Series Saturday: Three by Rosalie and Hunter Mastaler

July is Disability Pride Month (celebrating the anniversary of the signing of the Americans with Disabilities Act (ADA) in July 1990) so I thought I’d use the first Series Saturday post of the month to feature three books that, while not a “series” in the truest sense of the word, all focus on disability awareness and pride written by the same mother-son pair: Rosalie and Hunter Mastaler.

A little background is probably appropriate here. I created an Instagram account back in 2017. I didn’t do much with it for the first few years, but once I started posting more regularly, of course the platform started making recommendations about accounts to follow and started popping Reels and posts into my feed. Somewhere along the way, it started showing me posts by @mastalerpartyof5, many of which focused on the Mastalers’ son Hunter (then 11 or maybe early 12 years old) and his recommendations on how to approach a child who has a visible disability. Hunter is an amputee (missing one leg below the knee) and is also partially deaf. These posts were informative and also light-hearted, and I found myself paying more attention to how I reacted to seeing disabled people out in public and taking much of the Mastalers’ advice to heart. Following the Mastaler account led me to follow quite a few other accounts focused on disability awareness and inclusion.

In the past couple of years, mom Rosalie and son Hunter (now 14 years old) have written and published three books that take the message from their Instagram presence and expand upon it in print form. I highly recommend all three books.

 

HUNTER’S TALL TALES

Illustrated by Danelle Prestwich, Hunter’s Tall Tales is a children’s picture book based on Hunter’s real-live encounters with other children who would ask what happened to his leg and focus on that more than just wanting to play. The tall tales the fictional Hunter tells range from being half-robot to not eating enough veggies as a baby and having pet piranhas he forgot to feed. The stories, and the other kids’ reactions to them, are humorous and set the stage for Hunter encountering a boy whose first question is not “what happened to your leg,” but rather “what’s your name” followed by “can you play soccer?” The focus on who he is rather than “what’s wrong with him” changes Hunter’s mood and his entire day. The book makes a crucial point about inclusion and respect, in language young kids can understand and follow. Danelle Prestwich’s art is beautifully simple and expressive, especially in the characters’ eyes and body language.

 

REPRESENT! 30 True Stories of trailblazers, artists, athletes, and adventurers with disabilities, Volume 1

With artwork by Brant Day, Represent! provides exactly what the title advertises: short biographies of 30 individuals who have been successful in their chosen endeavors despite, and often because of, their disabilities. In the introduction, Hunter and Rosalie both express their admiration for the people they profile, and how many have become Hunter’s heroes and inspirations. The folks profiled range from blind adventurer Erik Weihenmayer, who has climbed all of the world’s seven highest mountains, to Iron Man triathlon athlete Chris Nikic, who has Down Syndrome, to deaf singer/songwriter Mandy Harvey, paraplegic Tony Award winner Ali Stoker, and more. What shines through each entry is the perseverance and commitment of each person to test, and surpass, the boundaries society would place on those who are blind, deaf, paralyzed or otherwise disabled. The authors say they had a challenging time whittling the book down to just 30 entries, and a second volume is planned. I was happy to see profiles of people I was already familiar with (like Ali Stoker, whose Tony Award win had me cheering and crying) alongside profiles of people I’m eager to learn more about.

 

LET THE GAMES BEGIN

The Mastalers’ most recent publication is Let the Games Begin, another children's picture book focused on the plethora of adaptive sports available to the disability community. The book gives a full-page spread to each sport, ranging from alpine skiing to beep baseball to sled hockey, wheelchair basketball and swimming (the latter two of which Hunter participates in; his wheelchair basketball team won a National Championship in June, and he made the all-tournament team). The art by Betty Yuku is bubbly and adorable. Each sport has fun text easy for younger kids to sound out and read, accompanied by more detailed text appropriate for older readers that explains the history of the sport and how it works.

READING ROUND-UP: May 2024

Here’s what I’ve been reading, listening to, and watching in May 2024!

 

BOOKS

I read 14 books in May: 4 in print, 1 in e-book format, and 4 in audio format. They were:

1.       Mercedes General by Jerry L. Wheeler (PRINT, short story collection)

2.       All About Me! My Remarkable Life in Show Business by Mel Brooks (AUDIO, Non-Fiction Challenge, To Be Read Challenge (audio alternate title))

3.       Or by Liz Duffy Adams (PRINT) (also saw staged reading live performance)

4.       Tommy's Tale by Alan Cumming (AUDIO)

5.       The Women by Kristin Hannah (PRINT, Sparta Books Book Club June selection)

6.       Merlin's Booke by Jane Yolen (PRINT, To Be Read Challenge (print alternate title)

7.       Rita Moreno: A Memoir by Rita Moreno (AUDIO, Non-Fiction Challenge)

8.       You Can Thank Me Later by Kelly Harms (AUDIO)

9.       Tidal Creatures (Alchemical Journeys #3) by Seanan McGuire (E-BOOK, ARC)

 

 

STORIES

Here’s what I read this month and where you can find them if you’re interested in reading them too. If no source is noted, the story is from the same magazine or book as the story(ies) that precede(s) it.

