Book Review: THE RED LAMP

TITLE: The Red Lamp

AUTHOR: Mary Roberts Rinehart

312 pages, American Mystery Classics, ISBN 9781613161029 (softcover, hardcover)

MY RATING:  3 stars out of 5

SHORT REVIEW: The atmospheric “seaside gothic” setting, a plethora of interesting potential suspects, and the possibility of supernatural activity in The Red Lamp make up for the repeated instances of the main character being in the wrong place at the wrong time in this mystery from “the American Agatha Christie” Mary Roberts Rinehart. If you can get past the main character’s frequent mis-steps and overuse of the “if only we had known how important [item] would be” trope, the rest of the cast, as well as the setting itself, will pull you in and make for a mostly enjoyable read.

LONGER REVIEW: The Red Lamp is narrated by literature professor William Porter mostly through the use of a journal he kept during a particularly troublesome summer holiday on the property he inherits after his Uncle Horace dies. Locals insist the house is haunted. Porter is skeptical, but can’t deny weird stuff is going on, especially when local sheep are ritualistically slaughtered and a volunteer deputy goes missing. Porter can’t help being in the wrong place at the wrong time multiple times throughout the book, becoming the chief suspect as disappearances and bodies pile up.

And that’s what I struggled with the most with this book: just how many times can a man who knows he’s under suspicion and being watched realistically put himself in situations that only increase the police’s suspicions. If it were being played for humor, as a pastiche of period mystery novels, I might feel differently, but there’s no indication Rinehart was sending up the genre or herself. Porter complains of his rising anxiety over being suspected often enough that at one point I actually shouted, “Then stop going places alone!”

I also was not a fan of the overuse of the trope where the narrator interrupts his own journal with phrases like “if only we’d realized at the time how important [thing] would be later…” as if the author didn’t trust her audience to pick up on clues, or as if the narrator is asking the reader for forgiveness for his overweening cluelessness.

What did I like about the book? The atmosphere of the seaside setting. The large manor house and smaller lodge and boathouse are all as much characters as the humans, and the rural surroundings of wood and farmland and dirt roads add a nice sense of menace at key moments. I liked the slow development of the possible supernatural aspect and how the author kept me wondering right up to the end as to whether the big reveal would be supernatural, mundane, or a combination of both. The broad cast of characters, from Porter’s “psychically sensitive” wife, lovesick niece and the niece’s heroic love interest, to the suspicious local doctor, neighboring “recently rich” couple and fairly incompetent police, kept me guessing and provided plenty of suspects outside of the protagonist to choose from.

What I liked and what I didn’t like ultimately balanced each other out. I think had the book been about a quarter shorter in length, with fewer contrivances to make the narrator the chief suspect, I would have enjoyed it more.

This book has been on my shelves in one form or another for quite a few years, having picked up older paperback editions at various used bookstores. American Mystery Classics brought it back into print a few years back, and it’s that edition that I added to my TBR Challenge as an alternate title last year. It’s the title from last year I didn’t read, so I made sure it was first on this year’s challenge. I’m glad I read it, despite the flaws. Mary Roberts Rinehart has been called “the American Agatha Christie” and according to some accounts even outsold Dame Agatha. American Mystery Classics has been steadily bringing her catalog back into print, and I intend to read a few more of her titles, probably with one of her series characters.

2023 RoofbeamReader TBR Challenge

Most avid readers have a “to be read” pile, in our office or near our bed: books we bought intending to read, but just haven’t gotten around to it yet. Some of us have “to be read” bookcases.

In 2023, RoofbeamReader is celebrating the 10th year of his TBR Challenge, and I’m once again participating.

You have to go to RBR’s website to officially sign up for the challenge if you want to be entered to win a gift card to Amazon or the Book Depository at year’s end but the basic rules (other than how to enter) are simple: Choose 12 books that have been on your bookshelf or “To Be Read” list for AT LEAST one full year. This means books with a publication date of 1/1/2022 or later are ineligible; books published in 2021 or earlier qualify as long as they’ve been on your TBR Pile/List. Then choose two (2) alternate titles, just in case one or two of your original twelve end up in the “did not finish” bin.

MY 2023 ROOFBEAMREADER TO BE READ CHALLENGE LIST:

1.       Young Miles, by Lois McMasters Bujold (1997) (Science fiction)

2.       Ice Land, by Betsy Tobin (2008) (historical fantasy)

3.       Let Me In, by John Ajvide Lindqvist (2004) (horror)

4.       The Mystery of the Sea, by Bram Stoker (1902, reissued in 1997) (Classics/horror)

5.       The Book of Lost Saints, by Daniel José Older (2019) (Latinx fiction/supernatural)

6.       The Red Lamp, by Mary Roberts Rinehart (1925/2018) (Mystery)

7.       Dune, by Frank Herbert (1965/2014) (Science Fiction)

8.       Gideon the Ninth, by Tamsyn Muir (2019) (Fantasy)

9.       The Prophets, by Robert Jones Jr. (2021) (historical fiction)

10.   The Celluloid Closet, by Vito Russo (1981) (non-fiction, LGBTQIA history)

11.   The Mythology of Salt and Other Stories, by Octavia Cade (2020) (mixed genres, short stories)

12.   Cemetery Boys, by Aiden Thomas (2020) (YA, transgender, fantasy)

Alternates

1.       Pangs, by Jerry L. Wheeler (2021) (Horror)

2.       Twilight at the World of Tomorrow: Genius, Madness, Murder and the 1939 World’s Fair on the Brink of War, by James Mauro (2010) (non-fiction, US history)

Book Review: AN INDIGENOUS PEOPLES' HISTORY OF THE UNITED STATES

TITLE: An Indigenous Peoples’ History of the United States

AUTHOR: Roxanne Dunbar-Ortiz

296 pages, Beacon Press, ISBN 9780807057834 (softcover, also available in hardcover, e-book, audio)

DESCRIPTION: (from Goodreads): Today in the United States, there are more than five hundred federally recognized Indigenous nations comprising nearly three million people, descendants of the fifteen million Native people who once inhabited this land. The centuries-long genocidal program of the US settler-colonial regimen has largely been omitted from history. Now, for the first time, acclaimed historian and activist Roxanne Dunbar-Ortiz offers a history of the United States told from the perspective of Indigenous peoples and reveals how Native Americans, for centuries, actively resisted expansion of the US empire.

With growing support for movements such as the campaign to abolish Columbus Day and replace it with Indigenous Peoples’ Day and the Dakota Access Pipeline protest led by the Standing Rock Sioux Tribe, An Indigenous Peoples’ History of the United States is an essential resource providing historical threads that are crucial for understanding the present. In An Indigenous Peoples’ History of the United States, Dunbar-Ortiz adroitly challenges the founding myth of the United States and shows how policy against the Indigenous peoples was colonialist and designed to seize the territories of the original inhabitants, displacing or eliminating them. And as Dunbar-Ortiz reveals, this policy was praised in popular culture, through writers like James Fenimore Cooper and Walt Whitman, and in the highest offices of government and the military. Shockingly, as the genocidal policy reached its zenith under President Andrew Jackson, its ruthlessness was best articulated by US Army general Thomas S. Jesup, who, in 1836, wrote of the Seminoles: “The country can be rid of them only by exterminating them.”
 
Spanning more than four hundred years, this classic bottom-up peoples’ history radically reframes US history and explodes the silences that have haunted our national narrative.

