Book REVIEW: GWEN & ART ARE NOT IN LOVE

TITLE: Gwen & Art Are Not in Love

AUTHOR: Lex Croucher

410 pages, Wednesday Books, ISBN 9781250847218 (hardcover, also e-book and audio)

MY RATING:  4 stars out of 5

I am sucker for anything Arthurian, and especially these days for anything that tweaks the Arthur-Guinevere-Lancelot triangle, so a title like Gwen & Art Are Not in Love, with appropriate medieval dress characters on the cover, was bound to attract my attention. Especially so if the book posits queer relationships for the titular king and queen. I somehow missed the part of the book description that says this novel takes place “hundreds of years after King Arthur’s reign.” And you know what? I’m not disappointed at all.

In college, as part of a course on science fiction, I created my version of a world in which Camelot never fell. It was very different from the world Lex Croucher created for Gwen & Art Are Not in Love, but that didn’t stop me from really enjoying the world Croucher did create, and the characters they populated that world with.

In the present day of the novel, Arthur’s descendant line no longer rules Britain, and the city of Camelot is a shadow of its former self even though it is still the capital. King Arthur’s descendant Arthur is well known as a womanizer and gadabout. He’s also engaged to the current Princess of England, Gwendolyn, and neither of them is happy about it. Especially not when they’re forced to spend the summer together as a lead-up to their nuptials, where they quickly discover that Arthur likes men, and Gwen has a crush on the only female knight of the realm, Lady Bridget. Add in Bridget’s bookish brother Gabriel, next in line for the throne, Arthur’s man-at-arms and confidante, Sidney, and Gwen’s lady-in-waiting Agnes, and you have a fine group of main characters with sometimes-competing agendas and interests who find they have to work together to survive not just the summer tournaments but bigger problems.

Because there is also political upheaval across the land. A group of cultists who want a return to the “pure” ways of King Arthur are making increasingly bold moves against Gwen’s father, the current King. This starts as background world-building but slowly builds to being a major part of the book’s climax. Croucher seeds this development well. Near the end, I found myself thinking back and going “Oh, that’s what that was about...” a couple of times.

All the main characters are well-developed. The book is not in alternating first-person (as so many queer romances seem to be), but the primary points-of-view are Gwen and Art’s, allowing us to see events through both their eyes (sometimes, the same event). Even with chapters focused on the two of them, I felt like we got to also see complexities in the personalities of Bridget, Gabriel, Sidney, and Agnes that fleshed them out as real people rather than love interests and sidekicks. I can’t say the same is true for the older adults of the book – Gwen and Gabriel’s parents, Arthur’s father, and the other members of the King’s Court that we see are for the most part one-note. But that’s okay. They perform the function tertiary characters are supposed to perform and don’t necessarily need to have deeper inner lives in an alternate-historical romance like this. (I hesitate to call the book a fantasy romance (or “romantasy”) because other than the difference in history, I don’t recall any truly “fantasy” elements in the world-building.)

In addition to characters I cared about, the book was paced well. There are just enough sub-plots and side-encounters to keep the ultimate outcome of the romances and the political intrigue delayed without feeling like they are just delaying tactics. The book is just the right length for the story Croucher wants to tell, neither too short nor too long.

If you’re looking for an Arthurian romance that takes place outside of, and builds on, the known Arthurian lore, with queer protagonists and plenty of swordfights and happy endings all around (well, except for the bad guys), then Gwen & Art Are Not in Love is for you. Check it out.

I received an electronic advance reading copy of this book for free from the publisher via NetGalley in exchange for an honest review. This does not affect my opinion of the book or the content of my review. I received the e-ARC well before publication date but never posted the review. Gwen & Art Are Not in Love is available now wherever books are sold.

Sunday Shorts: Valentine's Dave

I love short fiction, and Sunday Shorts is the feature where I get to blog about it. I’ve considered promising to review a short story every day, but that’s a lot of pressure. And while no one will fault me if I miss days, I’ll feel guilty, which will lead to not posting at all. So better to stick to a weekly post highlighting a couple/three stories, as I’ve done in the past.