 

1.       “We Will Teach You How to Read | We Will Teach You How to Read” by Caroline M. Yoachim in Lightspeed Magazine #168, edited by John Joseph Adams

2.       “The Last Thing They See Is Laika” by Stephen Geigen-Miller

3.       “Over A Long Time Ago” by Nisi Shawl

4.       “Chaos Theory” by Ash Howell

5.       “Done Deal” by Rory Harper

6.       “Exit Interview” by Ben Peek

7.       “And the Dreams That You Dare to Dream” by Marissa Lingen

8.       “Richard Nixon and the Princess of Crows” by P H Lee

9.       “A Pilgrimage to the God of High Places” by Marissa Lingen, from Beneath Ceaseless Skies #406 edited by Scott H. Andrews

10.   “A Series of Accounts Surrounding the Risen Lady of the Orun-Alai and Other Alleged Miracles in the Final Days of the Riverlands War” by Aimee Ogden

11.   “Fishy” by Alice Towey, from Clarkesworld #212, edited by Neil Clarke

12.   “The Portmeirion Road” by Fiona Moore

13.   “In Which Caruth is Correct” by Carolyn Zhao

14.   “The Brotherhood of Montague St. Video” by Thomas Ha

15.   “An Offering from the Void” by Daniel David Froid, from Nightmare Magazine #140, edited by Wendy N. Wagner

16.   “Solve This One, Mrs. Miller” by Carlie St. George

17.   “like blood on the mouths of death” by Victor Forna

18.   “The Girl with No Hands” by Jordan Taylor, from Kaleidotrope Spring 2024, edited by Fred Coppersmith

19.   “The Blood of Raizor” by Jason Scott Aiken, from Strange Incursions

20.   “Galazi in the Enchanted City” by Jason Scott Aiken

21.   “The Confession of Brother Blaise” by Jane Yolen, from Merlin’s Booke

22.   “The Wild Child” by Jane Yolen

23.   “Dream Reader” by Jane Yolen

24.   “The Gwynhfar” by Jane Yolen

25.   “The Dragon's Boy” by Jane Yolen

26.   “The Sword and the Stone” by Jane Yolen

27.   “Evian Steel” by Jane Yolen

28.   “In the Whitethorn Wood” by Jane Yolen

29.   “Epitaph” by Jane Yolen

30.   “Fringe” by Jerry L. Wheeler, from Mercedes General

31.   “The Circus” by Jerry L. Wheeler

32.   “The 12:40 to Chicago” by Jerry L. Wheeler

33.   “The Incident” by Jerry L. Wheeler

34.   “Senior Prom for a Mob” by Jerry L. Wheeler

35.   “Pavane for Three Dead Women” by Jerry L. Wheeler

36.   “Mercedes General” by Jerry L. Wheeler

37.   “Another Death, Another Path” by Jerry L. Wheeler

 

So that’s 37 short stories in May. More than “1 per day” for the first time this year, which puts me back on pace, and slightly ahead, for the year! (May 31st was the 152nd day of 2024.)

 

MOVIES

I only watched two movies in May:

1.       Baby Driver (2017)

2.       Gamera Vs. Guiron (1969)

The week ending May 26th was the 21st week of the year, so I’m still way behind on the “1 movie per week” challenge.

 

TELEVISION

·       Shoresy Season 2, Episodes 1 – 6 (6 episodes)

·       Doctor Who (2024) Season 1, Episodes 1-5 (5 episodes)

·       Star Trek: Discovery Season 5, Episodes 1 – 10 (10 episodes)

·       Star Trek: Short Treks Season 1, Episode 2 (1 episode)

·       The Ready Room Season 14, Episodes 2 – 10 (9 episodes)

·       Larry Dean: Fandan Comedy Special (1 episode)

That’s 32 episodes of television, which surpasses the “1 per day” I was shooting for but still puts me behind the pace for this challenge.

 

LIVE THEATER

·       Or, What She Will Red Bull Theatre, NYC

 

Summary of Challenges:

“To Be Read” Challenge: This month: 2 read (both from the “alternates” list); YTD: 4 of 15 read.

366 Short Stories Challenge: This month:  37 read; YTD: 158 of 366 read.

Goodreads Challenge: This month: 10 read; YTD: 51 of 120 read.