MY RATING: 4 out of 5 stars

MY THOUGHTS: Squeezing the entire documented history of all the Indigenous Nations of North America, from pre-colonization through the present, into a single book is a daunting, perhaps impossible, task. Roxanne Dunbar-Ortiz does about the best job achievable, I think, hewing as close to a chronological account as one can when trying to cover a large swath of overlapping peoples, events, causes, and effects. The book is a mostly high-level look at several hundred years’ worth of history, concentrating on the “big events” (including but not limited to the Trail of Tears, Little Big Horn, Wounded Knee) and the various declared and undeclared wars against Indigenous nations right up to the end of the 1800s, while still paying attention to the effect of those wars, as well as genocide and relocation, on Indigenous populations.

The book covers a lot of material I remember studying in elementary school, high school, or both (I feel like the colonial period was covered more generally in elementary school, but then with a greater focus on New York State history at some point) in the 1970s and early ‘80s, but from the point of view of indigenous peoples rather than the white/Eurocentric prevailing view. I know I learned about the Iroquois Confederacy and its influence on the United States Constitution; I know we studied the events of the Trail of Tears, Little Big Horn, and Wounded Knee (although I guess I’m just young enough that the 1973 Wounded Knee Occupation wasn’t something I was aware of until reminded about it here), as well as the Plymouth and Jamestown settlements. I recall learning about the Navajo “code-talkers” contributions to Allied efforts during World War Two. What I don’t remember learning about at all is the systematic shrinking of the reservations and the horrors of the residential school system. To me as a kid/teen, the reservations were some kind of weird “nations with our nation” with unknown boundaries, and I don’t think I knew anyone of actual Indigenous descent until I was well into adulthood. Dunbar-Ortiz’s work has just confirmed for me that there’s a lot I never learned about the Indigenous people of even the area where I grew up (the lower Hudson Valley), never mind the rest of the country.

An Indigenous Peoples’ History of the United States is not just a history book. It is also a critique: of the Doctrine of Discovery, of the way the legend of the founding and growth of the United States glosses over, if not outright erases, the destruction of autonomous Indigenous nations, of how our current military’s language and methodology continues to place Indigenous peoples as “the other”/the enemy. The last few chapters are light on history and heavy on sociopolitical commentary regarding the then-current US (published in 2014) and its near-future, and of how reparations are/are not being made equitably to the Indigenous nations that still survive.

If nothing else, Roxanne Dunbar-Ortiz’s work has inspired me to read more about the Indigenous populations of the areas I grew up, went to college, worked, and currently live: the lower Hudson Valley, western New York state, Roanoke Virginia, and northwest New Jersey. This book also made me want to read the rest of the titles in Beacon Press’s “Revisioning History” series.

Reading Round-Up: February 2021

The monthly summary of what I’ve been reading and listening to in 2021!

BOOKS

I read 12 books in February: 6 in print, 5 in e-book format, and 1 in audio format. They were:

1.       Lightspeed Magazine #129 (February 2021 issue), edited by John Joseph Adams. The usual fine assortment of sf and fantasy short stories. This month’s favorites for me were Phoebe Barton’s “The Mathematics of Fairyland,” Keith Brooke and Eric Brown’s “Me Two,” A.T. Greenblatt’s “The Memory of a Memory is a Spirit,” and Autumn Brown’s “Small and Bright.”

2.       Abbott by Saladin Ahmed (writer), Sami Kivelä (art), Jason Wordie (colors), Jim Campbell (letters), Chris Rosa and Eric Harbur (editor). This graphic novel collects the first Abbott mini-series about intrepid reporter Elena Abbott, who happens to be both black and a woman working at a white-run newspaper in 1972 Detroit. As Abbott investigates a string of unusual murders (of black men and animals), she uncovers supernatural events tied to the death of her first husband. I absolutely loved this: the pacing of the story, the multi-faceted characters (and their full representation of racial/gender/sexuality marginalized groups), and the supernatural threat – the Umbra – along with Elena’s role in fighting it. A second mini-series, Abbott 1973, has just started monthly publication.

3.       The Worker Prince (The Saga of Davi Rhii Book 1) by Bryan Thomas Schmidt. Schmidt takes the Moses myth and jumps in into far-future interstellar space, where the human leader of the Borali Alliance declares the first-born sons of all human Workers must be killed. The one child spared grows up thinking he’s the leader’s nephew until the truth comes out and he rallies the Workers to revolution. Fast-paced space opera with engaging lead characters and a scenery-chewing villain you can’t help but hate.

4.       Lumberjanes True Colors by Lilah Sturges (writer), Polterink! (art and colors), Jim Campbell (letters), Sophie Philips-Roberts (editor). The focus of this stand-alone graphic novel (which does not reprint material from the regular monthly Lumberjanes book) is on Ripley. Ripley, the youngest and most excitable of the ‘Janes, starts to feel like standing out and being noticed isn’t the great thing she’s always thought, and then she meets a zebracorn (yes, you read that correctly, and it’s exactly what you think) who grants her wish to fit in and be like everyone else. Downside? She’s so bland everyone forgets her, which causes problems when her fellow ‘Janes encounter a problem only Ripley’s unique persona can solve. Once again, Sturges and Polterink deliver a story that shows the power of friendship and human need to be liked/respected/needed.

5.       The Returning (The Saga of Davi Rhii Book 2) by Bryan Thomas Schmidt. In the second book of the Davi Rhii trilogy, the Workers (Vertullians) have been made full members of the Borali Alliance, but not everyone is happy about that. Political and personal tensions bubble over. Just as fun and fast-paced as the first book, while adding layers to the characters and to the society as a whole.

6.       An Ordinary Man: An Autobiography by Paul Rusesabagina. I bought this book a few years back after several people recommended it. Reading Rusesabagina’s memoir of his role in saving refugees during the Genocide Against the Tutsi in Rwanda in 1994 was an interesting experience. He has an engaging style, very personable and expressive. The early chapters do a nice job of laying out not just his personal history but a bit of Rwanda’s history that led to the genocide. But about halfway through the book, I started to question what I was reading: were his actions really as altruistic as he was painting? why does he insist on describing the Hutu leaders of the genocide movement as “good men” when they clearly aren’t? Every memoir is subjective – ask five people who witnessed the same event to describe it and you’re going to get five different stories – but this felt a bit like the author was trying to unsuccessfully gloss over things he didn’t think fit the narrative that’s been built around him thanks to the movie Hotel Rwanda. So, I’m reading more about the genocide, from other refugees/survivors. Because one of the things the author is accurate about is the lack of knowledge in the US when it comes to genocide in general and especially to genocides in other countries.

7.       Nine Bar Blue by Sheree Renée Thomas. What an amazing short story collection. Every story here was new to me, even the reprints. I have no idea how I’ve managed to not read anything by Thomas even while being aware of her via Twitter, Facebook, and posts by so many other authors – it’s kind of embarrassing. As the title implies, a lot of these stories have music as a background or basis, and many of them take place in or near Memphis. They also skirt the genre line between horror and fantasy – quite a few gave me chills and a sense of wonder. I’m planning to post a full review soon.

8.       Later by Stephen King. The protagonist of Stephen King’s third novel for Hard Case Crime calls to mind King favorites like Geordie LaChance and Bill Denbrough but is set in the 2000s. There’s a solid supernatural element to this alongside the crime, so something for everyone. FULL REVIEW HERE.

9.       Hawkman Vol 4: Hawks Eternal by Robert Venditti (writer), Fernando Pasarin, Marco Castiello, Marcio Takara (art), Jeromy Cox (colors), Rob Leigh, Richard Starkings (letters), Harvey Richards (editor). Collecting the final issues of Venditti’s fantastic reinvention/expansion of the Hawkman mythos. I regret not picking this series up in monthly format, the story is that good. The run ends as strong as it started, while leaving room for other people to work with the character. I’m planning to do a Series Saturday post sometime soon.

