TITLE: SLIGHTS
AUTHOR: Kaaron Warren
528 pages, Angry Robot Books, ISBN 9780857660077 (paperback, also available in e-book, audio)
DESCRIPTION: (from Goodreads): STEVIE IS A KILLER.
But she brings her victims back to life to demand of them: "WHAT DO YOU SEE?"
Now she's about to find out for herself...
After an accident in which her mother dies, Stevie has a near-death experience, and finds herself in a room full of people - everyone she's ever annoyed. They clutch at her, scratch and tear at her. But she finds herself drawn back to this place, again and again, determined to unlock its secrets. Which means she has to die, again and again. And Stevie starts to wonder whether other people see the same room... when they die.
MY RATING: 5 out of 5 stars
MY THOUGHTS: Most of the horror in Kaaron Warren’s Slights is subtle – hints at dreadful things that have happened, the occasional more solid sensory description – because the main character doesn’t allow herself to really experience/process the things she’s doing/seeing/learning. That doesn’t make the horrific aspects of the story any less compelling. In fact, it makes them almost insidious as the hints and sensory descriptions slowly work in the back of the reader’s brain. There are bits and pieces of Stevie’s story that are lingering with me long after I’ve finished the book (it has taken me a while to finally write this review, for which I apologize to the author), little things that pop back into my head because of something I see in my peripheral vision or half-hear because I’m concentrating on something else. And isn’t that the way the best psychological horror works, planting itself in your hindbrain until something brings it out in stark relief?
I say “most of the horror” because there are several scenes of disturbing body horror sprinkled in during each of Stevie’s near-death experiences in the “room” with the people she’s “slighted.” The damage these figures do to Stevie is more graphically presented, but there’s still a psychological aspect: is this really happening, or is it her subconscious attacking her for the things she knows she’s done but can’t bring herself to consciously acknowledge? Most of the “slights” she believes she’s paying penance for in the room are minor things that the “slighted” individuals probably don’t even remember – but the people she’s really harmed don’t seem to show up, or at least not as often and not as brutally. And we’re never sure what Stevie’s victims see, lending weight to the question of what’s really happening. I think disparate readers will interpret what’s going on here differently, a tribute to Warren’s talent.
Stevie herself meets my criteria for an “unreliable narrator.” Whether she’s talking about her own current circumstances, her childhood, or the lives of her parents and their siblings, there are always details she omits or shares and then recants. There are also the things other people say to her that jog the reader into realizing that Stevie doesn’t remember events the same way as others who were present. This forces the reader to pay attention, to start connecting dots on their own. I am a fan of “unreliable narrators,” so it should come as no surprise that I loved this aspect of the book. I enjoy trying to figure out what the narrator is hiding (whether she’s doing it intentionally to mislead the reader, or honestly doesn’t realize she’s doing it at all). I found Stevie’s voice – wistful yet agonized, firm yet shadowy – compelling throughout the book.
Slights is also an excellent crime novel – not only the aspect of whether Stevie will get caught for the thing’s she’s done (she’s a killer – that’s not a spoiler because it’s right there in the book’s tagline), but also the slow unraveling of the truth of her family’s life before her father, a policeman, died in the line of duty. That truth explains a lot about Stevie and her brother and their relationship which is as much at the core of the book as Stevie’s obsession with the room and the people she’s slighted.