Year In Review: 2020 By The Numbers

As is ritual at this point, here’s my media round-up for 2020: what I wrote, what was published, and what I read, listened to, and watched.

WRITING

Similar to last year, not much to report on this front. 2020 was again not a good year for creating new content. I didn’t track what little fiction writing I managed to do – but I know there were far more days where I didn’t write than there were days I wrote. I’m considering it another “recharging” year, as I consumed and processed a lot of wonderful (and not-so-wonderful) books, television, movies, and “live” (via Zoo) theatre. The writing I did manage was mostly work on previous unfinished short stories, or non-fiction like book reviews and blog posts.

PROOFREADING/COPY-EDITING

I did a fair about of proofreading and copy-editing this year. In addition to my usual gig at Lightspeed Magazine from Adamant Press, I hired on as proofreader for the revived Fantasy Magazine as well. I also copy-edited Adamant Press’s anthology trilogy The Dystopia Triptych (Ignorance is Strength; Burn the Ashes; Or Else the Light). I did proofread Frank Schildiner’s spy novella The Klaus Protocol and his sword-and-sandal novella The Warrior’s Pilgrimage. I proofread the charity anthology Surviving Tomorrow and several volumes of Bryan Thomas Schmidt’s John Simon Thrillers and a few other titles I don’t feel at liberty to mention because those authors have not yet announced the books. This has become an unexpectedly fun side-line and I must be doing a good job because authors and editors keep asking me to do more! (If I proofread for you in 2020 and you’re not on this list, sorry! I didn’t keep a database tracking all the projects I worked on.)

PUBLISHING

2020 saw no new or reprinted stories published.

I wrote three paid book reviews for Strange Horizons magazine:

·         The Trans-Space Octopus Congregation by Bogi Takács

·         Eridani’s Crown by Alex Schvartsman

·         The Mid-Winter Witch by Molly Knox Ostertag

 

READING

I set myself a variety of reading challenges in 2020. I managed to complete a few of them.

Goodreads Challenge:

I challenged myself to read 125 books. I read 154 books from approximately 73 different publishers.

Here’s the breakdown:

  • Fiction: 146 books

    • 7 anthologies

      • 3 horror

      • 4 science fiction

    • 11 single-author collections

      • 1 science fiction

      • 3 horror

      • 2 fantasy

      • 2 crime/mystery

      • 1 poetry

      • 1 romance

    • 38 graphic novels

      • 21 super-hero

      • 2 horror

      • 11 fantasy

      • 1 memoir

      • 1 crime/mystery

      • 1 sport (fencing)

      • 1 science fiction

    • 13 magazines

      • 12 issues of Lightspeed Magazine

      • 1 issue of Occult Detective Magazine

    • 40 novels

      • 8 crime

      • 4 horror

      • 9 fantasy

      • 10 science fiction

      • 2 romance

      • 4 adventure

      • 1 mainstream

      • 2 historical

    • 32 novellas

      • 4 horror

      • 14 fantasy

      • 3 romance

      • 2 mainstream

      • 4 adventure

      • 1 science fiction

      • 3 crime

      • 1 Christmas

    • 1 picture book (current events/non-fiction)

    • 4 play scripts

      • 1 memoir

      • 3 dramas

  • Non-Fiction: 11 books

    • 1 biography

    • 1 current events (picture book)

    • 1 book of essays (pop-culture)

    • 1 history

    • 6 memoirs

    • 1 true crime

Other Book Stats:

# of Authors/Editors: approximately 136 (including graphic novel artists; I need to be better at listing all the creators of graphic novels somehow). The following breakdown is estimated because not every author shares their personal information online, and many people overlap categories, but roughly:

·         32 female creators

·         3 Trans/Non-Binary

·         20 LGBTQIA+

·         25 Persons of Color

 

Shortest Book Read: 24 pages (Whose Boat Is This? by Stephen Colbert / Late Night Writers)

Longest Book Read: 528 (Middlegame by Seanan McGuire) (The Sandman audiobook accounts for 632 pages of graphic novel, so technically that’s longer)

Total # of pages read: 30,793

Average # of pages per book: 199

# of Rereads: 6 (including annual rereads of Roger Zelazny’s A Night in the Lonesome October and Charles Dickens’ A Christmas Carol)

Monthly Breakdown:

·         January: 19

·         February: 12

·         March: 8

·         April: 11

·         May: 8

·         June: 3 (lowest read in a month)

·         July: 16

·         August: 21

·         September: 8

·         October: 9

·         November: 15

·         December: 24 (most read in a month)

Review-wise on Goodreads I gave 19 three-stars, 84 four-stars, and 51 five-star reviews.