10.   Inside the Hotel Rwanda: The Surprising True Story … and Why It Matters Today by Edouard Kayihura. While I was reading the Rusesabagina memoir, this book and several others about the 1994 Genocide Against the Tutsis in Rwanda popped up as recommendations. So, when I decided I wanted a broader look at the Hundred Days, it made sense to start here. Kayihura’s style is not as immediately personable as Rusesabinga’s; his style is more tense, fully acknowledging the danger everyone was in. Again, the early chapters cover his life pre-genocide and a bit of the country’s history – but Kayihura also extends the story beyond the end of the Genocide, covering his life and the nation’s attempts to heal. There’s also a lot of anti-Rusesabagina talk throughout the book, which matched some of what I thought was suspect about Rusesabagina’s story. I have two more memoirs (one by a female survivor, one by the leader of the UN peacekeeping forces) that I’m going to read this month to try and round out my understanding of what happened.

11.   The Measure of a Man: A Spiritual Autobiography by Sidney Poitier. The only audiobook I listened to this month (I’m traveling far less these days), and what a great listen. Poitier is a wonderful storyteller (no surprise there). What I found interesting is that this is not a linear memoir; Poitier bounces between his early childhood in the Bahamas, his teen years in Miami, his adult married life and acting career and his present (at the time he recorded this) reasons for looking back. He tackles moments in life and those of his parents when those moments tie into whatever point he’s making about being human. And it’s really enthralling all the way through. And he leaves in all the natural verbal tics (the “you knows” and “you understand what I’m saying” type phrases) that most memoirists leave out. There’s nothing effected at all in his style.

12.   How Long ‘Til Black Future Month? by N.K. Jemisin. The first of my fiction To Be Read challenge titles hasn’t been sitting on my shelf as long as some of the other titles on this year’s list, since the book came out in 2018, but it was an appropriate choice for Black History Month, don’t you think? I had previously read a handful of these stories in other venues (“The Ones Who Stay and Fight,” “The Effluent Machine,” “Cloud Dragon Skies,” “Valedictorian,” and “Non-Zero Probabilities”) but most of them were new to me. As with the Sheree Renée Thomas collection, I really tried to savor this one, but could never put it down after just one story. Every single story is thought-provoking, whether it’s science fiction or fantasy, present-day, far-future, or otherworldly. This is not just Afrofuturism/Afrofantasy at its finest, it’s science fiction/fantasy as a whole at its finest.

STORIES

I have a goal of reading 365 short stories (1 per day, essentially, although it doesn’t always work out that way) this year. Here’s what I read this month and where you can find them if you’re interested in reading them too. If no source is noted, the story is from the same magazine or book as the story(ies) that precede(s) it.

1.       “The Mathematics of Fairyland” by Phoebe Barton, from Lightspeed Magazine #129 (February 2021 issue), edited by John Joseph Adams

2.       “Bulletproof Tattoos” by Paul Crenshaw

3.       “Me Two” by Keith Brooke and Eric Brown

4.       “Sidewalks” by Maureen F. McHugh

5.       “Church of Birds” by Micah Dean Hicks

6.       “The Memory of a Memory is a Spirit” by A.T. Greenblatt

7.       “Small and Bright” by Autumn Brown

8.       “Destinations of Beauty” by Alexander Weinstein

9.       “Kisser” by David James Brock, from Fantasy Magazine #64 (February 2021), edited by Christie Yant and Arley Sorg

10.   “Of Course You Screamed” by Sharang Biswas

11.   “Like a Box of Chocolates” by Dani Atkinson

12.   “Flight” by Innocent Chizaram Ilo

13.    “Inflatable Angel” by Seanan McGuire, on the author’s Patreon page.

14.   “Spyder Threads” by Craig Laurence Gidney, from Come Join Us by The Fire Volume 2, (not sure who edited it)

15.   “Navigational Errors” by Lucy A. Snyder, from Fireside #88, edited by Maurice Broaddus

16.   “Ancestries” by Sheree Renée Thomas from Nine Bar Blues

17.   “Thirteen Year Long Song” by Sheree Renée Thomas

18.   “Aunt Dissy’s Policy Dream Book” by Sheree Renée Thomas

19.   “Nightflight” by Sheree Renée Thomas

20.   “River, Clap Your Hands” by Sheree Renée Thomas

21.   “Stars Come Down” by Sheree Renée Thomas

22.   “Child’s Play” by Sheree Renée Thomas

23.   “Headstatic” by Sheree Renée Thomas

24.   “The Parts That Make Us Monsters” by Sheree Renée Thomas

25.   “The Dragon Can’t Dance” by Sheree Renée Thomas

26.   “Who Needs the Stars if the Full Moon Loves You” by Sheree Renée Thomas

27.   “310 Lucy” by Sheree Renée Thomas

28.   “Shanequa’s Blues – Or Another Shotgun Lullaby” by Sheree Renée Thomas

29.   “Madame & the Map: A Journey in Five Movements” by Sheree Renée Thomas

30.   “Teddy Bump” by Sheree Renée Thomas

31.   “Origins of Southern Spirit Music” by Sheree Renée Thomas

32.   “The Ones That Stay and Fight” by N.K Jemisin, from How Long ‘Til Black Future Month?

33.   “The City Born Great” by N.K Jemisin

34.   “Red Dirt Witch” by N.K Jemisin

35.   “L’Alchemista” by N.K Jemisin

36.   “The Effluent Machine” by N.K Jemisin

37.   “Cloud Dragon Skies” by N.K Jemisin

38.   “The Trojan Girl” by N.K Jemisin

39.   “Valedictorian” by N.K Jemisin

40.   “The Storyteller’s Replacement” by N.K Jemisin

41.   “The Brides of Heaven” by N.K Jemisin

42.   “The Evaluators” by N.K Jemisin

43.   “Walking Awake” by N.K Jemisin

44.   “The Elevator Dancer” by N.K Jemisin

45.   “Cuisine des Mémoires” by N.K Jemisin

46.   “Stone Hunger” by N.K Jemisin

47.   “On the Banks of the River Lex” by N.K Jemisin

48.   “The Narcomancer” by N.K Jemisin

49.   “Henosis” by N.K Jemisin

50.   “Too Many Yesterdays, Not Enough Tomorrows” by N.K Jemisin

51.   “The You Train” by N.K Jemisin

52.   “Non-Zero Probabilities” by N.K Jemisin

53.   “Sinners, Saints, Dragons, and Haints, in the City Beneath the Still Waters” by N.K Jemisin

So that’s 53 short stories in February. Quite a bit more than “1 per day” and putting me ahead so far for the year. (February 28th was the 59th day of 2021.)

Summary of Reading Challenges:

“To Be Read” Challenge: This month: 3 read; YTD: 4 of 24 main titles read. (0 of 4 alternate titles read)

366 Short Stories Challenge: This month:  53 read; YTD: 79 of 365 read.

Graphic Novels Challenge:  This month: 3 read; YTD: 5 of 52 read.

Goodreads Challenge: This month: 12 read; YTD: 24 of 125 read.

Non-Fiction Challenge: This month: 3 read; YTD: 4 of 24 read.

Read the Book / Watch the Movie Challenge: This month: 0; YTD: 0 read/watched.

Complete the Series Challenge: This month: 0 book read; YTD: 0 of 14 read.

