Tonight’s Pride Month interview is with author Delia Sherman. Today is also Delia’s birthday!
Hi, Delia! I hope you’re staying safe and healthy during current events. What are you doing to stay creatively motivated in these unusual times?
Since the book I’m currently working on is about war, regime change, revolt, hunger, and desperation, I’m having less trouble than I would have expected staying focused. When I first started this book four years ago, I wanted to write a historical novel, not about the kings and nobles and generals who make history, but about the people history happens to when they’re just trying to live their lives. Before, it was more of a thought experiment; now it’s our reality.
Since June is Pride Month, I have to ask: how has being lesbian influenced or informed your art/craft?
It has certainly had some influence on the stories I choose to tell, but even more on who I choose to tell them about. My tendency to write about finding community and creating family comes, I think, primarily from my being adopted. But my characters, and the kinds of communities and families they create, were born of my experience of being in my 20’s, closeted, shy, and looking for a context in an age of Women’s Liberation and Gay Pride and AIDS. I didn’t realize that at the time, of course—this is 20/20 hindsight. These days, I’m a little more deliberate in my choices. My current novel is very much focused on women’s lives and loves, with men in secondary roles. I’m also exploring gender-neutral and gender-fluid characters, and how they fit in historical periods where men were supposed to be men and women were supposed to be subservient.
You co-authored The Fall of the Kings with your wife Ellen Kushner. As you know, the book made a huge impression on me. It was, I think, the first fantasy novel I was able to see “myself” in after I started my coming-out process. So thanks again for that. Can you talk a bit about how collaborating on a book with your spouse differs, if at all, from collaborating with other writers (for instance, your work on the Serial Box series Whitehall, which sadly did not get a second season)?
For me, writing is kind of like tightrope walking. I’ve got to get from here (my premise) to there (my conclusion) in an entertaining and suspenseful way, without either boring the audience or falling off and breaking my neck. Collaboration is working with a net. Not only do I have someone who can come up with ideas for tricks that would never cross my mind, but if one of us falters, the other can help steady them. Of course, there have to be rules. For The Fall of the Kings, Ellen and I divided the writing. She was responsible for the Society Plot; I came up with the Academic Plot; she was Queen of Worldbuilding, because it was her world. Early on, we decided that the only way this was going to work was to agree that the book was more important than our egos, and then it was all horse-trading and compromise and discussion. We shared our strengths. If I got stuck on dialogue, Ellen wrote it; if she needed description, I added it.
The Freedom Maze and The Evil Wizard Smallbone were among my favorite books in the years they were published and remain high on my recommendations lists. Any chance you’ll return to either of those worlds for further adventures?
Probably not. I’m not, by nature, a series writer. I’ve always liked books that had felt like an episode in the characters’ lives, with a before and after that we might guess or imagine, but aren’t told. Also, they’re middle-grade books, and I’m looking at three long adult historicals that have been circling the runway for something like 15 years. If I get those done (I’m a slow writer, and they’re all pretty research-heavy), then we’ll see. <laughs like a pack of coyotes on holiday>
What are you working on now and what do you have coming out soon?
I am currently enmeshed in a big historical covering (among other things) the eight months between July of 1870 and May of 1871, during which Paris lived through a war, a regime change, a winter siege, a humiliating defeat and brief occupation, a revolution, and a savage repression of that revolution. My main characters are prostitutes, who tended to turn to each other for love and true intimacy. It’s kind of Dickens meets Victor Hugo and they take Baudelaire and Sarah Waters out for dinner. It’s called The Absinthe Drinker, and it’s giving my brain a real workout.
Finally, where can people find you and your work online?
They can find me at www.deliasherman.com, my ancient and out of date website about which I really must do something real soon now.
There are two novellas that are going to form part of the book I’ll be writing when I finish The Absinthe Drinker.
“The Ghost of Cwmlech Manor” is at https://www.tor.com/2011/10/07/the-ghost-of-cwmlech-manor/
“The Great Detective” is at https://www.tor.com/2016/02/17/the-great-detective-delia-sherman/
I haven’t been able to find any of my short stories for free on-line, but there’s an excerpt from “Walpurgis Afternoon,” my lesbian witches in the suburbs story, at https://www.tor.com/2014/10/09/young-woman-in-a-garden-excerpt-walpurgis-afternoon-delia-sherman/
Delia Sherman writes short stories and novels for adults and young readers. Several of her short stories have been nominated for the Nebula and World Fantasy Awards. The Freedom Maze received the Andre Norton Award, the Mythopoeic Award, and the Prometheus Award. Young Woman in a Garden, a collection of short stories, came out in 20014 from Small Beer Press. Her most recent projects are MG novel The Evil Wizard Smallbone and 3 episodes in the Serial Box series Whitehall in collaboration with Liz Duffy Adams. She has taught several writing workshops, including Clarion, the Hollins University Program in Children's Literature, and Odyssey. She can write almost anywhere, but prefers cafes and comfy sofas near a source of tea. She lives in New York City with her wife Ellen Kushner and many books, most of which at least one of them has read. Besides writing and reading other people's manuscripts, favorite occupations are travel, knitting, cooking, and having fun adventures, as long as they don't involve zombies or long-leggedy beasties.