Format Summary:

  • 15 audiobooks

  • 31 e-books

  • 108 print

    • 26 hardcovers

    • 82 softcovers

366 Short Stories Challenge:

Each year, I challenge myself to read one short story per day. Since 2020 was a leap year, I aimed for 366 stories. I read 375 stories, beating the goal by a small margin.

Total # of pages read: approximately 6,139 pages of fiction

Average story length: 16.5 pages

Shortest story: 1 page long (“Six Waking Nightmares” by Mike Allen, and two Dresden File micro-fictions by Jim Butcher)

Longest story (novella): 190 pages (“If It Bleeds” by Stephen King).

The breakdown of where the stories appeared:

  • 9 Magazines

    • Nightmare

    • Lightspeed

    • Fantasy

    • The Dark

    • Daily Science Fiction

    • Occult Detective Magazine

    • Apex Magazine

    • Skelos

    • Tor.Com

  • 9 Anthologies

    • Surviving Tomorrow

    • Dagon Rising

    • Where the Veil is Thin

    • The Sinister Quartet

    • Ignorance is Strength (The Dystopia Triptych Volume 1)

    • Burn the Ashes (The Dystopia Triptych Volume 2)

    • Or Else the Light (The Dystopia Triptych Volume 3)

    • Parallel Worlds: The Heroes Within

    • Athena’s Daughters

  • 10 Single-Author Collections

    • Killer, Come Back to Me by Ray Bradbury

    • Dying with Her Cheer Pants on by Seanan McGuire

    • Fancies and Goodnights by John Collier

    • Halloween Season by Lucy A. Snyder

    • Greatheart Silver and Other Pulp Heroes by Philip Jose Farmer

    • If It Bleeds by Stephen King

    • Aftermath of an Industrial Accident by Mike Allen

    • Anthems Outside of Time by Kenneth Schneyer

    • Spinning Around A Sun by Everett Maroon

    • The Grand Tour by E. Catherine Tobler

    • The Burglar in Short Order by Lawrence Block

  • 4 published as “back-matter” in the following novels

    • A Killing Frost by Seanan McGuire

    • Imaginary Numbers by Seanan McGuire

    • Carson of Venus: The Edge of All Worlds by Matt Betts

    • Tarzan: The Battle for Pellucidar by Win Scott Eckert

  • 22 Stand-alone (self-pubbed or publisher-pubbed in e-format)

    • 12 Seanan McGuire (Patreon)

    • 2 Mysterious Bookstore (Printed pamphlet giveaways)

    • 2 ‘Nathan Burgoine (author website)

    • 1 H.P. Lovecraft (e-pub of “Horror at Red Hook”)

    • 5 Jim Butcher (author website/newsletter)

Those 375 stories were written by 189 different authors. The following breakdown is estimated because not every author shares their personal information online, and some people overlap categories, but roughly:

·         84 female creators

·         7 Trans/Non-Binary

·         25 LGBTQIA+

·         54 Persons of Color

Monthly Breakdown:

·         January: 26

·         February: 17

·         March: 14

·         April: 24

·         May: 11

·         June: 17

·         July: 106

·         August: 27

·         September: 24

·         October: 53

·         November: 38

·         December: 18

For short stories, I gave 1 1-star rating, 5 2-star ratings, 134 3-star, 180 4-star, and 55 5-star ratings.

