Sunday Shorts: Three from Autumn Cthulhu

Editor Mike Davis takes a line from H.P. Lovecraft’s story “Polaris” (“And in the autumn of the year, when the winds from the north curse and whine, and the red-leaved trees of the swamp mutter things to one another in the small hours of the morning under the horned waning moon…”) and uses it as the core principal of the anthology Autumn Cthulhu (Lovecraft ezine Press, 2016). Here are my thoughts on a few of the stories contained therein:

cover image by andreiuc88

 

“In the Spaces Where You Once Lived” by Damien Angelica Walters

Helena and Jack, a couple in their retirement years, live in a house that backs up onto a beautiful forest. Jack is falling victim to dementia/Alzheimer’s and Helen is struggling to accept the slow loss of her husband and to cope with the changes in his personality. Jack is convinced this house is not his home, that his home is elsewhere: perhaps somewhere in the woods. Walters’ story balances a very real fear (Jack’s health and eventual full loss of memory and cognitive function) with a slow-growing dread that something is very wrong in the woods. Of course, something is, or this wouldn’t be a Lovecraftian story. The relationship between Helena and Jack is drawn so indelibly by Walters, it is easy to see the love that underpins the strangeness and discomfort; scenes with their child and grandchild add to both the poignancy of Jack’s situation and the tension of the mystery of the woods. Helena does eventually learn what’s lurking just out of sight and why it is affecting Jack – but thankfully the author does not use it as an explanation for Jack’s declining mental acuity. That would have been a bit too precious for an otherwise realistic look at the horror of Alzheimer’s and similar diseases.

 

“The Black Azalea” by Wendy N. Wagner

The protagonist of Wagner’s story is Candace, a recent widow whose marriage to Graham was not a happy one especially in the later years. Before he passed, Graham had planted an azalea bush in the shadow of an elm tree that succumbed to Dutch elm disease, leaving room for sunlight to kill the azalea. The dead azalea blocks Candace’s view of her garden, so she decides on the last nice day of autumn to dig the bush out. Which is when she discovers strange rot at the bush’s core … strange rot that seems to be incredibly contagious to all the other plant life on Candace’s property. And eventually to more than just the plants. Wagner is an expert at moving a story from subtle unease to full out horror, and “The Black Azalea” is yet another example of that skill. The story also does not skimp on characterization in favor of horror; Candace’s life as a widow, and her life before becoming a widow, are just as central to the story as the rot is (and, in fact, I began to consider that this (supernatural? extraterrestrial?) rot is something of a metaphor for the course of Candace and Graham’s marriage.

 

“A Shadow Passing” by Daniel Mills

“A Shadow Passing” is one of the most fever dream-like short stories I have read in recent memory. A young boy’s mother leaves their house each day, dressed in widow’s black, to track down “them” – winged batlike shadows that speak to her, taunt her, are leading her to something. Something the boy seems tied to, with his strange fevers. Something the boy’s aunts and grandfather don’t seem to want him to be a part of, seeking medical assistance for him while his mother is away. Mills’ prose is perfect for the story’s overall sense of disconnection from logical reality, of a sick child’s inability to understand why the adults in his life seem to be at odds, of the way fevers especially steal time from us and cause us to hallucinate. I might have been reading too much into the story, but it also feels like an investigation of how adults who get caught up in cults will sacrifice everything, potentially even their own children, for the sake of their new beliefs – and how difficult it is for family members outside the cult to save the ones who have been sucked in.

 

I love short fiction in all its forms: from novellas to novelettes, short stories, flash fiction, and drabbles. Sunday Shorts is the feature where I get to blog about it.

Women In Horror Month

February is “Women in Horror” Month. In honor, I thought I’d put up a list of some of my favorite female horror writers. Note: this is not an exhaustive list. As I’m posting this kind of off-the-cuff as it were, I’m sure I’ll accidentally leave some wonderful creators out. It’s not intentional at all, and certainly not meant to be a slight.

Damien Angelica Walters: While Damien’s short stories may cross genres, her novels have been pretty solidly horror: Ink was about possessed tattoos, Paper Tigers about a possessed photo album, and her most recent, The Dead Girls Club, is about storytelling and the ways in which real-life and sleepover-story horrors relate and interact. Her two short story collections, Sing Me Your Scars and Cry Your Way Home, contain a number of psychological and supernatural horror stories.

Lucy A. Snyder: I haven’t checked out any of her novels (yet), but Lucy writes some of the most disturbing short stories I’ve ever read. “Magdala Amygdala” is one of the few zombie stories I will intentionally reread, knowing it is going to gross me out. Check out her collection Soft Apocalypses.

Mira Grant: Sure, some of the short fiction Seanan McGuire publishes under her own name contains horror elements, usually more on the “dark fantasy” side. But when she writes as “her own evil twin sister,” Mira Grant, the horror takes center stage and the other genre elements (science fiction and fantasy) are extra flavor. The Newsflesh novels (zombies); the Parasitology trilogy (medicine gone amok); ); and a string of novellas from Subterranean Press that cover mermaids, slashers, plagues, and Lovecraftian horror (including Rolling in the Deep, Final Girls, In the Kingdom of Needle and Bone, and In The Shadow of Spindrift House) are among my favorite horror books ever.

Elizabeth Hand: Just on the strength of Wylding Hall alone, Elizabeth Hand is one of my favorite horror writers. I need to read more of her longer work.

Sabrina Vourvoulias: Sabrina’s stories co-mingle Latinx life and legends with alternate history or every-day life, but her near-future novel INK is a horror potentially unfolding in front of us on a daily basis, and everyone should read it. Check out her short fiction in various magazines and anthologies as well.

Kaaron Warren: I reviewed Kaaron’s most recent novella, Into Bones Like Oil, a few days ago here on the blog. Every story of hers I’ve read had snuck into my hind-brain and stayed there.

Silvia Moreno-Garcia: From the near-future vampires of Certain Dark Things to the music-based magic of Signal to Noise and everywhere in between, Silvia writes some of the most compelling horror out there. She’s also the editor of The Dark magazine, cultivating horror from marginalized voices.

Shirley Jackson: The Haunting of Hill House. We Have Always Lived in the Castle.The Lottery.” Of course Jackson is on any list of favorite horror writers I might compile.

Octavia Butler: I am not sure how many years it’s been since I read Fledgling and I still can’t get certain scenes out of my mind. Butler is an author I long-since should have read more of, and I’m working to correct that.

Caitlín R. Keirnan: Caitlín’s short fiction, collected in volumes like The Very Best of Caitlín R. Kiernan, is phenomenal. Her novel The Drowning Girl haunted me for months after finishing it.

Ellen Datlow: Okay, Ellen is not an author. But she curates, both in anthologies like The Best Horror of the Year series and as a novella editor for Tor.com, a wide range of horror from the explicit to the classic to the subtle. No list of “women in horror” would be complete without Ellen’s name on it.

 

Okay, your turn readers. There are a lot of female horror writers I’ve read who aren’t on this list, sins of omission based on a deadline and work-loads and such, and plenty who I’ve never read. Who do you think I should be reading? Give me names in the comments!