                                                          Series fully completed: 0 of 4 planned

Monthly Special Challenge:  February was Black History Month and Women in Horror Month, so my challenge, as usual, was to read as many Black authors and women horror writers as I could, and with hopefully a few overlaps. I read 5 books (An Ordinary Man; Nine Bar Blues; Inside the Hotel Rwanda; The Measure of a Man; and How Long ‘Til Black Future Month) by black authors, which was not quite half of the total books read for the month. Most of those short stories I read by black authors were accounted for by the Sheree Renee Thomas and N.K. Jemisin collections, but there was also work by Gidney, Ilo, and Brown. Thomas and Jemisin also accounted for most of my minimal “women in horror” reading, alongside short stories by Seanan McGuire and Lucy A. Snyder.

March is Women’s History Month, so my intent is to read as many female authors as possible.

Reading Round-Up: April 2020

Continuing the monthly summaries of what I’ve been reading and writing.

BOOKS

To keep my numbers consistent with what I have listed on Goodreads, I count completed magazine issues as “books.” I read or listened to 11 books in April: 5 in print, 5 in e-book format, and 1 in audio format. They were:

1.       Lightspeed Magazine #119 (April 2020 issue), edited by John Joseph Adams. The usual fine assortment of sf and fantasy short stories. This month’s favorites for me were Yoon Ha Lee’s “Always The Harvest,” Andrew Dana Hudson’s “Voice of their Generation,” Celeste Rita Baker’s “Glass Bottle Dancer,” and Fred Van Lente’s “Neversleeps.”

2.       The Long Goodbye (Philip Marlowe #6) by Raymond Chandler. Marlowe makes a friend, and the friend commits murder and goes on the run, leaving Marlowe to figure out what really happened while he’s arrested as an accomplice. Listened to the abridged audiobook narrated by the always excellent Elliot Gould.

3.       The Burglar in Short Order by Lawrence Block. Finally, a collection of every short story, vignette and non-fiction piece featuring or about the writing/creation of Block’s burglar/bookshop owner Bernie Rhodenbarr. Not a bad piece in the bunch, including a new essay about how certain characters don’t age but do sometimes fade gracefully from the spotlight.

4.       Miles Morales: Spider-Man Volume 1: Straight out of Brooklyn by Saladin Ahmed, Javier Garron, others. Like I said about Seanan McGuire’s “Spider-Gwen” runs last month: Saladin Ahmed has gotten me invested in a character I knew almost nothing about before he started writing the character. I knew vaguely who Miles Morales was because of all the press when he succeeded Peter Parker as the Ultimate Universe Spider-Man and again when he was merged onto the main Marvel Earth, but otherwise my only familiarity was from the Into the Spider-Verse movie. Now I’m totally on board with Miles, his family, and his friends.

5.       Miles Morales: Spider-Man Volume 2: Bring on the Bad Guys by Saladin Ahmed, Javier Garron, others. A solid second collection, continuing Miles’ adventures and increasing the tension surrounding what new villain in town Ultimatum wants with Miles.

6.       Common Source (John Simon Thrillers #3) by Bryan Thomas Schmidt. Schmidt’s third near-future-SF buddy cop thriller lowers the city-wide stakes slightly (no terrorists looking to destroy major landmarks) but increases the personal stakes, as android cop Lucas George must deal with several of his brethren gone rogue and his Maker going missing. Full Review coming closer to the book’s May release date. (I received an Advance Review Copy from the publisher.)

7.       How to Flirt in Fairieland & Other Wild Rhymes by C.S.E. Cooney. I am really not a strong poetry reader, and I usually don’t feel equipped to judge poems on anything more than an “I liked it” scale. I can say that I enjoyed this collection of fantasy poems, all of which tell stories one wants to fall into.

8.       Carson of Venus: The Edge of All Worlds by Matt Betts. Edgar Rice Burroughs, Inc. launches an official, canonical new set of books starting here: the first new official Carson of Venus novel in decades. New canonical Tarzan, Pellucidar and John Carter novels will follow over the coming year. A longer review is forthcoming next week, but suffice to say I loved it and want more! (I received an Advance Review Copy from the publisher.)

9.       A Sinister Quartet, edited by Mike Allen. A wonderful collection of fantasy-horror novellas by C.S.E. Cooney, Jessica P. Wick, Amanda J. McGee, and Editor Mike Allen. I loved every part of this book, but can’t give a more detailed review at the moment pending possible review publication elsewhere. (I received an Advance Review Copy from the publisher.)

10.   The Adventure of the Naked Guide (The Blood-Thirsty Agent #3) by Cynthia Ward. Ward’s third, penultimate, adventure of Lucy Harker takes her from war-time Germany into the hidden world beneath the Earth’s crust for a reunion with family and with old foes. Non-stop action from start to finish.

11.   The Klaus Protocol by Frank Schildiner. A most excellent Russian spy thriller set in the Asian theater of war in the days before World War Two. Full Review HERE.

STORIES

I have a goal of reading 366 short stories (1 per day, essentially, although it doesn’t always work out that way) this year (366 because it’s a Leap Year). Here’s what I read this month and where you can find them if you’re interested in reading them too. If no source is noted, the story is from the same magazine or book as the story(ies) that precede(s) it:

1.       “The Least of These” by Veronica Roth, from Lightspeed Magazine #119 (April 2020 issue), edited by John Joseph Adams.

2.       “Always The Harvest” by Yoon Ha Lee

3.       “Voice of Their Generation” by Andrew Dana Hudson

4.       “A Subtle Web: A Tale From The Somadeva Chronicles” by Vandana Singh

5.       “Bow Down Before The Snail King!” by Caleb Wilson

6.       “Glass Bottle Dancer” by Celeste Rita Baker

7.       “Neversleeps” by Fred Van Lente

8.       “The Witch Sleeps” by Rati Mehrotra

9.       “In The Land of Rainbows and Ash” by Seanan McGuire, on the author’s Patreon page.

10.   “How To Submit” by Don Redwood, from Daily Science Fiction, edited by Jonathan Laden and Michele-Lee Barasso

11.   “A Bad Night For Burglars” by Lawrence Block, from The Burglar In Short Order

12.   “Mr. Rhodenbarr, Bookseller, Advises A Young Customer On Seeking A Vocation”

13.   “The Burglar Who Strove To Go Straight”

14.   “Like A Thief in the Night”

15.   “The Burglar Who Dropped In On Elvis”

16.   “The Burglar Who Smelled Smoke”

17.   “The Burglar Who Collected Copernicus”

18.   “The Burglar Takes A Cat”

19.   “Monsters” by Jim Butcher, from Parallel Worlds, edited by L.J. Hachmeister and R.R. Verdi

20.   “The Dark of the Sun” by Christopher Paul Carey, from Carson of Venus: The Edge of All Worlds, edited by Christopher Paul Carey

21.   “The Sinister Quartet (Introduction)” by Mike Allen, from The Sinister Quartet, edited by Mike Allen

22.   “The Twice-Drowned Saint (Being A Tale of Fabulous Gelethel, the Invisible Wonders Who Rule There, And The Apostates Who Try To Escape” by C.S.E. Cooney

23.   “An Unkindness” by Jessica P. Wick

24.   “Viridian” by Amanda J. McGee

25.   “The Comforter” by Mike Allen

So that’s 25 short stories in April. Once again under “1 per day,” putting me further behind for the year so far. (April 30th was the 121th day of 2020.)

Summary of Reading Challenges:

“To Be Read” Challenge: This month: 0 read; YTD: 3 of 14 read.

366 Short Stories Challenge: This month:  25 read; YTD: 84 of 366 read.

Graphic Novels Challenge:  This month: 2 read; YTD: 9 of 52 read.

Goodreads Challenge: This month: 11 read; YTD: 50 of 125 read.

Non-Fiction Challenge: This month: 0 read; YTD: 4 of 24 read.

Read the Book / Watch the Movie Challenge: This month: 0; YTD: 0 read/watched.