 

Graphic Novel Challenge:

Because I own so many, I challenged myself to read one graphic novel per week. I didn’t make it, reading a total of 38 from 11 different publishers:

·              DC Comics: 11

·              Marvel Comics: 11

·              BOOM! Box: 8

·              Image: 1

·              Dark Horse: 1

·              FirstSecond: 1

·              Hard Case Crime: 1

·              Scholastic Books: 1

·              Berger Books: 1

·              Disney: 1

·              Pantheon Books: 1

 

To Be Read Challenge: I challenged myself to read 12 specific books that had been on my bookshelves for over a year (meaning nothing published in 2019) and assigned 2 alternate titles. I read 11 of the 12 main titles (identified in italics) but neither of the alternates:

1.       Tales of the City by Armistead Maupin

2.       No Longer at Ease by Chinua Achebe

3.       Logan’s Run by William F. Nolan and George Clayton Johnson

4.       A Diet of Treacle by Lawrence Block

5.       Shadowhouse Falls by Daniel Jose Older

6.       Greatheart Silver by Philip Jose Farmer

7.       Pirates of Venus by Edgar Rice Burroughs

8.       The Bad Seed by William March

9.       The Parable of the Sower by Octavia E. Butler

10.   Choke Hold by Christa Faust

11.   Trail of Lightning by Rebecca Roanhorse

12.   The Complete Persepolis by Marjane Satrapi

Alternate #1: The Mystery of the Sea by Bram Stoker

Alternate #2: Excalibur! by Gil Kane and John Jakes

 

Non-Fiction Challenge: I didn’t do as well on this one. I challenged myself to read 24 non-fiction books in 2019, and I only read 11. (That was better than 2019’s 4, though.)

Read the Book, Watch the Movie Challenge: I didn’t set a numbered goal for this one in 2020, but I managed two: Evening Primrose and The Bad Seed.

Complete the Series Challenge: As with the non-fiction challenge, I hit 50% on this one. Planned to read 4 complete series, totaling 16 books (backing out the two Marlowes and one Achebe I had read in 2019), and read 9 of 16, completing 2 series:

THE VELVETEEN SERIES by Seanan McGuire

1.       Velveteen Vs. The Junior Super-Patriots

2.       Velveteen Vs. The Multiverse

3.       Velveteen Vs. The Seasons

 

THE AFRICA TRILOGY BY Chinua Achebe – COMPLETED

1.       Things Fall Apart – read in 2018

2.       No Longer at Ease – read in December 2020

3.       Arrow of God – read in February 2020

 

CARSON OF VENUS by Edgar Rice Burroughs

1.       Pirates of Venus – read in January 2020

2.       Lost on Venus

3.       Carson of Venus

4.       Escape on Venus

5.       The Wizard of Venus

 

THE PHILIP MARLOWE SERIES (audiobook versions) - COMPLETED

1.       The Big Sleep – listened to in November 2019

2.       Farewell, My Lovely – listened to in November 2019

3.       The High Window – listened to in January 2020

4.       The Lady in the Lake – listened in January 2020

5.       The Little Sister – listened in January 2020

6.       The Long Goodbye – listened in April 2020

7.       Playback – read in November 2020

8.       Poodle Springs (started by Chandler, completed by Robert B. Parker) – read in November 2020

 

 

VIEWING

I tried tracking the movies, TV, and live events I watched this year. Here’s how that went:

Movies: Apparently, I only watched 27 movies this year, totaling 45.5 hours. The shortest was a half-hour long short film (Unspeakable, directed by Milena Govich) and the two longest were approximately 2.5 hours (Wonder Woman 84 and Billy Elliot The Musical Live). The breakdown of what I watched where is:

·              6 on BroadwayHD

·              2 on Disney+

·              12 on DVD

·              1 on HBOMax (Wonder Woman 84)

·              2 on Netflix

·              2 on Cable television

·              1 on YouTube (Unspeakable)

·              1 in the theater (1917)

Of these, 14 were first time watches, the rest movies I’ve seen before. 3 were comedies, 1 was a documentary (The House In Between), 3 were dramas, 1 was fantasy (Excalibur), 7 were horror, 8 were musicals, 3 were science fiction, and 1 was a super-hero movie (Wonder Woman 84). I suspect 2021’s numbers will match the above “what I watched where” breakdown, until COVID-19 is well and truly under control.

 

Live Events: I attended 2 live events this year (thanks, COVID-19!), and one of those was via Zoom.