At the start of the month, editor Lee Blair published Candy Hearts: An LGBTQIA2S+ Charity Anthology, an e-book collection of 16 romance novellas featuring, as one might be able to guess from the title, LGBTQIA2S+ characters. The collection is available for only a limited time, and all proceeds go to the Transgender Law Center and the National Center for Transgender Equality – in my opinion a pair of organizations that absolutely deserve our support. So I’m urging anyone who loves romance to pick the anthology up while it’s available – and even if you don’t love romance, pick it up anyway! Then gift it to someone you know who does love the romance genre while supporting an excellent cause.

Upon opening my copy, I did something I almost never do with anthologies. Instead of reading the stories in order (which I prefer to do because I know how much effort anthology editors put into determining story order), I jumped straight to ‘Nathan Burgoine’s novella – because it is set in the Little Village, and thus connects to the novellas in Burgoine’s “BitterSweets Club” series, which I reviewed a few weeks ago. (A neat little bit of timing/serendipity/whatever you want to call it, that my first “Sunday Shorts” post of the year directly connects to my first “Series Saturday” post.)

Valentine’s Dave by ‘Nathan Burgoine

Dave has had a pretty disastrous streak of Valentine’s Day dates – from the married man to the barfer to the “coffee incident” – but he’s hopeful that this year he can break the streak through a “Secret Admirer” messaging program administered by the Village Business Council and with a little help from his roommate/best friend Asher. Asher is a recent cancer survivor, coming out the other side of chemo, and seems content to help his bestie find romance rather than seek it out himself. Dave has a crush on Victor, a “silver fox” of a veterinarian. Problem is: Dave is not at his most eloquent when it comes to sending secret messages to a cute guy. Luckily, Asher has a way with words. Of course, complications ensue on the path to happily ever after.

Burgoine is not the first author to run a gay spin on Cyrano de Bergerac, to be sure (although I can honestly say I’ve never read another such book, I’m sure they must be out there). But in standard Burgoine fashion, he tweaks the original story by merging it with another standard romance trope (which, if I made it explicit here, would spoil the ending, and I am loath to do that). This combination of tropes makes the story a little twistier, adding just enough inter-character angst to keep the story interesting without causing the reader undue anxiety.

I found Dave’s verbal and physical awkwardness endearing, and his obliviousness a bit too relatable (I tend to be, shall we say, a bit blind when it comes to whether other men are interested in me). Asher’s post-chemotherapy struggles with energy, and his declaring “Are you okay” a forbidden question, was also relatable as a colon cancer survivor myself. I remember the on-set of sudden, unexpected (even though I should have expected it) fatigue in the midst of an afternoon out with friends very well, and I think Burgoine captured it perfectly. I also enjoyed the view of Dave and Asher’s friend group; I think it’s always important to recognize that love doesn’t happen in a vacuum, that outside forces, including caring support from found family, have an effect (thankfully, in this case, positive) on the way romantic relationships form.

As a regular reader of Burgoine’s work, I was overjoyed to see references to members of the BitterSweets Club, and I loved how this novella gives us a tour of the various queer-friendly (and queer-owned) businesses in the Village. If you’ve never read anything by ‘Nathan Burgoine, this novella is a great introduction to the world his characters inhabit – but not in a way that detracts or distracts at all from the main story, which is a wonderful romance.

I’m hoping to post about other novellas in Candy Hearts between now and Valentine’s day. In the meantime, you can read my thoughts on ‘Nathan Burgoine’s other holiday-themed romance novellas featuring the BitterSweets Club in this Series Saturday post.

I’m not a total stranger to writing romance, either. My supernatural gay love story Paradise Fears can be read free here on my website.

Novellas and the Romance Genre

I had the pleasure of getting to know romance author Ginny Frost at a writers retreat a couple of years ago. Since a lot of her work is novella length, I invited her to be a guest here and talk about her relationship with novellas and how they fit in the romance genre.