Graphic Novels Challenge:  This month: 0 read; YTD: 11 of 52 read.

Non-Fiction Challenge: This month: 2 read; YTD: 9 of 12 read.

Read the Book / Watch the Movie Challenge: This month: 0 read/watched; YTD: 1 read/watched.

Movie Challenge: This month: 2 watched; YTD: 11 of 52 watched.

TV Shows Challenge: This month: 32 episodes watched; YTD: 111 of 366 watched.

Live Theater Challenge: This month: 1 show attended; YTD: 7 of 12 attended.

READING ROUNDUP: April 2024

Here’s what I’ve been reading, listening to, and watching in April 2024!

 

BOOKS

I read 14 books in April: 7 in print, 3 in e-book format, and 4 in audio format. They were:

1.       Triad Blood (Triad #1) by ‘Nathan Burgoine (PRINT)

2.       The Brides of High Hill (Singing Hills Cycle #5) by Nghi Vo (E-BOOK)

3.       Macbeth (an undoing) by Zinnie Harris (PRINT) (also saw a live production)

4.       Triad Soul (Triad #2) by ‘Nathan Burgoine (PRINT)

5.       Becoming by Michelle Obama (AUDIOBOOK, Non-Fiction Challenge, 2024 TBR Challenge)

6.       Stories of a Lifetime by Dan Rather (AUDIOBOOK, Non-Fiction Challenge)

7.       Legends & Lattes (Legends & Lattes Book 1) by Travis Baldree (E-BOOK)

8.       The Champions Classic: The Complete Collection by Tony Isabella, Bill Mantlo, Don Heck, John Byrne and others. (PRINT, Graphic Novel Challenge)

9.       House of Slaughter Volume 3: The Butcher's Return by James Tynion IV, Tate Brombal, Werther Dell’Edera, Antonio Fuso and Miquel Muerto (PRINT, Graphic Novel Challenge)

10.   House of Slaughter Volume 4: Alabaster by James Tynion IV, Sam Johns, Werther Dell’Edera, Letizia Cadonici and Francesco Segala (PRINT, Graphic Novel Challenge)

11.   All The Names They Used for God: Stories by Anjali Sachdeva (AUDIOBOOK, short story challenge)

12.   Paradox Lost by Roberta Pescow (E-BOOK, short story challenge)

13.   Breaking Bold and Brave: A Fan's Journey Through One of Comics' Greatest Titles by Jim Beard (introduction by Paul Kupperberg) (PRINT, Non-Fiction Challenge)

14.   Harry Clarke by David Cale (AUDIOBOOK)

 

 

STORIES

Here’s what I read this month and where you can find them if you’re interested in reading them too. If no source is noted, the story is from the same magazine or book as the story(ies) that precede(s) it.

 

1.       “A Pedra” by Endria Isa Richardson, in Lightspeed Magazine #167, edited by John Joseph Adams

2.       “Under a Star, Bright as Morning” by David Anaxagoras

3.       “Mother's Day, After Everything” by Susan Palwick

4.       “Limping Towards Sunrise” by Rich Larson

5.       “a testament to indirection, an enigma, the sun above” by Mitchell Shanklin

6.       “How To Know Your Father Is a God” by Modepeoluwa Shelle

7.       “Salemo” by David Marino

8.       “Travelers' Tales from the Ends of the World” by Vandana Singh

9.       “A Traveler's Guide to Fantastical Countries” by Seanan McGuire, on the Author’s Patreon

10.   “Vivisepulture” by James Bennett, from The Dark #107, edited by Sean Wallace

11.   “Water Like Broken Glass” by Carina Bissett

12.   “Imago” by Steve Rasnic Tem

13.   “Dead But Dreaming Still” by Michael Kelly

14.   “The Coffee of Torcat” by Devin Miller, from Beneath Ceaseless Skies #404 edited by Scott H. Andrews

15.   “The Lark Ascending” by Eleanna Castroianni, from Clarkesworld #211, edited by Neil Clarke

16.   “An Intergalactic Smuggler's Guide to Homecoming” by Tia Tashiro

17.   “Stitched to Skin Like Family Is” by Nghi Vo, from Uncanny Magazine #57, edited by Lynne M. Thomas and Michael Damian Thomas

18.   “The Best Ever Cosplay of Whistle and Midnight” by Annalee Newitz

19.   “Three” by ‘Nathan Burgoine, from Blood Sacraments: Gay Vampire Erotica, edited by Todd Gregory

20.   “Possession” by ‘Nathan Burgoine, from Erotica Exotica: Tales of Sex, Magic, and the Supernatural, edited by Richard LaBonté

21.   “Bound” by ‘Nathan Burgoine, from Not Just Another Pretty Face, edited by Louis Flint Ceci