·         1 play (Othello, live on Zoom)

·         1 sports event (ice hockey, the Atlanta Gladiators versus the Greenville Swamprabbits)

I miss live theater and live music.

 

Television: I watched approximately 230 hours of episodic television:

·              13 Reasons Why (36 episodes)

·              Arrow (3 episodes)

·              Batwoman (11 episodes)

·              Cursed (10 episodes)

·              DC’s Legends of Tomorrow (15 episodes)

·              Doctor Who (10 episode)

·              Leslie Jones: Time Machine (1 episode)

·              Locke & Key (10 episodes)

·              Monsterland (8 episodes)

·              Muppets Now (6 episodes)

·              Perry Mason (8 episodes)

·              Stargirl (13 episodes)

·              Star Trek: Discovery (29 episodes)

·              Star Trek: Picard (10 episodes)

·              Star Trek: Short Treks (5 episodes)

·              Star Trek: The Original Series (2 episodes)

·              Supergirl (140episodes)

·              Terriers (13 episodes)

·              The Flash (10 episodes)

·              The Mandalorian (16 episodes)

·              Watchmen (3 episodes)

Genre breakdown for television watched:

·       2 crime/noir

·       3 comedies

·       6 science fiction

·       7 superhero

·       2 fantasy

·       1 horror

·       1 drama

All were live action except for 1 animated show (Animaniacs). Only the two episodes of ST:TOS were “re-watches.”

 

So, there you have it: my writing, publishing, reading, and viewing by the numbers, for 2020.

Earlier this month, I posted about my reading challenges for 2021, if you’re interested.

Series Saturday: the Philip Marlowe novels

This is a blog series about … well, series. I love stories that continue across volumes, in whatever form: linked short stories, novels, novellas, television, movies, comics.

Marlowe Cover Banner.png

 

In 2019, I realized after several conversations with my friend Dave (our conversations often lead to me identifying something I haven’t read or seen) that I had never read a Philip Marlowe novel (or likely anything else by Raymond Chandler). I mean, I knew who Marlowe was, and I knew Chandler’s influence on the mystery genre overall and noir in particular. So how was it that I could not recall every having read a single Marlowe book? It was time to fix that!

As with so many of the reading and/or viewing challenges I set myself, it took a while for this one to play out. I listened to the first Marlowe novel, The Big Sleep, in late 2019, and then decided to motivate myself by making the Marlowe books a part of my “Complete the Series” Challenge for 2020. I made a game start at the beginning of the year thanks to several long work trips with lots of driving, then dropped the ball until Noirvember when I read the final two books written or co-written by Chandler.

The long gap between the first six books and the final two influenced my experience of the series as a whole. Another influence was experiencing the series in three different forms. I listened to the first two novels narrated by Ray Porter. When I went to purchase book three, I discovered that it was not available with narration by Porter – nor were the rest of the books. That left me with either listening to abridged editions narrated by Elliot Gould or full-cast recording from the BBC starring Toby Stephens. As I really wanted to continue the experience of hearing Chandler’s actual words, I chose the Gould abridged editions. When it came time for book seven? Only the full-cast BBC version was available. I switched to print for the final two books, which partially explains the seven months gap as the last book (started by Chandler but completed after his death by Robert B. Parker) was harder to track down than I expected it to be.

Overall, I loved this series. So much of what Chandler did is consider trope now – but I believe he was the first to do it, or at least the first to do it well enough to influence others.

His characterization of Marlowe – world-weary, introspective, a bit of a horn-dog, chivalrous and chauvinistic in equal measure, aware of his own prejudices and not always able to stop himself from acting on them – set a standard for disgruntled, distrusting protagonists. And the characterization isn’t quite static. In some books, he’s far more introspective and fatalistic while in others he’s just cynical and snarky. (Okay, he’s snarky in every single book. It’s part of his charm.) The heaviest introspective moments, the moments that gave noir its enduring rep, seem to come in the second through fifth books. In the first book, Marlowe is thoughtful but not full-out depressing. In the later books, Marlowe seems to have mellowed a little. He’s still world-weary but he seems to have accepted it and ruminates less on it. Or at least, he spends fewer words ruminating on it.