I’m Ginny Frost, and I write sexy books. Romance is my genre of choice because I love a love story. You know, the part where they fall in love? Whether it’s Elizabeth and Darcy or Han and Leia, the genre calls to me. The novella works wonderfully for love stories.

For me, the shorter format allows me to get to the point of the tale fast. And the point is falling in love. Novellas allow me as an author to focus on the romance (sexy stuff or not). I can write the details about their fears, wants, and needs without having to establish a lengthy backstory. My characters fall into bed quickly and then sort everything else out afterward. Keeping the story concise forces me to push the characters to deal with their issues. They can’t languish in ennui. They must move the plot forward!

Being able to write a short, fulfilling tale is an art form. As a writer, we need to convey everything to our readers in under 40,000 words. Novellas challenge us to tighten our writing and find new ways to express complex ideas. Not to mention, they are much easier to edit than a 100,000-word monster. But I digress…

Recently, there’s been a trend in romance to do MAPs—multi-author projects. Several writers will publish a series of novellas using the same setting, prop, or theme. I’ve taken part in two MAPs and love having my short pieces exposed to other readers. (Wow, that sounded dirty. Good thing I write spicy!) My most recent novella is part of a magical series with seven books. With the shorter format, all seven of us were able to produce and self-pub the novellas within a year. We had time to work on other projects because the stories were under 40,000 words.

Let’s talk about pricing. Unfortunately, the trend is for authors to sell books at a minimum profit. Readers want free or $0.99 titles. It’s hard to mark your work for only a dollar when it takes years to write it. Novellas are a terrific way to lure readers with a book in a low price range. Readers are willing to try out a new author for a dollar. Short works under $2 can entice readers to check you out and then grab that $20 “book of your heart” later.

As a reader, I love the novella. It’s short and sweet. It gives you a taste of the author’s work. With many book titles available, novellas help me weed through the masses to find hidden gems. Romance is not the only genre using this format. I’ve read sci-fi and cozy mystery novellas. These authors show off their skills by creating a satisfying story in such few words. (I’m looking at you, Martha Wells.)

My conclusion? In a world with millions of authors to choose from, mastering the novella format will get eyes on your books. Read widely to see how other authors squeeze a full story into 40k. Then go do it. You won’t regret a thing.

Thanks for letting me visit today. Check out my books here, including my $0.99 newest novella, Artist. I’m all over social media—Facebook, Twitter, and Instagram. I’ve got a fantastic blog for authors called Apps for Writers. And if you like a free book, check out my newsletter for a free prequel to Stonewater Stories.

Ginny Frost is a hybrid author with two traditionally published novels and seven indie titles. She writes contemporary romance with a sexy, funny kick. In her downtime, she plays clerk at the local library—the perfect job to feed her reading addiction. She lives in upstate NY with her very own kindhearted ogre, their two smart and sassy daughters, and an evil cat named Flash.

So Who Publishes Novellas These Days?

When genre readers think of novellas, they tend to think of either TorDotCom, who release a steady stream of awards-nominated novellas every year (including this week’s release Feed Them Silence by Lee Mandelo, which I’ll be reviewing later today, and next week’s The Lies of the Ajungo by Moses Ose Utomi), or of magazines like Asimov’s, AnalogSF, and The Magazine of Fantasy and Science Fiction which have regularly featured novelettes and novellas in their monthly content over their decades of publication.

But there are plenty of other magazines and small press publishers bringing out novellas every year in a variety of genres, and I’d like to mention some of them. This is far from a complete list, and I encourage readers to mention any I don’t in the comments!

Neon Hemlock Press puts out novellas in the horror/SF/fantasy genres, with a focus on LGBTQIA+ creators and stories. They are currently in the last days of their annual novella crowdfunding event, where you can back (a.k.a. preorder) their 2023 slate in print and/or e-book formats. Go check them out before the crowdfunding effort ends on Thursday, March 16th at 4pm.