22.   “The World by Night” by Anjali Sachdeva, from All the Names They Used for God

23.   “Glass-Lung” by Anjali Sachdeva

24.   “Logging Lake” by Anjali Sachdeva

25.   “Killer of Kings” by Anjali Sachdeva

26.   “All the Names They Used for God” by Anjali Sachdeva

27.   “Robert Greenman and the Mermaid” by Anjali Sachdeva

28.   “Anything You Might Want” by Anjali Sachdeva

29.   “Manus” by Anjali Sachdeva

30.   “Pleiades” by Anjali Sachdeva

31.   “A Life in the Service” by Roberta Pescow, from Paradox Lost

32.   “Bad Left Turns” by Roberta Pescow

33.   “A Monster's Tears” by Roberta Pescow

34.   “Be Right Back” by Roberta Pescow

35.   “A Presence Beyond the Shadows” by David Lee Summers, from Arithmophobia: An Anthology of Mathematical Horror, edited by Robert Lewis

36.   “The Artful Eagle” By Barbara Krasnoff, from Kaleidotrope Magazine, Spring 2024, edited by Fred Coppersmith

37.   “Where the Girls Who Were Eaten Alive Live” by R.K. Duncan

38.   “Pillow Fort” by Alexandra Munck

39.   “Harry Clarke” by David Cale, from Harry Clarke

40.   “Lillian” by David Cale

41.   “Necessary Evils” by ‘Nathan Burgoine, from Raising Hell: Demonic Gay Erotica, edited by Todd Gregory

42.   “Intercession” by ‘Nathan Burgoine, from Wings: Subsersive Gay Angel Erotica, edited by Todd Gregory

 

So that’s 42 short stories in April. More than “1 per day” for the first time this year, which puts me back on pace for the year! (April 30th was the 121st day of 2024.)

 

MOVIES

April was an improvement over March because I managed to watch four movies in April:

1.       Knock at the Cabin (2023)

2.       Gamera vs. Viras (1968)

3.       Just What the Doctor Ordered (2021)

4.       Doctor Who: The Movie (1996)

 

TELEVISION

·       Heartstopper Season 1, Episodes 1-8 (8 episodes)

·       Heartstopper Season 2, Episodes 1 – 8 (8 episodes)

That’s 16 episodes of television, again not the “1 per day” I was shooting for, and slightly worse than February’s total.

 

LIVE THEATER

It was another good month for live theater:

·       Macbeth (an undoing), Polonsky Shakespeare Center, Brooklyn, NYC

·       Water For Elephants, Imperial Theatre, NYC

 

Summary of Challenges:

“To Be Read” Challenge: This month: 1 read; YTD: 2 of 14 read.

366 Short Stories Challenge: This month:  42 read; YTD: 121 of 366 read.

Goodreads Challenge: This month: 14 read; YTD: 41 of 120 read.

Graphic Novels Challenge:  This month: 3 read; YTD: 11 of 52 read.

Non-Fiction Challenge: This month: 3 read; YTD: 7 of 12 read.

Read the Book / Watch the Movie Challenge: This month: 0 read/watched; YTD: 1 read/watched.

Movie Challenge: This month: 4 watched; YTD: 9 of 52 watched.

TV Shows Challenge: This month: 16 episodes watched; YTD: 79 of 366 watched.

Live Theater Challenge: This month: 2 shows attended; YTD: 6 of 12 attended.

Sunday Shorts: Transgender Day of Visibility

March 31st is this year’s Transgender Day of Visibility. Rather than just review a story or two, I thought I’d list just a few of the many wonderful transgender, non-binary, and genderfluid short story and novella writers whose work I have enjoyed over the years (in no particular order) and give some links to where you can find their work or more about them. (Also, apologies in advance to anyone I leave off. It’s not purposeful, and this is not meant to be a complete list. I’m working under a little bit of a deadline.

 

Everett Maroon. I loved Everett’s memoir (Bumbling into Body Hair) and his novel (The Unintentional Time Traveler, which I’m hoping we’ll get a sequel to). His short stories have appeared in a number of anthologies as well as one collection (Spinning Around a Sun).  https://www.goodreads.com/author/list/5759590.Everett_Maroon

Charlie Jane Anders. Charlie Jane has written YA novels (the Unstoppable trilogy), writing advice books (Never Say You Can’t Survive), novels (All the Birds in the Sky among them), and a good number of short stories (many collected in Even Greater Mistakes).  https://www.charliejaneanders.com/

Lee Mandelo. Lee wrote one of my favorite novels of 2021 (Summer Sons), one of my favorite novellas of 2023 (Feed Them Silence) and has another novella out this month (The Woods All Black, sitting atop my TBR pile right now), and his short stories can be found in places like Uncanny Magazinehttps://leemandelo.com/