Chandler’s formula was to have Marlowe take on a case that then connects to one or more other cases. I may be mistaken, but I don’t think he varied from that basic formula throughout the books (and it’s especially evident in the final book, Playback). Most of the time, he’s hired by someone rich who is condescending at best and occasionally downright hostile. And these rich folks usually get some kind of come-uppance even when they’re not the actual bad guy of the story. In terms of the mysteries, Chandler is usually good about providing the reader with enough hints of what’s going on that the reveal doesn’t come out of nowhere. Marlowe’s interactions with the police are always interesting and not always antagonistic (I’d say it’s about 50/50 over the series). It’s also sort of fun trying to figure who Marlowe is going to go to bed with and when (and occasionally even if – he doesn’t always let his hormones win over common sense).

One of the things that did surprise me was how few continuing supporting characters there are. I expected Marlowe’s former boss, introduced in the first book, to appear or at least be mentioned more than once. Likewise, some of the cops; I realize Los Angeles was a big city even in the 1940s and that some of the action rolls outside of LA proper (even down to San Diego and into Mexico), but we rarely see an officer of the law a second time. (Parker does bring one of them back in Poodle Springs, but I have to wonder if Chandler would have done so had he written more than four chapters before passing away). Nowadays, the idea of a detective character without a regular supporting cast, including a regular antagonist of some kind, is unthinkable. Then again, the idea of a series lead without a serious romantic interest is also unthinkable these days, and it’s only in the final three books that we see Marlowe make a serious commitment (even if we don’t realize he’s making the commitment until the end of Playback and the opening of Poodle Springs). I personally thought Anne Riordan from Farewell, My Lovely, had the makings of a perfect non-romantic Girl Friday and would have added a lot to later books.

So how did the various listening/reading formats affect my experience?

I really loved Ray Porter’s interpretation of the character, gruff-voiced but still relatable, and that set the tone for me. He plays with Chandler’s language the way someone who really enjoys lush descriptions does. He’s clearly invested in the role and having fun with it, and every word has appropriate weight. I really wish the entire run was available narrated by Porter (who has narrated a LOT of other stuff, and I’m never disappointed with his work when I get to listen to it).

Elliot Gould is well known for playing Marlowe in 1973’s film version of The Long Goodbye, and he’s a great reader who also really gets the character – but the abridged audiobooks feel rushed. There are no chapter breaks, the action running from one scene to another without the pause such breaks afford the reader. More than once I found myself confused because of contradictory back-to-back statements (it’s midnight, and then suddenly it’s noon, for instance) that a simple intonation of “Chapter Six,” or even a ten second pause, would have broken up. My theory, which I haven’t checked, is that the Gould-narrated books (including the first two, which I didn’t listen to) were recorded at a time when audiobooks were on cassette (and the more cassettes a publisher had to produce, the higher the price) or early CDs (when the discs couldn’t hold as much data as they do now). Then there’s the fact that they’re advertised as “abridged,” which means something deemed inconsequential by someone was removed to make the narration fit into the allotted cassette or CD space. I’m still wondering what I missed by not just reading the actual novels of these five books.

Reading, instead of listening to, Playback and Poodle Springs allowed me to merge the best parts of Porter and Gould’s performances in my head. Although thanks to the cover art on Playback my mental image of Marlowe was Robert Mitchum. (It’s not Mitchum on the cover – it just looks a lot like him.) It felt appropriate to be in the home stretch with Marlowe on my own, turning yellowed pages (one paperback, one hardcover, both from used bookstores) and savoring Chandler’s descriptions of places and people.

I can imagine rereading the entire series one day, especially because I’ll always have that nagging question of what the abridged audiobooks cut out. But for now, I’m glad I finished this challenge this year!

The Marlowe Books, in order, are:

·       The Big Sleep (1939)

·       Farewell, My Lovely (1940)

·       The High Window (1942)

·       The Lady in the Lake (1943)

·       The Little Sister (1949)

·       The Long Goodbye (1953)

·       Playback (1958)

·       Poodle Springs (unfinished by Chandler at his death in 1959; completed by Robert B. Parker in 1989)

Parker did write another sequel completely on his own, which I decided not to include in this particular challenge. And there have been several other Marlowe prequels and sequels in the past few years that sound like they might be worth seeking out.