Complete the Series Challenge: This month: 1 books read; YTD: 6 of 16 read.

                                                                Series fully completed: 0 of 3 planned

Monthly Special Challenge: April was National Poetry Month, so my goal was to read some poetry. I am notoriously not a reader of poetry, but I did manage to read one poetry collection by C.S.E. Cooney.

May is Asian-American and Pacific Islander Heritage Month, so my goal is to read a number of authors either from or descended from that part of the world and maybe squeeze in some non-fiction about that part of the world.

Reading Round-Up: March 2020

Continuing the monthly summaries of what I’ve been reading and writing.

Going strictly by these numbers, March was a slow reading month for me. Except not really. It’s just that a good chunk of what I read in March was proofreading, copy-editing or beta-reading on books that won’t be out until later in the year: one novel, two novellas, a memoir, and a large pile of short stories. They’ll be added into the tally for whatever month the books actually come out in.

BOOKS

To keep my numbers consistent with what I have listed on Goodreads, I count completed magazine issues as “books.” I read or listened to 8 books in March: 5 in print, 2 in e-book format, and 1 in audio format. They were:

1.       Lightspeed Magazine #118 (March 2020 issue), edited by John Joseph Adams. The usual fine assortment of sf and fantasy short stories. This month’s favorites for me were Kristina Ten’s “Tend To Me,” Tahmeed Shafiq’s “Love and Marriage in the Hexasun Lands,” and A.M. Dellamonica’s “Living The Quiet Life.”

2.       The Haunting of Tram Car 015 by P. Djèlí Clark. An intriguing novella set in an alternate Cairo in which magic works and supernatural creatures interact with humanity, with a very steampunk feel. And it’s a mystery, featuring two detectives trying to figure out exactly is haunting the titular tram car and how to exorcize it. Interesting characters, strong world-building.

3.       A Dead Djinn in Cairo by P. Djèlí Clark. This is actually the first novelette set in Clark’s alternate history magic-imbued Cairo, but I read them out of order. The order doesn’t really matter – there are two characters from this one who play supporting roles in the other, but otherwise they are stand-alone tales in the same setting. I really, really loved the lead detective in this one and hope to see more of her. This is a very “fair play” mystery – all the clues are there for the reader to follow.

4.       Choke Hold (Angel Dare #2) by Christa Faust. This made it onto my To Be Read Challenge for 2020 because I should have read it a long time ago. It’s a sequel to Faust’s award-winning first Angel Dare thriller, Money Shot, and it’s every bit as intense and full of violence and sex. The sex isn’t particularly graphic, but it’s also not completely off-screen. Faust is one of only two female authors to appear under the Hard Case Crime imprint, and I have to assume low sales are why we haven’t seen a third Angel Dare book, as this one ends with a strong hint that Angel’s story isn’t over. Sad, because for noir/crime/thriller fans this should be an ideal series.

5.       Infidel by Ayaan Hirsi Ali. Recommended by my friends Dan and Mikayla, I finally listened to Ali’s first memoir, narrated by the author. What an incredible story of indoctrination and rebellion at the personal level and how it can also affect the larger picture. I find that I get much more out of memoirs when I can listen to the actual author read/perform their own story.

6.       Spider-Gwen: Ghost-Spider Volume 1: Spider-Geddon by Seanan McGuire, Rosi Kämpe, others. I have been out of touch with most Marvel and DC Comics for a long time, including the Spider-Man family of books. I started buying monthly issues again largely because of the comics work Seanan McGuire, Saladin Ahmed, and Kat Howard have been doing the past two years, including Seanan’s Spider-Gwen runs. I have to say Seanan did a wonderful job introducing me to a character I was completely unfamiliar with and getting me to care about her quickly. And the art is fun, even in the midst of a line-wide crossover event (Spider-Geddon) for which I was not reading ANY of the other titles.

7.       Spider-Gwen: Ghost-Spider Volume 2: The Impossible Year by Seanan McGuire, Takeshi Miyazawa, others. The second and final Spider-Gwen: Ghost Spider volume collects the second half of McGuire’s initial run at the character, setting up the title’s relaunch.  More solid characterization, and lots of “let’s blow up everything in Gwen’s world” scenes.

8.       Ghost-Spider Volume 1: Dog Days Are Over by Seanan McGuire, Takeshi Miyazawa, others. A new, shorter, series title for a relaunch that sees Gwen taking advantage of her status as one of the only Spider-folk who can cross dimensions on her own to go to college on Marvel’s core-Earth where nobody knows who she is. Except the Jackal does, and he wants her as he’s wanted every version of Gwen. McGuire writes the creepy stalker character very well.

STORIES

I have a goal of reading 366 short stories (1 per day, essentially, although it doesn’t always work out that way) this year (366 because it’s a Leap Year). Here’s what I read this month and where you can find them if you’re interested in reading them too. If no source is noted, the story is from the same magazine or book as the story(ies) that precede(s) it:

1.       “Giant Steps” by Russell Nichols, from Lightspeed Magazine #118 (March 2020 issue), edited by John Joseph Adams.

2.       “Living The Quiet Life” by A.M. Dellamonica

3.       “Many Happy Returns” by Adam-Troy Castro

4.       “Reliable People” by Charlie Jane Anders

5.       “Viewer, Violator” by Aimee Bender

6.       “Tend To Me” by Kristina Ten

7.       “Three Urban Folk Tales” by Eric Schaller

8.       “Love and Marriage in the Hexasun Lands” by Tahmeed Shafiq

9.       “Another Beautiful Day” by Seanan McGuire, on the author’s Patreon page.

10.   “The All-Night Horror Show” by Orrin Grey, from The Dark #58 (March, 2020), edited by Silvia Moreno-Garcia and Sean Wallace

11.   “The Summer Is Ended and We Are Not Saved” by Natalia Theodoridou

12.   “Escaping Dr. Markoff” by Gabriela Santiago

13.   “Casualty of Peace” by David Tallerman

14.   “Goodbye” by Jim Butcher, from author’s email newsletter

15.   “Whoever Fights Monsters” by Cynthia Ward, from Athena’s Daughters, edited by Jean Rabe

So that’s 15 short stories in March. Once again way under “1 per day,” putting me further behind for the year so far. (March 31th was the 91th day of 2020.)

Summary of Reading Challenges:

“To Be Read” Challenge: This month: 1 read; YTD: 3 of 14 read.

366 Short Stories Challenge: This month:  15 read; YTD: 58 of 366 read.

Graphic Novels Challenge:  This month: 3 read; YTD: 7 of 52 read.

Goodreads Challenge: This month: 8 read; YTD: 39 of 125 read.

Non-Fiction Challenge: This month: 1 read; YTD: 4 of 24 read.

Read the Book / Watch the Movie Challenge: This month: 0; YTD: 0 read/watched.

Complete the Series Challenge: This month: 0 books read; YTD: 5 of 16 read.

                                                                Series fully completed: 0 of 3 planned

Monthly Special Challenge: March was Women’s History Month, so my goal was to read primarily female writers. Of the eight books read in March, five were by female authors (okay, yes, three were by Seanan McGuire.) (Also, of the 15 short stories read, 8 were by female authors.)

April is National Poetry Month. I am notoriously not a reader of poetry, but I’m going to try to read at least a little.

Reading Round-Up: February 2020

Continuing the monthly summaries of what I’ve been reading and writing.

