling regardless of genre and to pay our writers and artists well.

The idea for Fireside grew out of a stew of information and ideas that had been simmering in the back of my brain for about a year, mostly coming out of conversations and ideas I’d been seeing on Twitter and blogs that I follow: about pay for writers, about new business models for publishing, and about the health of short fiction. I’d been starting to see a lot of talk about crowdfunding, especially Kickstarter, and one day I realized: I can publish a magazine. Funding even the first issue of Fireside wasn’t something I could have done out of my own pocket. But crowdfunding allowed me to do two things: eliminate a financial risk for myself, and gauge if there was genuine interest in what I wanted to do. I didn’t have the money, but I could invest my time, sweat, and enthusiasm in the magazine.

So once I realized I could do this, I quickly decided I wanted to do something like what Neil Gaiman and Al Sarrantonio did with the anthology “Stories”: find good story-driven fiction, but not focused on a particular genre. I also knew I wanted to try publishing a comic in each issue along with short stories, because I’ve just started reading comics in the past few years, and I love them and wanted to experiment with that.

In the introduction to “Stories,” Gaiman writes of his response to a question about what quote he would want inscribed on the wall of the kids’ section in a public library. He captured the reason why we love good stories in his response:

“I’m not sure I’d put a quote up, if it was me, and I had a library wall to deface. I think I’d just remind people of the power of stories, of why they exist in the first place. I’d put up the four words that anyone telling a story wants to hear. The ones that show it’s working, and that pages will be turned:

“… and then what happened?” “

ANTHONY: What can readers expect in your first issue and beyond?
BRIAN: Each issue will have four short stories of between 2,000 and 4,000 words and one comic. I’m hoping that each issue will be very different in terms of the mix of genres, and therefore each will be a little surprising.

ANTHONY: What is Fireside’s policy on open submissions from authors?
BRIAN: Because of the nature of Kickstarter and because I was starting from scratch, the first two issues of Fireside were invitation-only. By having writers and artists lined up, I was able to offer a lot of rewards tied to each contributor.

However, we do want to start taking submissions. Starting with Issue Three, at least one slot will be held for submitted short stories. I’m not sure what form this will take, but it will probably be a limited window of some kind, both because I am totally new at dealing with submissions, and because we are quarterly and will have only the one slot per issue for now, I don’t think rolling submissions make a lot of sense.

ANTHONY: What made you choose Kickstarter for your fundraising efforts, as opposed to IndieGoGo or any of the other tools out there?
BRIAN: Mainly it was because Kickstarter is the most recognizable of the options, and because more people have heard of it, I thought they’d be more comfortable giving it their credit card information.

ANTHONY: Looking back, is there anything you’d change about your campaign?
BRIAN: The only thing that is apparent right away is that I think we overpriced a couple rewards that didn’t really have any takers, but other than that, I think things went really well. For Issue Two we experimented with a three-week campaign instead of the traditional 30 days, and it worked out great, and cut out one of the slow middle weeks, which are kind of nerve-racking anyway because it seems like interest has died out.

ANTHONY: How can people who missed out on the Kickstarter subscribe/become supporters of Fireside?
BRIAN: Fireside is for sale in several places, and we have subscriptions through Weightless Books. Links to all of those options are available athttp://firesidemag.com/getfireside.

CROSSED GENRES, Author - Interview

This is a week of posts related to various Kickstarter projects I’ve backed and hope you will too. None of them are my own (currently, I’ve got nothing I think I should be doing a Kickstarter for), but all of these are important to me for one reason or another. Some of them are projects of friends. Some of them are just projects I think are cool. Most of them are both.

Today’s spotlight is on CROSSED GENRES. CG started as an online magazine, then became a publisher. They recently hit a financial setback and turned to Kickstarter to rejuvenate. And so far the campaign has not only exceeded expectations, it’s exceeded one stretch goal and, with a few days to go, looks to meet a second stretch goal as well. If they can raise a few more bucks, they can follow through on their intention to pay authors pro rates. I’d love to see this happen, and not only because I plan to eventually submit work to them!

I conducted a new, short interview with publisher Bart Leib about the campaign and their goals:

Crossed Genres

Crossed Genres

ANTHONY: What is the main concept for Crossed Genres?

 BART: Our small press started with our magazine. Each month we choose a genre or theme, and all submissions for that issue have to combine the theme with some aspect of science fiction and/or fantasy. We’ll continue this when we resurrect the magazine in 2013. And if we succeed in reaching our 2nd stretch goal, we’ll achieve a long-time dream of ours: to pay writers professional rates for their stories!