K.M. Szpara. Novelist (First Become Ashes and Docile) and short story writer (appearances in Uncanny, Lightspeed, and elsewhere), K.M. also edited Transcendent: The Year’s Best Transgender Speculative Fiction 2016, published  by Lethe Press. https://www.kmszpara.com/

Jordan L. Hawk. Jordan mixes gay romance and sex with Lovecraftian horror (the Whyborne & Griffin series), supernatural detective stories (the Spirits series), shapeshifters (the Hexworld and Pride books) and more.  https://jordanlhawk.com/

Nino Cipri. Nino Cipri’s short stories have appeared in Fireside Fiction, Nightmare, and elsewhere and collected in Homesick: Stories. They have also written novellas (Finna and Defekt) and the upcoming YA novel Dead Girls Don’t Dream. https://ninocipri.com/

Bogi Takacs.  Bogi’s short stories have been collected in The Trans Space Octopus Congregation (2019) and Power to Yield (2024). E also edited the 2017 – 2019 editions of Transcendent: The Year’s Transgender Speculative Fiction. Check out eir Patreon as well. https://www.patreon.com/bogiperson/posts

S.A. Hunt. Samara Hunt is the author of the Malus Domestica horror series along with some short stories. She also has a Patreon. http://www.sahuntbooks.com/about.html https://www.patreon.com/sahuntbooks/posts?filters%5Btag%5D=space

A.M. Dellamonica. Author of the Indigo Springs and Hidden Sea Tales series, Dellamonica’s short stories have appeared in Lightspeed Magazine and Uncanny Magazine among other places.  https://alyxdellamonica.com/

Nisi Shawl. Novelist (Everfair and the recently-released Kinning) and non-fiction writer (including co-authoring Writing the Other with Cynthia Ward), Shawl’s short stories have appeared in Apex Magazine and  Nightmare Magazine among many others, as well as in too many anthologies to list.  http://www.nisishawl.com/Index.html

Neon Yang. The author of one of my favorite on-going novella series, the Tensorate series, as well as a novel (The Genesis of Misery), Yang’s short fiction has appeared in magazine like Clarkesworld, anthologies like The Book of Dragons, and on Tor.com (now called Reactor). https://neonyang.com/

Macbeth Monday: WHY?

It is no secret that Macbeth is my favorite play by Williams Shakespeare. I will see every live production I can. I have many of the filmed versions on DVD (but not all, especially if you include all the pastiches and “based loosely on…” films). I have comic book and graphic novel adaptations, and more novels and non-fiction books about both the real King Macbeth and Shakespeare’s version than I have ever managed to read.

But if I’m being honest … I have no idea when my obsession with this Shakespeare work started.

 Most of my lifelong pop culture obsessions I can trace back to my father. His love of classic black and white horror films and Abbott and Costello led to my love of all things connected to Dracula. His love of musicals (Broadway and film) and classic Disney (animated and live action) led to my love of all things Arthurian (thanks to the Broadway cast album and movie versions of Camelot and the Disney animated classic The Sword in the Stone). My wildly diverse musical taste (Barbershop Quartet to hard rock)? My love of slapstick comedy and fast-talking comedy duos? My continuing to root for the Mets and the Giants despite rarely watching sports on television anymore? All Dad’s fault.

But Macbeth? Not sure I can toss the credit/blame his way on this one. He was not a fan of Shakespeare (except when there was a musical connection, as in Kiss Me, Kate). Yes, he and his brothers were first-generation Americans of Scots descent (both of my paternal grandparents came from Scotland as adults). But he never seemed to care about his Scots heritage (possibly because of bad blood between him and my grandfather, who passed when I was young), so I doubt Macbeth would have come up in that context.

I can’t even remember when I first encountered the play. I know it was before we studied it in high school. It may have been in the 1937 leatherbound edition of the Complete Works of William Shakespeare published by Walter J. Black, given to me in middle school by my Aunt Frances (who was not from the Scots side of the family), but did middle school me really randomly flip through the book and chance upon Macbeth some 1,100 pages in? I guess it’s possible. Or maybe it was a random Saturday or Sunday viewing of Akira Kurosawa’s Throne of Blood, his adaptation of Macbeth, on one of the local NYC television stations that filled weekend airwave hours with badly-dubbed Japanese martial arts and monster movies (another fave of my father’s, leading to my lifelong Kaiju affection) and occasionally threw in more high-brow dubbed fare.

The first live production I remember seeing was a touring company of British actors that came to Mahopac High School my senior year (or maybe it was junior). What I remember most about that production was that men played the Three Witches, something I’d previously only seen done in the comedy of Monty Python, Flip Wilson, the Carol Burnett Show, etc... In hindsight, it seems there wasn’t much memorable about the performance other than that it was the first time I saw Macbeth live. It certainly wasn’t the last.