Speaking of queer-focused publishers: several items in the catalogs of both Lethe Press (including Octavia Cade’s The Stone Weta) and Rebel Satori Press are novella-length, spanning all the genres of speculative fiction and moving into historical, romance and mimetic fiction as well.

Looking novel-length queer romance? Check out Bold Stroke Books. I’m a particular fan of ‘Nathan Burgoine’s “Little Village” novella series, and I’ve been meaning to check out some of their lesbian romance novella collections.

Stelliform Press’s novellas focus on the on-going climate emergency and intersectional views of environmental justice, and range in genre from horror (The House of Drought by Dennis Mombauer) to fantastic science fiction (Weird Fishes by Rae Mariz), and every point in between. Their latest, Another Life by Sarena Ulibarri, comes out May 25th.

If the classics and mimetic fiction are more your thing, look no further than Melville House Publishing. Their “Art of the Novella” collection reissues classic novellas, some in solo book form for the first time ever. They also have a “Contemporary Art of the Novella” series if you’re looking for modern mimetic works at novella length.

Aqueduct Press’ Conversation Pieces series brings feminist science fiction to the demanding reader. While not every volume in this long-running series is a novella (some are poetry or short story collections, others works of non-fiction), quite a few are. Recent releases include To The Woman in the Pink Hat by LaToya Jordan and Apollo Weeps by Xian Mao.

On the mystery side of things, The Mysterious Bookshop’s Bibliomysteries series are usually novelette length excursions into everything from noir to cozy mysteries.

And in addition to the magazines listed at the start of this post, I would be remiss in not mentioning Clarkesworld, which also regularly includes novellas in their pages.

Book Review: SOMEONE IN TIME

TITLE: Someone in Time: Tales of Time-Crossed Romance

EDITOR: Jonathan Strahan

330 pages, Rebellion Publishing, ISBN 9781786185099 (softcover, also available in audiobook, e-book)

DESCRIPTION: (from inside front cover): Even time travel can’t unravel love.

Time-travel is a way for writers to play with history and imagine different futures – for better, or worse.

When romance is thrown into the mix, time-travel becomes a passionate tool, or heart-breaking weapon. A time agent in the 22nd century puts their whole mission at risk when they fall in love with the wrong person. No matter which part of history a man visits, he cannot escape his ex. A woman is desperately in love with the time-space continuum, but it doesn’t love her back. As time passes and falls apart, a time-traveler must say goodbye to their soulmate.

With stories from best-selling and award-winning authors such as Seanan McGuire, Alix E. Harrow and Nina Allan, this anthology gives a taste for the rich treasure trove of stories we can imagine with love, loss and reunion across time and space. 

MY RATING: 5 out of 5 stars

MY THOUGHTS: In lesser hands, an anthology of romantic time-travel stories could have been very one-note and predictable. Thankfully, editor Jonathan Strahan is not “lesser hands.” Someone In Time: Tales of Time-Crossed Romance fully embraces diversity: not just in the types of romantic couples featured but also in the types of time-travel, points of view, and genres.

Eight of the sixteen stories feature LGBTQIA+ characters in a variety of relationship configurations (possibly 9; in one story I’m unsure of the narrator’s gender identity which is probably me not noticing context clues). Some of these queer protagonists are just discovering their sexual orientation, some have been out for years; some of the relationships are new and fraught with “will they or won’t they” tension while some are long-term relationships facing new challenges. Of course, the same is true for the eight stories in the anthology that focus on straight characters, but I still find it noteworthy when stories featuring LGBTQIA+ protagonists in anthologies like this aren’t focused on the trauma of being queer but rather on the ups-and-downs of all romantic relationships. Not that these stories ignore the very real consequences of being queer in certain times and places; they just don’t make that the sole focus of the stories.