ANTHONY: What can readers expect in your first issue and beyond?

 BART: Our “first” issue will actually be our 37th! We haven’t actually decided what the first new genres will be, but we have plenty to choose from – we have a list of over eight years worth of themes that we didn’t get to during the first three years. If we reach our stretch goal to pay professional rates, it may influence the themes, but no matter what, the themes will be diverse and progressive.

ANTHONY: What is Crossed Genres Magazine’ policy on open submissions from authors?

 BART: CG Magazine has always had open submissions. That will continue when we re-launch in 2013.

ANTHONY: What made you choose Kickstarter for your fundraising efforts, as opposed to IndieGoGo or any of the other tools out there?

BART: We had already run two successful Kickstarter campaigns. Actually we were fairly early adapters, running our first campaign in early 2010. We were already familiar with the process of going through Kickstarter, which makes everything very streamlined and simple. It also has a great existing ecosystem, and that helps more people find the campaign.

ANTHONY: Looking back, is there anything you’d change about your campaign?

 BART: Well it’s still going on, but we do wish we’d known ahead of time that it was going to be such a success! Most things have gone very well, and we only wish we could offer even more to our amazing backers! But the rewards we are offering have been very well received. Really the only “regret” is that we haven’t reached even more people!

ANTHONY: How can people who missed out on the Kickstarter subscribe/become supporters of Crossed Genres?

 BART: Our Kickstarter is still going on! It runs until 5PM EST on Friday, June 22! There’s still time to get some great rewards and help us become a pro-rate market!

THE GARLICKS, Comic Book Creators - Interview

This is the start of a week of posts related to various Kickstarter projects I’ve backed and hope you will too. None of them are my own (currently, I’ve got nothing I think I should be doing a Kickstarter for), but all of these are important to me for one reason or another. Some of them are projects of friends. Some of them are just projects I think are cool. Most of them are both.

Today, I’m spotlighting Lea Hernandez’ soon-to-conclude project to fund her next graphic novel, THE GARLICKS. Lea is a 25-year veteran of the comics field, has worked for DC and Marvel and has produced five graphic novels before now.

I’m going past tapping 4 people who haven’t pledged (as Lea requests below). I’m reaching out to everyone who reads my Facebook, Twitter and this here little blog. If each of you donated $25, you’d get a really cool set of stuff, and you’d help a single mother of two teenagers have a year’s worth of security to pay the bills and finish a fantastic project. So please consider helping out.

leahernandez.large_.jpg

In Lea’s Own Words, from her latest project update:

As THE GARLICKS: Pandora Garlicks, Fail Vampire heads into its final days,  I need your help to make the last big push to get it fully funded, and it CAN BE DONE. (I will also eat a bug*. Really.)

Here’s how:

Everyone who’s pledged, PLEASE tap FOUR people who haven’t backed THE GARLICKS and encourage them to pledge at least $25. (That gets them a signed and sketched in book, a PDF, a sticker, and their name in the book.) That will generate $29,600** in funding, which puts us past goal.

Tell your friends who like Twilight, My Little Pony, want their kids to read more, like vampires, like genre fiction, like manga, parents you know who wonder where the good genre comics for kids are, or people who want to feel good about supporting a single parent entrepreneur.

Please post about THE GARLICKS to Facebook, Twitter, email lists, your blog(s), Tumblr, etc.Tell people THE GARLICKS needs their help to reach its funding goal.

If you’ve got a Big Name pal you can nudge to support THE GARLICKS with a Tweet, Facebook or blog entry, please do. If you’ve got an in at a site like The Mary Sue (who already covered TG, THANK YOU, GALS) or BoingBoing.net, please tell them about THE GARLICKS.

I’ll still be doing my P.T. Barnum thing, too.

Know what else? It’d be COOL to get THE GARLICKS Kickstarter across the finish line in four days. You can say, “I WAS THERE!” You will all be badass Fishbats.

LET’S DO IT! I want to start drawing THE GARLICKS, already!

*I’m not kidding. I will eat a bug. I get to choose the bug, and I will not CHEW the bug, but I will eat one.

**The math: Backers so far: 296. If each of you gets four friends to pledge, we have 1,184 more backers. Get each of them to pledge $25., that’s $29,600.