BOOKS

To keep my numbers consistent with what I have listed on Goodreads, I count completed magazine issues and stand-alone short stories in e-book format as “books.” I read or listened to 12 books in February: 11 in print, 1 in e-book format, and 0 in audio format. They were:

1.       Lightspeed Magazine #117 (February 2020 issue), edited by John Joseph Adams. The usual fine assortment of sf and fantasy short stories. This month’s favorites for me were Victor LaValle’s “Ark of Light,” Kij Johnson’s “Noah’s Raven,” Daniel Jose Older’s “A Stranger At the Bonchinche,” and Maria Romasco-Moore’s “Dying Light.”

2.       The Golden Key by Marian Womack. A gothic-supernatural novel that takes place mostly in a London experiencing an upswing in interest in the occult thanks to the death of Queen Victoria. Told from the points of view of three characters: a man with a mysterious past, a woman who covers her deductive abilities with a veneer of the supernatural, and a young governess in the town the man is from. Full Review Here.

3.       The Midwinter Witch (The Witch Boy Book Three) by Molly Knox Ostertag. The third in Ostertag’s tales of Aster, a boy who has a talent for witchcraft even though all of the boys in his family are supposed to be shapeshifters. This time, Aster has to decide if it’s time to show off his growing prowess at the family reunion/midwinter celebration or he should heed his protective mother’s advice and stay hidden a while longer. I love every installment of this series.

4.       The Black God’s Drums by P. Djèlí Clark. Alternate history/steampunk/Afrofuturism novella that takes place in an independent New Orleans under siege by several outside forces including the Confederacy and the Union. The main character, a young girl who serves as a conduit for a powerful Orisha, must figure out how to save her city with the aid of a smuggler, the smuggler’s airship crew, a feral child and a pair of odd nuns. Full Review Here.

5.       LaGuardia (LaGuardia Vol 1) by Nnedi Okorafor, Tana Ford and James Devlin. In Okorafor’s future where aliens are immigrating to Earth, New York City’s LaGuardia Airport is still a hot mess for passengers arriving and departing. This topical piece of SF takes on immigration, acceptance vs. tolerance, and politics. The art by Ford and Devlin is realistic and expressive. Looking forward to seeing where the story goes.

6.       Arrow of God (Africa Trilogy #2) by Chinua Achebe. I set a goal to read all of Achebe’s Africa Trilogy last year after reading Things Fall Apart in 2018. I didn’t make the goal, so I set it again this year. This middle volume of the story only peripherally mentions events from the first book, but continues to focus on the conflict between local custom and new rules during the British colonization of Nigeria, this time with particular attention to religious belief. Powerful work.

7.       The Shape of Friendship (A Lumberjanes Original Graphic Novel) by Lilah Sturges and Polterink. The second Lumberjanes original graphic novel (as opposed to trade paperbacks collecting the monthly comics run) focuses on the friendship between April and Jo, and how that friendship morphs/changes with the arrival of Barney, who Jo went to came with before attending the Lumberjanes camp. April’s devotion to and protectiveness of her childhood best friend is beautiful, and the story doesn’t go in the expected/trope-y directions. This might also be the first Lumberjanes book to make explicit the fact that Jo is transgender, and it is wonderfully handled.

8.       The Ballad of Black Tom by Victor LaValle. I read this before I found out it was a response to/reworking of a specific H.P. Lovecraft story I’ve never read. It is a fantastic story on its own, with deep character work for the three main characters and plenty of both cosmic and every-day horror to go around. When compared to the very racist, very not-scary Lovecraft original, it becomes even more impressive. Longer Review coming soon.

9.       Parable of the Sower by Octavia E. Butler. One of my “To Be Read” Challenge books for 2020, this is only the second Butler I’ve read in my life. More SF than horror, it shares some similarities with Butler’s Fledgling in that the author pulls no punches and hides no trauma. I found myself intrigued by the Earthseed belief system the main character develops, and caught up in how Butler extrapolated, in the 90s, a near-future that feels even more real right now.

10.   Docile by K.M. Szpara. As I said in the Full Review I Posted Recently, Szpara’s debut novel joins Sabrina Vourvoulias’ Ink, and Butler’s Parable of the Sower, on a shelf of near-future SF that is not only believable given our current climate but harrowing and hopeful at the same time. Be warned though: there are all kinds of sexual and emotional abuse and assault front and center throughout the book, and lots of explicit sex. This book is not for the squeamish.

11.   The Dream-Quest of Vellit Boe by Kij Johnson. Another Lovecraftian novella that builds off of and responds to a specific Lovecraft story (in this case “The Dream-Quest of Unknown Kadath,” which I read many years ago and have some vague memories of). Johnson gives us a strong female professor setting out across the Dreamlands to find a missing student. It’s more fantasy than horror, and takes on the nature of dreams, reality, and the way the machinations of those who are more powerful affect those who have little or no power. Longer Review coming soon.

12.   Imaginary Numbers (InCryptid #9) by Seanan McGuire. The newest InCryptid novel finally places cousin Sarah Zallaby, who has been recuperating since overusing her powers in the second novel, at the front of the action, along with cousin Artie. Even having read the back-cover description, the book didn’t go where I thought it was going to, with some very pleasant surprises along the way. There’s also a bonus novella that bridges the action of the previous novel (which focused on Antimony Price) and this one.

STORIES

I have a goal of reading 366 short stories (1 per day, essentially, although it doesn’t always work out that way) this year (because it’s a Leap Year). Here’s what I read this month and where you can find them if you’re interested in reading them too. If no source is noted, the story is from the same magazine or book as the story(ies) that precede(s) it:

1.       “Ark of Light” by Victor LaValle, from Lightspeed Magazine #117 (February 2020 issue), edited by John Joseph Adams.

2.       “How We Burn” by Brenda Paynado

3.       “Dying Light” by Maria Romasco-Moore

4.       “The Gamecocks” by JT Petty

5.       “Noah’s Raven” by Kij Johnson

6.       “A Stranger at the Bochinche” by Daniel Jose Older

7.       “Toxic Destinations” Alexander Weinstein

8.       “A Statement in the Case” by Theodora Goss

9.       “All That Glitters” by Seanan McGuire, on the author’s Patreon page.

10.    “Journal” by Jim Butcher, from The Jim Butcher Mailing List, edited by Fred Hicks

11.   “Emergent” by Rob Costello, from The Dark #57 (February, 2020), edited by Silvia Moreno-Garcia and Sean Wallace

12.   “Holoow” by Michael Wehunt

13.   “Ngozi Ugegbe Nwa” by Dare Segun Falowo

14.   “Live Through This” by Nadia Bulkin

15.   “The Best Horses Are Found in the Sea, and Other Horse Tales To Emerge Since The Rise” by Beth Cato, from Daily Science Fiction February 14, 2020 edited by Michele-Lee Barasso and Jonathan Laden

16.   “The Horror at Red Hook” by H.P. Lovecraft, in stand-alone ebook format, editor unknown

17.   “Follow The Lady” by Seanan McGuire, new novella published as back-matter for the novel Imaginary Numbers.

So that’s 17 short stories in February. Way under “1 per day,” so I’m behind for the year so far. (February 29th was the 60th day of 2020.)

Summary of Reading Challenges:

“To Be Read” Challenge: This month: 1 read; YTD: 2 of 14 read.

366 Short Stories Challenge: This month:  17 read; YTD: 43 of 366 read.

Graphic Novels Challenge:  This month: 3 read; YTD: 4 of 52 read.

Goodreads Challenge: This month: 12 read; YTD: 31 of 125 read.

Non-Fiction Challenge: This month: 0 read; YTD: 3 of 24 read.

Read the Book / Watch the Movie Challenge: This month: 0; YTD: 0 read/watched.

Complete the Series Challenge: This month: 1 books read; YTD: 5 of 16 read.