Time-travel is thought of as an SFnal sub-genre, usually involving a specific and iconic (or iconic-looking) device: a tricked-out car, a TARDIS, a time-bubble or -machine. And a number of these stories fit that description, with varying degrees of detail as to what the device looks like and the science behind it. But several of these stories move time-travel into the realm of fantasy: the time-travel is an inherent ability, or something accomplished through magic. Part of the fun of starting each new story was wondering how the time-travel itself would be expressed, and the variety helped keep things interesting.

The anthology starts strong right out of the gate with the one-two-three punch of Alix E. Harrow’s “Roadside Attraction,” Zen Cho’s “The Past Life Reconstruction Service,” and Seanan McGuire’s “First Aid.” All three feature LGBTQIA protagonists (one who only relaxes into his identity as the story progresses, one mourning a broken relationship, and one who is out) who meet their romantic partners through different methods of time-travel (a roadside attraction that no one seems to really understand, a mental stimulation device, and a time-bubble that malfunctions).

Sarah Gailey’s “I Remember Satellites” gives us time-travel as a method of making sure history stays on track, and the sacrifices some time-travelers must make to be sure it does. It felt of a piece with Theodora Goss’s “A Letter to Merlin,” in which time-travelers inhabit already-existing historical figures, essentially taking them over to be sure they do what they’re supposed to.

The fantasy side of time-travel is explored in Rowan Coleman’s sweet “Romance: Historical” (who can resist a romance across the decades set in a mysterious bookshop?) and Carrie Vaughn’s “Dead Poets” (which involves an ancient drinking vessel and two quite different historical poets).

Smack in the middle of the anthology, but thankfully not one right after the other, are a couple of truly heart-breaking stories that play with the nature of time-travel: Elizabeth Hand’s “Chronia,” in which the narrator explains to a lover how many times they have and have not met as chronal fluxes mess with their interpersonal timeline, and “Unabashed, or, Jackson, Whose Cowardice Tore a Hole in the Chronoverse” by Sam J. Miller, in which the narrator recounts all the ways in which he might have saved his new boyfriend from being killed had he not been so afraid of the question “walk me home?”.

Leave it to Catherynne M. Valente to craft a story around the ever-changing, gender-fluid, age-fluid personification of the Space-Time Continuum in “The Difference Between Love and Time,” which is both sweet and heart-breaking.

The exploitation of past resources by travelers from the future infuse Lavanya Lakshminarayan’s “Bergamot and Vetiver” and Ellen Klages’ “Time Gypsy” with an extra layer of late-stage capitalism topicality that enhances rather than overwhelms the romance at the heart of each story.

The anthology also includes stories by Jeffrey Ford (“The Golden Hour”), Nina Allen (“The Lichens”), Margo Lanagan (“The Place of All Souls”), and Sameem Siddiqui (“Timed Obsolescence”) that are equally as good as the stories I’ve already mentioned. In fact, I don’t think there’s a weak story in the bunch.

Someone in Time: Tales of Time-Crossed Romance will appeal to romance readers and speculative fiction readers alike.

I received an advance reading copy of this book for free from the publisher via NetGalley in exchange for an honest review. This does not affect my opinion of the book or the content of my review. Because of how delayed I am in posting this, Someone in Time is already available in print, e-book, and audio formats.

Book Review: THREE LEFT TURNS TO NOWHERE

TITLE: Three Left Turns to Nowhere

AUTHOR: Jeffrey Ricker, J. Marshall Freeman, and ‘Nathan Burgoine

235 pages, Bold Stroke Books, ISBN 9781636790503 (paperback; also in e-book)

DESCRIPTION: (from the back cover): Three strangers heading to a convention in Toronto are stranded in rural Ontario, where a small town with a subtle kind of magic leads each to discover what he’s been searching for.

Ed Sinclair and his friends get stuck in Hopewell after their car breaks down. It’s snark at first sight when he meets local mechanic Lyn, but while they’re getting under each other’s skin, the town might show them a way into one another's hearts.