* * * * *

And of course, you can find all the details of Lea’s THE GARLICKS Kickstarter right here: http://www.kickstarter.com/projects/divalea/the-garlicks-pandora-orange-fail-vampire

HOW TO RUN A BLOG TOUR FOR A SEQUEL

This week’s guest post is by author Bryan Thomas Schmidt, a frequent guest on this site. Bryan is on a blog tour to promote THE RETURNING, the second in his Saga of Davi Rhii science fiction series. We considered doing another interview, but as we’ve now interviewed each other at least four times between our two blogs, I thought a guest post by Bryan would be a nice change of pace, and what better topic to discuss than how to do a blog tour for a sequel without spoiling the first book in the series?  So here he is, ladies and gentlemen, Bryan Thomas Schmidt:

Borali-Military-Crest-300x300.jpg

How To Run a Blog Tour For A Sequel Without Spoiling Book 1

Okay, first of all, the fact that Anthony asked for this topic proves he’s not really my friend, let’s just get that out of the way first.  I mean, I suppose it’s a compliment that he thinks I actually have the answers to this. After all, The Returning is only my second novel ever published. And having been a beta reader for me on it, he of all people should know how tightly the storylines interlap as well as how much the success of this particular sequel depends on suspense and surprise.  To be fair, though, I did it to myself. I’m the one who wrote the novel this way, after all. The fact that he’s an opportunist taking advantage of my self-made quandary is just an unfortunate side effect really.

So let’s get on with it then. How do you run a blog tour for book 2 of a trilogy? Very carefully. Just as craft goes into the writing, so must it be applied to your marketing.

First, choose some excerpts and plot/character details which can be shared to tease the book without ruining the rest of the plot. Not easy, but doable. They should involve the old familiar characters, particularly the protagonist and also the antagonist when possible. And they should be fast-paced and tension filled. You can share the romantic subplots sometimes but usually those emotional highs are best saved and it’s the drama of the obstacles which draws most readers in.

For example, the reading excerpt from this book I have been using is a subplot scene involving my protagonist, Davi Rhii, fighting with his girlfriend/fiancée, Tela, witnessed by his archrival Bordox. It’s told through Bordox’s POV and so we get not only character and plot development for Davi and Tela but also for Bordox. Their relationships were all established in book 1, The Worker Prince. We knew Bordox would want revenge because he always blames Davi for his troubles and Davi really put him in his place in Book 1. Davi and Tela’s romance developed in book 1, but most couples go through phases where they have fights, so no surprise there. Thus, that scene is not a spoiler but it does have enough juice to intrigue fans of the series and new readers as to the kinds of issues book 2, The Returning, holds in store.

Second, choose story descriptions which don’t give too much away about the prior book or the latest. You can tell them the basic plot without ruining the ending. You don’t have to ruin the first book’s ending. Instead of saying “they fought and so-and-so won, but now they’re at it again,” you can say: “In book 2, the characters find themselves in conflict over x, y and z and the repercussions of book 1 are impacting their personal relationships and lives.” See how that avoids mention of the ending yet sets up the conflict in the second book as well as characters? It tells you there’s going to be obstacles to overcome and that the events of the first book do play a role in shaping things but also leaves you room for new things as well. (Dang, even when I’m describing generic sentences I’m writing generic sentences. This could ruin my craft.)

What intriguing tidbits can you offer to tease without giving it away? With The Returning, for example, I can say: “Davi and Tela find their future together threatened by difficulties with their relationship.”  Generic? Yes, but promising because our favorite couple, the antagonist and his love interest, aren’t so perfect after all. In The Worker Prince, we rooted for them to get together so now that’s threatened? Readers will want to know why. There’s complication and complications make for interesting drama. Here’s another example: “Xalivar is back with a vengeance seeking revenge on Davi and all those who defied him.” We don’t know if Xalivar won or lost in the last book, but he wants revenge and that’s well within his character so we’re not spoiling anything. People who enjoyed the larger-than-life villain will enjoy seeing him up to his old antics and how the heroes overcome it.

Here’s a third: “Davi, Farien and Yao reunite for a mission to investigate the murders of Vertullians throughout the system by those opposed to their obtaining citizenship, finding their lives and friendships threatened by what they discover.” Our three buddies with great rapport are back and they are hunting killers and in danger? Who doesn’t want to know what happens?

The-Returning-front-cover-197x300.jpg

Here’s the full description I’ve used for the back of the book, Goodreads, etc.:

The Vertullians are free and have full citizenship but that doesn’t mean they’re accepted. Now someone is sending assassins to kill and terrorize them and it’s riling up old enmity all over again. On top of that, Xalivar is back with a vengeance seeking revenge on Davi and all those who defied him. So Davi, Farien and Yao reunite for a mission to investigate the murders of Vertullians throughout the system by those opposed to their obtaining citizenship, finding their lives and friendships threatened by what they discover. Meanwhile, the new High Lord Councilor, Tarkanius, Lord Aron, and Davi find themselves fighting all over again to preserve the unity of the Borali Alliance, while Xalivar’s allies and even Lords on the Borali Council work against them in an attempt to tear it apart. Davi and Tela find their future together threatened by difficulties with their relationship, and Miri’s adjusting to her new status as a non-royal. The action packed, emotional, exciting Davi Rhii story continues.

