It has become hackneyed to say that coronageddon has changed everyone’s lives, but that doesn’t make it any less true. Our lives have been forever disrupted by a seemingly random act of nature, and each of us is trying to figure out how to make sense of it in our own way. How do we continue to find meaning without our jobs, without our friends and family by our side, without human interaction? And while every one of us will define their answer differently, in the aggregate I believe our collective answer is that we are all trying to discover a new path in this new reality.
For me, that meant coming back to the thing that gives my life the most meaning – theatre - and figuring out a way to make it work on a digital stage. And so I started by asking myself, “How can theatre continue (even thrive) in a time of social distancing?” The only way to answer that was to experiment, and so Zoom Othello was born.
After each performance, the audience is invited to remain online and share their thoughts and questions with the cast and me. The questions I hear most during these conversations are “Why Zoom?”, “Why Shakespeare?”, and “Why Othello?”
The answer for “Why Zoom?” is mostly mercenary. I wanted to take advantage of the incredible popularity of the platform. It’s simple to use, good quality and, most important, almost everybody is familiar with it. Theatre doesn’t have to be populist, but it does require a willing audience. So if I was going to do something new, I had to do it where the most people would have access to it.
The answer to “Why Shakespeare?” might seem to contradict that, but art lives in contradictions. That made it an almost obvious choice – that and my affinity for the Bard! I wanted to see if the immediacy of an online platform made Elizabethan language more - or less - accessible to the general public. What could we do with the extreme limitations of movement, staging, costuming, props and scenery? How can we effectively stage a fight scene when the actors are on different screens, thousands of miles away? How about love scenes? Can we create an emotional connection with the audience through an imperfect medium?
Which is probably what prompted most people to ask the last question, “Why Othello?” But to me, Othello is the best choice. It is one of Shakespeare’s most tightly wound plays. The characters’ choices are easy to understand, and they don’t suffer from too much psychological complexity. Heavily focused on plot, it drives forward relentlessly to an explosive climax.
More important, though, is that it’s all about contagion. One character, Iago – our ‘index patient’ – spreads the plague of jealousy to every other character. No one is immune. And in the end, there’s no justice. Iago is never punished, he never suffers for his crimes. But the world around him, the world he was a part of, is forever changed. To me, it is the perfect analogy for what’s going on right now.
Our collective story – the story of all humanity - is one of defiance in the face of chaos. When the chaotic forces of the universe threaten, we are compelled to strike out on a journey of discovery; we innovate; we create. That’s why we have art and industry. That’s why we tell stories and build narratives. It’s how we define who we are and stake a claim in the history of our species.
I undertook Zoom Othello to embark on my own, small journey of discovery. Like the characters in the play, I am raging against a contagion that I can’t see and against which I cannot win. But I refuse to allow the chaos to deny me the chance to plant my stake, and to say “I was here.”
Othello will continue it's performances this week:
Thursday, May 14 at 8:00 pm EST (Act IV)
Friday, May 15 at 7:00 pm EST (Act V)
Join Zoom Performance
https://us02web.zoom.us/j/87391802207
