TITLE: Summer Sons
AUTHOR: Lee Mandelo
372 pages, TorDotCom Publishing, ISBN 9781250790286 (hardcover, also available in audiobook, e-book. Paperback due on August 16, 2022)
DESCRIPTION: (from inside front cover): Andrew and Eddie did everything together, best friends bonded more deeply than brothers, until Eddie left Andrew behind to start his graduate program at Vanderbilt. Six months later, only days before Andrew was to join him in Nashville, Eddie dies of an apparent suicide. He leaves Andrew a horrible inheritance: a roommate he doesn’t know, friends he never asked for, and a gruesome phantom that hungers for him.
As Andrew searches for the truth of Eddie’s death, he uncovers the lies and secrets left behind by the person he trusted most, discovering a family history soaked in blood and death. Whirling between the backstabbing academic world where Eddie spent his days and the circle of hot boys, fast cars, and hard drugs that ruled Eddie’s nights, the walls Andrew has built against the world begin to crumble.
And there is something awful lurking, waiting for those walls to fall.
MY RATING: 5 out of 5 stars
MY THOUGHTS: Lee Mandelo’s Summer Sons is about as close to an ideal modern gay Southern Gothic novel as we’re likely to ever get. An intriguing set-up (the apparent suicide of a best friend uncovers secrets perhaps best left covered) allows Mandelo to explore not just the bonds between best friends but the way toxic masculinity fosters secrets and separation. All the men in this book have a tough time expressing what they’re really thinking and feeling; there’s a lot of deflection, denial, and just plain silence. There were several times I found myself shouting at the characters to “JUST TALK ALREADY.” It’s frustrating, but in an effective way, building tension for characters and reader alike.
It’s clear from the beginning that it’s not just Andrew’s long-unrequited love for Eddie that drives him to find out why Eddie so suddenly committed suicide. Exactly what else is driving Andrew, why even while in denial he always placed Eddie so much above every other relationship, is one of the slow-burn sub-plots of the novel. All is revealed eventually; the slow parceling-out of the details is paced perfectly for the reveal to hit with maximum “holy shit” effect. As Andrew struggles with accepting his own past, his love for Eddie, and the possibility that he might be falling in love again, his mental state swings from depressed to disturbed and back again. It’s a fantastic character study, a deep look into how depression and anxiety work, especially on someone as closeted as Andrew is.
The new circles Andrew finds himself thrust into are full of interesting characters with their own secrets and agendas that don’t overlap quite the way one might expect. There wasn’t a character introduced that didn’t pique my interest.
And Mandelo fills the book with mood: from the first scene to the denouement, the story fairly drips with claustrophobia. The three main locations (three very different houses) feel close and confining, but so do the outdoor scenes (especially a particular party scene), and even the racing scenes (these boys love their fast cars, and so do the ghosts) despite, or perhaps because of, how well Mandelo captures that sense of speeding down dark roads with the woods on either side barely visible on moonless nights.
There are plenty of twists and turns, and a healthy dollop of supernatural activity and dread, making this a great summer horror read.
I originally received an electronic Advanced Reading Copy of this book from the publisher via NetGalley. For assorted reasons, this review did not get posted at that time. With the paperback edition coming out in August 2022, I thought it was time to rectify that.