Rome Epstein is out and proud and clueless about love. He’s hosting a giant scavenger hunt at the convention but ends up in Hopewell. When the town starts leaving him clues for its own scavenger hunt, he discovers a boy who could be the prize he’s been searching for.

Fielding Roy has a gift for seeing the past. His trip to reunite with friends hits an unexpected stop in Hopewell, but a long-lost love letter and two local boys give him a chance to do more than watch the past. This time, Fielding might be able to fix the present.

Authors Jeffrey Ricker, J. Marshall Freeman, and ‘Nathan Burgoine believe getting lost is a perfectly legitimate way to find yourself, but suggest you pack snacks.

MY RATING: 4 stars out of 5

MY THOUGHTS: The contents of “Shared World” short story or novella anthologies, with multiple authors working ostensibly in the same setting, can be notoriously hit/miss depending on factors as varied as the depth and breadth of the world-building before the authors start on their own stories, how all of that information is communicated from editors to authors, faithful to the shared setting the individual authors are. Typically, the more writers working in the setting the more likely it is to find “outlier” stories that don’t fit the setting or match the mood of the majority of the stories in the anthology. I’m happy to be able to say that Three Left Turns to Nowhere, a collection of novellas all set in the magical small town of Hopewell, is far more hit than miss despite, or perhaps because of, the quite different tones of the novellas. What all three stories have in common is the set-up of a slightly grumpy out-of-towner stranded in Hopewell meeting a local (or locals) who help lift the out-of-towner’s mood.

Jeffrey Ricker’s “Roadside Assistance” is a great lead-off: a sweet meet-cute of a romance between the grumpy out-of-towner (Ed) and a friendly local mechanic (Lyn) that doesn’t let the grumpy guy stay grumpy for too long. The attraction between the characters is clear from the start and nudged along by forces both human (Lyn’s BFF Josh) and not (a local ghost that only Lyn can see). I could try to count the number of times I found myself smiling at a geeky exchange or adorable moment, but there were too many. Ricker also does a wonderful job setting up the shared world in which these stories operate: by the end of the story I had a solid mental image of the “downtown” of Hopewell, a good sense of the character of the townspeople as a whole, and a total acceptance of the town’s subtle magic and how it works.

“The Scavenger Hunt” by J. Marshall Freeman is still a romance, but not as sweet meet-cute as Ricker’s. It’s a bit darker – homophobia rears its ugly head early in the story and stays a threat throughout in a way that doesn’t quite fit with the other two stories herein – but still centers a budding romance between an out-of-towner (activist Rome) and a local (artist Darcy). I liked the pacing of the story, I liked the way the town’s magic expresses itself (by sending Rome on the same type of scavenger hunt he’s designing for the Con all these out-of-towners are on their way to), and I loved Darcy’s found-object sculpture art. In fact, I loved Darcy – awkward, artistic, possibly neurodivergent Darcy – from the moment he’s introduced. Unfortunately, I can’t say the same for Rome, who I found self-centered beyond likeability even at the end of the story. (Your opinion, of course, may vary.)

The third novella, “Hope Echoes” by ‘Nathan Burgoine, doesn’t center romance for the lead character at all but still hinges the plot on one. The out-of-towner in the equation is Fielding, who can see echoes of the past, and the locals are adorable boyfriends who show him around town and help him resolve a mystery he’s stumbled into thanks to the echoes he can see. The romance is one that occurred well before any of the young men in the story were born, and I won’t spoil how the mystery of the love letter is resolved other than to say there’s a happy conclusion for all involved. The fun of this story is Fielding’s growing friendship with Josh and Logan, a nice interpretation of the way the town’s magic works. The town recognizes that what Fielding needs isn’t a boyfriend or romance – it’s supportive friends and a way out of his depression.

As one would expect, characters from one story pop up in the background or are mentioned in the other stories. But the authors also do an excellent job populating the story with interesting local characters: bed and breakfast owner Candace, used good store owner Mrs. Tremblay; Lyn’s mother; Josh’s father; Logan’s grandmother and her fellow residents at a nursing home; and auto shop owner Sloan and her wife the town Mayor. They make the shared setting of the stories consistent.