I tease familiar character names and remind readers new and old that there will be more political backstabbing, family drama, romantic entanglements and life-on-the-line action. All things people loved about The Worker Prince.

Second, choose the types of post you’d most like to feature: interviews, excerpts, reviews, video blog entries, character interviews, humorous dialogues, guest posts, etc. It’s best to have a variety and spread them out so you don’t run a whole week of reviews or excerpts, etc. Then contact the bloggers you’d like to see participate and ask if they’d be interested, offering post options. When guest blogging, it’s usually best to find a topic or way of discussing one that relates to the blog’s theme and offer that. I also use anchor blogs, big blogs with lots of traffic, on Mondays to start my week and Wednesdays for a boost when I can and scatter the others between. When possible, I have each link to the next day’s post.

It’s important to pick a variety of blogs, too. You don’t want all blogs that reach the same audience. You are trying to let as many people as possible know about your book. Now if your book’s family friendly, an erotica blog probably isn’t the best fit (i.e. use common sense) but I’ve had mystery writers invite me to write about craft on their blogs and so on. Small blogs can reach people, too, especially as they grow and the posts sit there over time. Obviously, the more built-in the audience, the better, but still, you can benefit from the variety of sizes just the same.

Third, start writing. It’s best to start a month or more in advance. You’ll have a lot of content to develop and the more time you have to prepare it, the better quality it can be. You’ll also have time to adopt any changes the host sites might request, etc. Remember to capture the excitement you had in writing the book. There’s plenty of elements from craft of dialogue to plotting to genre choices to character arcs and more you can guest post on. By being creative, you can still tease your book and work in aspects of it without a sales pitch, like I’m doing with this post. Readers love to dig in more in depth to the workings of a novelists mind and they find the behind-the-scenes insight helpful and interesting. And, if you want them to buy your book, you need to convince them you’re interesting. Why else should they agree to dedicate hours to hanging with your mind and creative output? Use humor, provide links and examples, and provide pictures and a bio on every post, including links to not just your book page and site but also to other helpful tools and books you might mention in the post.

Fourth, visit the posts and answer comments. Dialogue with the blogger and readers. Don’t just let it post and disappear. A key part of what makes blogs and blog tours successful is the chance to interact with bloggers/authors. Be personable and have fun. If you get a troll, either ignore them or make a joke. Don’t engage in a flame war. Instead, have fun and answer with as much personality, intelligence and interesting data as you can. That will build relationships with whole new readers. I’ve had people buy my book and even become friends doing that. And those people will then help spread the word with no effort from you.

Blog tours are a lot of work. So is book promotion. But in the present climate of publishing, more and more of that onus falls on the authors. The beauty of blogs is that they’re free and you can reach out beyond your own circles to a wider band, helping draw traffic and attention for others doing solid work and writing while, at the same time, promoting yourself. So there you have it, a few tips to doing a blog tour for a second book without ruining the first. Hit me back in a month or two and I’ll tell you if they work or not. Meanwhile, thanks to Anthony for inviting me to Rambling On.

Bryan Thomas Schmidt

Bryan Thomas Schmidt

Bryan Thomas Schmidt is the author of the space opera novels The Worker Prince, a Barnes & Noble Book Clubs Year’s Best SF Releases of 2011 Honorable Mention, and The Returning, the collection The North Star Serial, Part 1, and has several short stories featured  in anthologies and magazines.  He edited the new anthology Space Battles: Full Throttle Space Tales #6 for Flying Pen Press, headlined by Mike Resnick. His children’s book 102 More Hilarious Dinosaur Jokes For Kids from Delabarre Publishing. As  a freelance editor, he’s edited a novels and nonfiction.  He’s also the host of Science Fiction and Fantasy Writer’s Chat every Wednesday at 9 pm EST on Twitter, where he interviews people like Mike Resnick, AC Crispin, Kevin J. Anderson and Kristine Kathryn Rusch. A frequent contributor to Adventures In SF PublishingGrasping For The Wind and SFSignal, he can be found online as @BryanThomasS on Twitter or via his website. Bryan is an affiliate member of the SFWA.