                                                                Series fully completed: 0 of 3 planned

Monthly Special Challenge: February was Black History Month and Women in Horror Month, so my goal was to read primarily authors from Africa or of African descent and female horror writers. Of the twelve books read in February, five were by authors from Africa or of African descent; three were horror or horror-adjacent works by female authors (Octavia E. Butler counted in both categories, but I did not count Seanan McGuire as a female horror writer because the book of hers I read this month was not part of her horror output.)

March is Women’s History Month, so my goal is to read primarily women authors across various genres and formats.

Reading Challenges For 2020

I always set myself more than one reading challenge per year. Some carry over from year to year, and some are new. Some are broad and some are themed. And in many cases, books read will help me meet more than one challenge. Here’s this year’s list.

TO BE READ CHALLENGE

In past years, the wonderful Roofbeam Reader has hosted a “To Be Read Challenge” with specific rules about posting, etc. He’s not hosting one this year, but I’m going to do a version of the challenge for myself without making it a separate post this year. The idea is to pick 12 books (plus 2 alternates in case you find yourself unable to finish a couple of your main choices) that have sat unread on your bookshelf for a year or more. Thus, books published in 2019 wouldn’t be eligible, nor would re-reads. I plan to come back to this post and add “date completed” for each book individually and for each series as a whole. Here are my 14 for 2020 (not listed in intended reading order):

1.       Tales of the City by Armistead Maupin

2.       No Longer at Ease by Chinua Achebe

3.       Logan’s Run by William F. Nolan and George Clayton Johnson

4.       A Diet of Treacle by Lawrence Block

5.       Shadowhouse Falls by Daniel Jose Older

6.       Greatheart Silver by Philip Jose Farmer - finished September 23, 2020

7.       Pirates of Venus by Edgar Rice Burroughs - finished January 22, 2020

8.      The Bad Seed by William March - finished October 30, 2020

9.    The Parable of the Sower by Octavia E. Butler - finished February 19, 2020

10.   Choke Hold by Christa Faust - finished March 29, 2020

11.   Trail of Lightning by Rebecca Roanhorse

12.   The Complete Persepolis by Marjane Satrapi

Alternate #1: The Mystery of the Sea by Bram Stoker

Alternate #2: Excalibur! by Gil Kane and John Jakes

366 SHORT STORIES CHALLENGE

Every year, I challenge myself to read one short story per day. Some years I keep the pace pretty well, and some years I fall behind and then scramble to catch up (and some years, I catch up and fall behind again). I used to post thoughts on each individual story over on my now-largely-defunct Livejournal; this year I plan to review a story or two in-depth each Sunday and then do a monthly “round-up” of all stories read that month. I’m defining “short story” as anything from flash fiction to novella-length. If a story/novella is published as a stand-alone book (ebook or otherwise), that story will also count towards my annual Goodreads “Books Read Challenge.” 2020 being a leap-year, the goal is 366 instead of the usual 365.

GOODREADS CHALLENGE

Goodreads allows members to set a challenge. In 2019, I set a goal of 125 books and actually read 144. For 2020, I’m setting the same goal of 125 to start with, and we’ll see what happens. Goodreads counts magazines and individually-published short stories as “books,” so I count them for this challenge as well. Of course, any book read for the TBR Challenge, or the other challenges mentioned in this post count towards this one.

GRAPHIC NOVEL CHALLENGE

I own far more graphic novels and trade paperback collections of classic comics than I’ve read. In 2017 I started trying to turn that around, and I’m again setting a goal in 2020 of reading one graphic novel per week, so 52 for the year, tracking them in the monthly Reading Round-Up Posts.

NON-FICTION CHALLENGE

As with graphic novels, I tend to get intrigued by and purchase far more non-fiction books than I actually end up reading. In an effort to clear some shelf-space, justify the money spent, and increase my knowledge a bit, I’m setting myself a new challenge this year to read two (2) non-fiction books per month, or 24 for the year, also tracked via the monthly Reading Round-Up posts.

READ THE BOOK / WATCH THE MOVIE CHALLENGE

I have so many books in my collection that are the basis for classic (and sometimes not-so-classic) movies that I thought it would be fun to read some of them and then see how the movies compare. In 2019, I didn’t do so well on this challenge, but I’m game to try again, and of course track them in the monthly Reading Round-Up posts.

COMPLETE THE SERIES CHALLENGE

In previous years I’ve challenged myself to come “up to date” on series I’d started but fallen behind on. Last year, I challenged myself to also read one series that I own but have not read. Titles that I have read in each series are indicated with (read). Last year, I blew this completely, so I’m repeating two of the challenges from last year, adding two (one that will be audio rather than print) for 2020.  I plan to come back to this post and add “date completed” for each book individually and for each series as a whole. If I complete any other series on my shelves, I’ll come back and add that series to this entry.

THE VELVETEEN SERIES by Seanan McGuire

1.       Velveteen Vs. The Junior Super-Patriots

2.       Velveteen Vs. The Multiverse

3.       Velveteen Vs. The Seasons

THE AFRICA TRILOGY BY Chinua Achebe

1.       Things Fall Apart – read in 2018

2.       Arrow of God - read in February 2020

3.       No Longer At Ease

CARSON OF VENUS by Edgar Rice Burroughs

1.       Pirates of Venus - read in January 2020

2.       Lost on Venus

3.       Carson of Venus

4.       Escape on Venus

5.       The Wizard of Venus

THE PHILIP MARLOWE SERIES (audiobook versions)

1.       The Big Sleep – listened to in November 2019

2.       Farewell, My Lovely – listened to in November 2019

3.       The High Window - listened to in January 2020

4.       The Lady in the Lake - listened to in January 2020

5.       The Little Sister - listened to in January 2020

6.       The Long Goodbye - listened to in April 2020

7.       Playback

8.       Poodle Springs (started by Chandler, completed by Robert B. Parker)

MONTHLY MINI-CHALLENGES

In 2019 for the first time I set myself some monthly mini-challenges based on various factors. I’m going to do it again in 2020, but list those challenges here as well:

January: No specific challenge (because I want to catch up on stuff from late 2019)

February: Authors from Africa or of African descent (for Black History Month)

March: Women Authors (for Women’s History Month)

April: Poetry (for National Poetry Month)

May:  Asian/Pacifican Authors (for Asian Pacific / South Asian Heritage Month)

June: Queer Authors (for Pride Month)

July: US and World History (because of Independence Day)

August: Classic and New Pulp Authors (because Pulpfest/Farmercon is held this month)

September: Hispanic authors (Hispanic Heritage Month)

October: Horror! Horror! Horror! (because Halloween, obviously)

November: Noir (because “Noirvember”)

December: Winter Holiday-related Fiction (Christmas, Hannukah, etc.)

Review of Under The Sunset

TITLE: Under the Sunset

AUTHOR: Bram Stoker

136 pages, Wildside Press, ISBN 9781592249779 (paperback)

(editions available from several publishers, though)

DESCRIPTION: (from Goodreads): Far, far away, there is a beautiful Country which no human eye has ever seen in waking hours. Under the Sunset it lies, where the distant horizon bounds the day, and where the clouds, splendid with light and color, give a promise of the glory and beauty that encompass it. Sometimes it is given to us to see it in dreams. This Country is the Land Under the Sunset. This is the story of that Country, and what happened when evil came to abide there. It is a story all of us must hear.