Okay, so don’t remember my first encounter with the play, and only vaguely remember the first live production I saw. But the title of this post is “Why Macbeth?” As in, why is it my favorite?

Young me was definitely obsessed with the supernatural elements: the Witches, the visions, the ghost of Banquo! And probably a bit with the bloodshed as well. But definitely the supernatural elements. Middle school was also when I was becoming obsessed with Dracula and read Bram Stoker’s novel for the first time, and when my love of all things Arthurian was also ramping up (most of my classmates didn’t really like reading “Gawain and the Green Knight,” but man did I love it, because supernatural doings!) The more supernatural, the better!

But while those scenes remain favorites and are looked forward to every time I see the show, I’ve also come to appreciate Shakespeare’s depth of character in all the leads (Macbeth, Lady Macbeth, Banquo, and Macduff), and how they respond to prophecy and to plain fact. Even though The Bard was writing several hundred years before the British historian Lord Acton penned his famous phrase about power, I do think that Shakespeare was delving into the concept that “power tends to corrupt; absolute power corrupts absolutely.” Macbeth starts the play as a loyal Thane, confused by why the Witches would address him with titles beyond his scope. It takes him a while to come around to the idea of murdering Duncan; he vacillates mightily before agreeing to do the deed. But it’s all downhill from there. Even having murdered his predecessor, he could still have been a good King, lived a repentant life – but once he has the power, he becomes paranoid and controlling, obsessed with the idea of a legacy the Witches promised to someone else. Corrupt. While at the same time, his wife descends into mental illness, depression, and suicide. Lady Macbeth’s move from enabler and co-conspirator to guilt-wracked sleepwalker is as moving as her husband’s shift from loyal Thane to genocidal despot. And in my mind, there is no doubt that they love each other deeply, from start to finish. I am NOT a fan of Shakespeare’s romances (Romeo & Juliet: ugh) but I think he manages to make it clear Macbeth and his Lady do love each other, which enables us to wonder: in different circumstances, what kind of power couple could they have been?

In his fantastic one-man show All the Devils Are Here, the actor Patrick Page traces Shakespeare’s development of the concept of the villain. Macbeth is of course included in the show. In a talk-back with the audience after the performance I saw in December 2023, Page said something that made me view Macbeth in yet another light. Responding to a question about how he finds his way into playing so many villainous roles, Page said that his first question is always “what does this person ultimately want?” And, he said, for Macbeth that is to overcome his fears. He’s afraid of the Three Witches, so he meets them head-on. He’s afraid of killing Duncan, so he does it. He’s afraid of losing the power he’s gained, so he has more people killed to protect it. He’s afraid of death, so when confronted with Macduff, not “of woman born,” but “ripped untimely from his mother’s womb,” Macbeth cries “Lay on, Macduff, and damned be he who first cries ‘hold, enough.’” I had never looked at the character, or the arc of the play, from that perspective before: conquering one’s fears.

I am also intrigued by the staging and costuming choices made by each new production. I’ve seen the show performed in “authentic” Scots dress of the period Macbeth takes place in (roughly 1040, when the real Macbeth reigned), in the dress of Shakespeare’s time, in Russian military uniforms of the Cold War, in modern dress, and more. Each choice brings distinct aspects of the script, and its relationship to our current day obsessions with power, wealth, destiny, and legacy, to light.

So. Why do I love Macbeth so much? There’s no one reason. I love the supernatural aspects, I love the commentary on power and motivation and guilt and paranoia, I love the power of the soliloquies. I also love that Shakespeare gave us what might have been the first written “alternate history” (because he knew darn well that his history of Duncan, Macbeth, and company was nowhere near the real history) with speculative fiction aspects – which might need to be the subject of a future Macbeth Monday post.

Do you also love Macbeth? Why or why not? And if not – what is your favorite Shakespeare play?

 

It is no secret that my favorite Shakespeare play is Macbeth. I’ve lost count of how many live productions of it I’ve seen, plus movie and TV versions I own in various formats, not to mention all the novels, graphic novels, and non-fiction books. Macbeth Monday is intended to be an occasional feature on the blog where I discuss whatever version or aspect of the story catches my attention at a particular moment.

There’s currently only one previous Macbeth Monday post, about Drunk Shakespeare NYC’s production. But I also posted my thoughts on Patrick Page’s All the Devils Are Here in a recent Theater Thursday post.