I do hope this isn’t the last we’ll see of the magical town of Hopewell. In fact, I’m putting in a request right now for a second anthology with perhaps a focus on lesbian characters – and please, Bold Stroke Books, let one of those be the story of how Sloan and Dina met!

I received this book for free from the publisher via NetGalley in exchange for an honest review. This does not affect my opinion of the book or the content of my review.

Book Review: A LITTLE VILLAGE BLEND

TITLE: A Little Village Blend

AUTHOR: ‘Nathan Burgoine

54 pages, Bold Stroke Books, ISBN 9781636790978 (e-book)

DESCRIPTION: (from the Goodreads page): According to Ivan’s sister Anya, Ivan’s tea leaves promise his perfect match is out there somewhere, just waiting to be swept off their feet. Ivan knows Anya’s always right—an annoying trait for a sister if ever there was one.

Ivan’s own knack with tea might not deal with the future, but it’s pretty good at helping with the here and now. When Walt, a tall, dark, and grumpy soldier shows up at his store, NiceTeas, in obvious need of a hand—and a dog-sitter—Ivan rises to the challenge and offers blends to make Walt’s life a little easier. There’s just no way he can help falling for the guy. But Anya says Walt’s not the one for Ivan, and the tea leaves don’t lie.

Is it worth steeping a here-and-now while waiting for the one-and-only? Ivan’s not sure, but everything tells him it’s all just a matter of finding the right blend.

MY RATING: 5 stars out of 5

MY THOUGHTS: In A Little Village Blend, ‘Nathan Burgoine delivers another sweet gay romance set in the Little Village, an area of primarily queer-owned businesses and queer-occupied apartments. This time, the focus is on Ivan, the co-owner (with his sister Anya) of NiceTeas. Like a lot of Burgoine’s characters who occupy the Village, Ivan has a touch of magical ability: he’s able to imbue the teas he hand-crafts and brews with a little extra magic to help the drinker with what they most need: a boost of confidence, an extra layer of calm, and so on. Anya has a related ability: she can read the grounds/leaves left behind and get a sense of a person’s future. And as the synopsis says, when harried and moody Walt enters NiceTeas, Ivan’s heart says one thing and Walt’s tea leaves as read by Anya say something different. The novella builds off that conflict smoothly and steadily without unnecessary detours or extra complications. It’s a tightly told story with a happily-ever-after (or at least a happily-for-now).

Even at a scant 54 pages, there’s a ton of character development for all three leads. We get details of Ivan and Anya’s childhood and why Anya is so concerned about Ivan finding a man who will love and protect him. We get a good sense of Walt’s current job and the not-work-related reasons he’s out-of-sorts on his first and later visits to NiceTeas. We get a look at Anya’s acting career and her thing about cats. And we get a sense of NiceTeas regular clientele and neighboring businesses as background characters, something a lot of books don’t seem to bother with.  Some of these folks are characters we’ve met in other Burgoine stories, and some are brand new. This being the Village, there’s a strong possibility every new character who gets a name and even a bit of dialogue could turn up as the main character of a later story or novella.

And then there’s Sensei, the husky who brings Ivan and Walt together as more than tea-purveyor and customer. This dog absolutely steals the show in every scene he is in and is the heart of the novella. Often, pets can be nothing more than plot devices or as an easy signifier of a character’s personality (“Oh, this guy is a dog lover”). Not so Sensei. Burgoine and his husband have a husky, so it’s no surprise he gets the dog’s personality so totally correct.

It bears noting once again: you do not have to have read any of Burgoine’s other Little Village novellas to follow the plot of this one. The author goes out of his way to make sure these stories stand alone and can be read in any order. So if gay romance with subtle magic and an adorable husky sounds like your thing, pick up A Little Village Blend.