MY RATING: Three stars out of Five

MY THOUGHTS: Over the past few years, I’ve been attempting to read through all of the works of Bram Stoker. It’s been a slow project. I usually put one owned-but-unread Stoker work on my TBR Challenge list each year, but there have been years where I don’t complete the Challenge and the Stoker choice for that year goes unread. I’m also pacing myself on the Stoker books I do own until I get around to buying the ones I don’t. Semi-regular re-reads of Dracula, and less frequent re-reads of The Jewel of the Seven Stars and The Lair of the White Worm, don’t help my pace either. All of this to say that I’ve been meaning to read Under the Sunset for years. I finally got around to it in May – and I’m tempted to say that’s a couple of hours of my life I’ll never get back.

Okay, it wasn’t that bad. But it’s certainly not Dracula’s Guest and Other Weird Stories in terms of consistent quality, either.

I’d first read some of Stoker’s short stories in a tidy little volume called The Bram Stoker Bedside Companion, acquired at a library book sale somewhere in my teen years during my early fascination with Dracula and Lair of the White Worm. I liked most of the stories in that volume, many of which felt very Poe-like, and only later found out that a number of them were either novel excerpts or pulled from other collections, like this one. So I was prepared to enjoy a collection of fairy tales set in a land like our own distant past but a little bit different. A land where Evil hasn’t take root, except when it has. Or maybe it hasn’t, and all the bad things that happen are just because people are stupid and selfish? Or they’re stupid and selfish because Evil did sneak past the angelic guardians at the borders? So maybe it is all Evil’s fault after all? I’m not sure, by the end of the collection, that even Stoker knew exactly what his point was for the over-arching theme.

The title story theoretically sets the tone for the book as a whole, and the tone this one sets is stilted direct address to the reader, flowery almost purple-prose writing that is archly Victorian without any of the whimsy that makes the fairy tales of, say, Oscar Wilde so enjoyable. Not every story employs this tone, but the damage is kind of done after the first couple of pages: Stoker warning his (theoretically young and impressionable) readers that they had best pay attention and learn the lessons of the stories to follow, to think upon the fate of the Land Under the Sunset once they (knowingly or not) let Evil in to do its will. But then that thread, as I mentioned, seems to drop from most of the stories – Evil isn’t really behind most of what happens in the succeeding stories despite the overblown introduction.

My favorite story in the collection, “The Invisible Giant,” feels very Wildean: a young girl is the only one who can see an oncoming Giant, a race the humans of the Land have long since stopped believing exists, and the only one who believes her is an old hermit from outside the town. Everyone ridicules the both of them, until people start dying and the Giant turns out to be Plague. Another story of battle with a giant, “The Rose Prince,” is also enjoyable if slightly longer than it needs to be. If you can get past the awkward pre-teen romance and some very repetitive segments, it’s a good yarn about a Prince who saves the day when whole armies are incapable of the feat. And Stoker employs the “story within a story” model well in “How 7 Went Mad,” which is at once a morality play about paying attention in school and being careful what you wish for and also a surrealist farce where numbers and letters have life and talk. The ridiculousness of the final few pages of the story put me in mind of the zanier parts of The Phantom Tollbooth.

Other stories don’t work as well. The moral of “Lies and Lilies” is so blunt, and the characters so one-dimensional, that Stoker may as well have written “Don’t Lie, It Ends Badly” and saved a dozen pages or so. “The Castle of the King” is circuitous and feels unending as it slogs its way along. And I fell asleep twice trying to read “The Wondrous Child,” whom I didn’t find so much wondrous as manipulative and annoying. (It’s possible the title character is a call-back to the angelic babe who features in the title story of the collection, but I came to a point where I no longer cared if the connection existed or not simply because the characters in “Child” are so annoying.) And I’m still really not sure what to make of “The Shadow Builder,” another story that feels overwritten but also manages to include some wonderfully creepy scenes and (dare I say it, Lovecraftian?) turns of phrase.

I think ultimately my problem with this collection is that the stories feel derivative. Now I realize that a) at the time they were published they probably were not derivative even of Stoker’s peers and b) it’s impossible to be derivative of works that weren’t published until decades later (like Lovecraft and the Phantom Tollbooth). But I do think that anyone coming to this collection for the first time at this late date and after having already read Wilde, Poe, Lovecraft and Juster (not to mention the more well-known traditional fairy tales of Perrault, Grimm and Andersen) is likely to feel, as I did, that the stories in Under the Sunset feel a bit overwritten and a touch too familiar.

Review of I AM MALALA

TITLE: I Am Malala: The Girl Who Stood Up For Education and Was Shot By the Taliban

AUTHOR: Malala Yousafzai with Christina Lamb

330 pages, Little Brown, ISBN  9780316322423 (paperback)

DESCRIPTION: (From the back cover): When the Taliban took control of the Swat Valley in Pakistan, one girl spoke out. Malala Yousafzai refused to be silenced and fought for her right to an education. In October 2012, when she was fifteen, Malala almost paid the ultimate price. She was shot in the head while riding the bus home from school, and few expected her to survive. Instead, Malala’s heroic recovery has taken her on an extraordinary journey from a remote valley in northern Pakistan to the halls of the United Nations in New York. At sixteen, she emerged as a global symbol of peaceful protest. A year later she became the youngest recipient ever of the Nobel Peace Prize.

MY RATING: 4 out of 5 stars

MY THOUGHTS: I’ll admit, I have a hard time writing in-depth reviews of memoirs. Who am I to judge the authenticity of an author’s recounting of their own life? But as Malala’s memoir is one of the books I chose for this year’s To Be Read Challenge, and as that challenge requires me to post a review of each book, I’m going to make the attempt.

The first thing to note is that while this is a memoir, Malala tells more than just her own story. I’ve seen some complaints in other reviews that she effectively turns herself into a subplot for most of the book, spending so many pages on Pakistan history in general, the history of the Swat Valley in particular, and her family’s history in specific. My take-away, as someone who really was not familiar with Pakistan’s history or geography, is that it was vital for Malala to help people like me understand why her world was as it was – things like what happened to Malala do not happen in a vacuum. Understanding the culture surrounding the event, and especially the upheaval that culture has been experiencing not just politically but geologically (earthquakes, flooding, mudslides), made it easier to understand the event itself and its aftermath. No, this is not a textbook on Pakistan history, but Malala gave me enough detail that I wasn’t completely lost as to the socio-political attitudes around her.

Not surprisingly, Malala is at her most passionate when she’s writing about the cause that matters to her above all else: education for all. When she’s talking about the Taliban shut-down of schools, or her first sighting of illiterate children scouring garbage heaps for something to sell just to be able to eat, or even her mother’s struggles with learning to read and write, her voice is clear and her call for change is compelling. The portions of the book that do deal with Malala’s day-to-day life and schooling prior to the shooting are perhaps the least interesting to read: she talks about friendships and her relationships with her brothers a bit more dispassionately, almost as if someone (co-author Christina Lamb, perhaps) told her the book needed more slice-of-life to make her seem like a “real” kid and she included them grudgingly. I find myself wishing that she’d been able to directly include the reports about life under the Taliban that she wrote under the pen name Gul Makai; those might have lent a different view to the everyday-life sections of the book. Even Malala’s descriptions of what happened after the shooting are a bit clinical, which makes sense given how little of it she actually remembers.

The final chapters, about her new life in England and how she wishes to return to Pakistan, bring the passion back to Malala’s voice. She renews her call for education for all, for an end to the Taliban’s bombings of schools and other terrorist acts, and in these final pages it’s easy to see the effect all of this has had on her. I cannot imagine, at sixteen or sixty, being told you can never return to a place you loved, and that the immediate family you have with you are likely the only people from your childhood you will ever see again.

My preferred method of “reading” memoirs lately is in audiobook form, when narrated by the author. So I also have to wonder if I’d feel differently about the levels of passion/interest if I’d been able to hear Malala read her own words.

This is the second book I’ve read this year for the To Be Read Challenge.