Sunday Shorts: Two by Sharang Biswas

Sharang Biswas is a game designer, writer, and artist based in New York City whose stories and poetry have appeared in Nightmare Magazine, Fantasy Magazine, Baffling Magazine, Sana Stories, Strange Horizons, and elsewhere. Look him up on his website. Today, I’m going to look at his two most recent stories that appeared in Lightspeed Magazine, edited by John Joseph Adams. Lightspeed Magazine contents are free to read on the website and e-book subscriptions are also available.

Real Magic” (Lightspeed Magazine #153, February 2023)

Three townspeople visit the Witch in the Woods to ask for help with their problems. She extracts a different price from each, something either cherished or endemic to the person’s sense of self. Each visitor ultimately finds what they are searching for (or searching for relief from), but not in the way they or the reader expects. The witch uses their ingredients to do real magic. This is a beautifully told story, a fairy tale in style but cloaked in Biswas’ beautiful sense of character and community. Biswas uses the needs of the visitors (and their resolutions) to show that every individual action has an effect outside the moment in which that action is taken or that choice is made. Nothing happens in a vacuum, no one person’s fate is theirs alone. What one person discards (willingly or not) may be picked up by another (who may or may not benefit from it). I also loved how Biswas doesn’t spoon-fed the connections between the villagers’ stories but lets them come out organically and not all at once.

 

“Season of Weddings” (Lightspeed Magazine #166, March 2024, story goes live on the website March 28th)

Nate receives seven wedding invitations in one year. Okay, two of them are for his job, which is maybe a little less fun than attending as a guest. Especially because it quickly becomes apparent to the reader that Nate is Thanatos, god of death. Sometimes, people die at weddings. Still reeling from his most recent relationship break-up (with Thor, who has moved on to loving a mortal woman), Nate must navigate these weddings, new singlehood, his job, his perhaps too-pushy best friend, and a cute guy he keeps bumping into at the weddings. This story is so sweet, so romantic and wistful. I recognized some of myself in Nate’s self-esteem issues around romance and relationships, which made me connect to the work even more. The world-building is also wonderful, bringing together characters from all sorts of world mythologies and religions but tweaking them in new and interesting ways (for instance, the Thor is this story is neither the “drunken jock” we often see nor the blond-tressed super-hero). I won’t spoil who all shows up, because part of the fun of the story is the reveals of Nate’s friends’ circle. I’m a sucker for “deities and personifications of human concepts walk among us and act like every-day people” types of stories (think the classic issue number eight of Neil Gaiman’s the Sandman, illustrated by Mike Dringenberg, among others), and this one fits the description very well. It also fits very well as a paranormal romance, and I love it when authors blend and blur genres.

 

I love short fiction, and Sunday Shorts is the feature where I get to blog about it. I’ve considered promising to review a short story every day, but that’s a lot of pressure. And while no one will fault me if I miss days, I’ll feel guilty, which will lead to not posting at all. So better to stick to a weekly post highlighting a couple/three stories, as I’ve done in the past. Click on the Sunday Shorts tab at the bottom of this post to find earlier entries in the series!

Series Saturday: THE ATOMIC KNIGHTS

This is a blog series about … well, series. I love stories that continue across volumes, in whatever form: linked short stories, novels, novellas, television, movies, comics.

Cover art by Murphy Anderson

The Atomic Knights, published by DC Comics, (hardcover collected edition: 2010)

Writers: John Broome

Art: Murphy Anderson

Editor: Julius Schwartz

 

I could write a whole post (and perhaps someday I will) on how I have DC’s 100-Page Spectaculars of the 1970s (and to a lesser extent, their digest-sized reprints in the 80s) to thank for my love of most of the company’s non-super-hero content, and in particular DC’s science fiction, adventure team, and historical characters of the early Silver Age (not to mention my love of their Golden Age superheroes). On the science fiction side of things, those oversized issues were rife with reprints of the exploits of (among others) Tommy Tomorrow, Adam Strange, the Star Rovers, Space Cabby, and the Atomic Knights.

Written by John Broome, with art by Murphy Anderson, and under the editorship of Julie Schwartz, the Knights debuted in Strange Adventures #117 (June 1960) and ran intermittently in the title under #160 (January 1964), a mere 15 adventures in three-and-a-half years. But what adventures they were – and what an effect they had on pre-teen and early-teen me when they were reprinted a decade or so later. I no longer own most of the various issues those reprints appeared in, nor do I know if every single Atomic Knights story was reprinted at the time. But in 2010, DC published a hardcover collection of all 15 original stories. I recently re-read it, hence this post.

For those who may not be familiar with the Atomic Knights, here’s the set-up: it is 1986 and World War III, the Great Atomic War, is over after a scant 20 days. Amnesiac soldier Gardner Grayle finds his way to a ruined city whose citizens are desperate for food and medicine, both of which are being hoarded by a warlord calling himself the Black Baron. Grayle teams up with some of the locals (Douglas Herald, a teacher; Marene, Douglas’s sister; redheaded twin brothers Hollis and Wayne Hobard; and a scientist named Bryndon) to take down the Baron wearing ancient armor that is impervious to the Baron’s radioactive weapons. Hence, the group name. The Baron is, unsurprisingly, defeated and run off in the first episode, whereafter the Knights alternate between protecting their small city of Durvale from a variety of menaces and traveling out to explore what’s left of the United States of America.

As was typical of comics of the period, the characterizations are rather flat, with each team member designed to fill a particular role. Gardner is the square-jawed, death-defying, motivational-speech-giving, “do what’s right no matter how dangerous” leader. Douglas is the practical-minded, thoughtful second-in-command and provider of much exposition. Marene is the requisite damsel-in-distress love interest. Wayne and Hollis are the loyal, do-as-told, muscle of the group. Bryndon is the scientist, the gadget man, and the not-so-subtle reminder that science without conscience is usually not a good thing. There are moments where some of these molds are broken (Wayne and Hollis get to build gliders for the team to use, something that usually would be Bryndon’s role; Marene finally gets to go undercover and save the day in the series’ final installment, “Here Come the Wild Ones,” although Broome still can’t resist having the story end with her thinking that as happy as she is that her mission was a success, she’d be happier if she and Gardner could finally get married and start a family.) but for the most part, each character plays his/her assigned role.

The stories started out very episodic, rarely mentioning what had come before other than the team’s origin. In the early adventures, the team visits other small enclaves of surviving humans as well as the remains of New York City and Los Angeles (in later stories, they also get to New Orleans, Detroit, and Washington DC), each time facing radiation-created monsters or greedy humans who need to be defeated. With the introduction of a revived Atlantean civilization as a threat, the stories develop stronger internal continuity, and it becomes clearer that the stories are progressing in something close to real time. While the stories were published between 1960 and 1964, the characters progress from 1986 to 1992, with some amazing advances in recovery from an atomic war (or “the hydrogen war,” as it’s called in some stories). The Atlantean threat is a 3-parter which also introduces the giant dalmatians (the first giant irradiated creatures that do not pose a threat) that will serve as the Knights’ steeds for the rest of the run.

Actual aliens visit the radiation-devastated Earth in “Menace of the Metal-Looters,” one of the series’ weaker entries, but they are the only extra-terrestrial threat the Knights face – the exception that proves the series’ rule: we humans are our own worst enemies, whether through misused technology, hubris and greed, or both. Okay, that’s not 100% true. “When The Earth Blacked Out” reveals that World War III / the Nuclear War / The Hydrogen War started not because of any one nation, but because of an energy pulse sent out by an underground civilization of mole people! (It was the 1960s, and lost underground civilizations were all the rage in SF and comics.) Douglas’ declaration that “we humans still cannot escape responsibility” (because we created the bombs in the first place) feels a little tacked on, almost insincere. I get what Broome was going for, but I think it would have been better for the series overall if the actual start of the war had just been left unexplored.

Throughout the run, Murphy Anderson’s art is consistently excellent. His characters have distinct facial features and body language, his action sequences are dynamic, and even the silliest monsters (I say again: mole people!) are threatening. There’s a reason he’s one of the most highly regarded and revered artists of the late Golden and Silver Age.

The 2010 hardcover collection does not include the Atomic Knights’ later appearances in DC Comics’ Kamandi and Hercules Unbound, wherein it was revealed that all three series shared the same future world, nor their appearance in DC Comics Presents. The Kamandi and Hercules Unbound appearances are included in a black-and-white paperback collection called Showcase Presents the Great Disaster Starring the Atomic Knights (whew!), which I recently ordered a copy of. I look forward to revisiting those stories. I do own a copy of the DC Comics Presents issue where Superman “teams up” with the Atomic Knights. I’ve always been conflicted about it. On the one hand, it relegates the original Strange Adventures stories to being the dreams of a soldier (Gardner Grayle) in suspended animation, in an unnecessary attempt to explain why the series’ 1986 and the real world 1986 look different – which I think does a disservice to Broome and Anderson. On the other hand, it did pave the way for a “modern times” Gardner Grayle to join The Outsiders (one of my then-favorite titles and teams) as The Atomic Knight, which I really liked.

Overall, my reread of the hardcover collection cemented why the sometimes-silly post-apocalyptic Atomic Knights series was, and remains, one of my favorite non-superhero DC runs.

 

 

If you enjoyed this post, check out some of my previous DC comics-related Series Saturday posts:

Silverblade, First Issue Special, Nathaniel Dusk, Young Heroes in Love