Rambling On

Anthony R. Cardno's Fiction and Commentary

A couple of folks have asked, so I’m finally putting together my wrap-up post for 2016: what I wrote, what was published, and what I read.

 

WRITING

Not much to report on this front. 2016 was not my most consistent year for creating new content. I didn’t blog much, and I didn’t really track how much writing I was doing, other than knowing that there were a majority of months where I didn’t write or edit at all. I finished a couple of stories, including “Chasing May” which sold to the anthology Kepler’s Cowboys from Hadrosaur Productions. I sent out a few attempts at getting reprints sold, as well, but not much came of that. (Admittedly, I didn’t make the strongest effort I could possibly have made.)

 

PUBLISHING

2016 saw the release of three anthologies with my work included:

  • “Threshold” appeared in One Thousand Words For War from CBAY Books
  • “Stress Cracks” appeared in Galactic Games from Baen (My first professional-rate story sale!)
  • “Yeti” appeared in Robbed of Sleep, Volume 4 from Troy Blackford.

I also sold one story, the aforementioned “Chasing May,” which releases in just a few weeks from this writing.

 

READING

I set myself a variety of reading challenges in 2016. I managed to complete a few of them.

On Goodreads, I challenged myself to read 100 books. I read 105.

Here’s the breakdown of what I read:

  • Fiction: 97 books
    • 4 anthologies
      • 1 noir
      • 2 horror
      • 1 fantasy
    • 1 single-author collection (1 urban fantasy)
    • 17 graphic novels
      • 11 super-hero
      • 4 YA adventure
      • 1 YA comedy
      • 1 comic strip collection
    • 12 magazines (all issues of Lightspeed magazine)
    • 43 novels
      • 1 crime
      • 1 mystery
      • 1 noir
      • 1  Fantasy
      • 1 historical fiction
      • 1  historical fantasy
      • 2  historical romance
      • 3  historical urban fantasy
      • 3  alternate history
      • 3 horror
      • 1 literary
      • 4  pulp adventure
      • 2 science fiction
      • 13 urban fantasy
      • 1 YA urban fantasy
      • 1 YA science fiction
    • 8 novellas
      • 2 horror
      • 3 fantasy
      • 1 science fiction
      • 1 urban fantasy
      • 1 mystery
    • 1 picture book
    • 1 playscript
    • 10 short stories published as stand-alone ebooks
      • 4 urban fantasy
      • 3 mystery
      • 1 modern romance
      • 1 thriller
      • 1 historical fantasy
  • Non-Fiction: 8 books
    • 5 Memoir/biography
    • 2 History
    • 1 Writing Advice

Other Book Stats:

# of Authors/Editors: 86 (including graphic novel artists); 34 of these were female authors. (I didn’t do a good job of tracking other sub-group metrics, such as writers of color, queer writers, etc. I’m going to make a better effort this year.)

Shortest Book Read: 20 pages (Forbid the Sea by Seanan McGuire)

Longest Book Read: 496 (Feedback by Mira Grant)

(Interesting that the shortest and longest read were by the same author, albeit one under a pen-name.)

Total # of pages read: 24064

Average # of pages per book: 229

Format Summary:

  • 4 audiobooks
  • 28 ebooks (5 Nook, 23 Kindle)
  • 73 print
    • 17 hardcovers
    • 56 softcovers

 

On my Livejournal, I challenged myself to read 365 short stories (1 per day, basically), but I only managed 198 this year. I did not read as many anthologies or single-author collections cover-to-cover as I have in previous years.

Those 198 stories appeared in:

  • 5 Magazines
    • Asimov’s
    • Cemetary Dance
    • Daily Science Fiction
    • Disturbed Digest
    • Magazine of Fantasy & Science Fiction
    • Lightspeed Magazine
    • One Story
    • One Teen Story
    • The Dark
    • The Strand
    • Three Slices
    • Unbound
  • 10 Anthologies
    • Candle in the Attic
    • Clockwork Phoenix 5
    • Christmas at the Mysterious Bookshop
    • Dark and Dangerous Things III
    • Ghost in the Cogs
    • In Sunlight or in Shadow (Stories based on the paintings of Edward Hopper)
    • Robbed of Sleep Vol 4
    • Shattered Shields
  • 1 Single-Author Collection
    • Two Tales of the Iron Druid by Kevin Hearne
  • 8 Stand-alone (self-pubbed or publisher-pubbed in e-format)
    • Seanan McGuire (mostly from her website)
    • Jordan L. Hawk (email newsletter)
    • Lawrence Block (purchased in e-format via Amazon)

Those 198 stories were written by 166 different authors. 82 of those were women (again, didn’t do a good job of tracking any other author-identifying metrics). The work was published by 26 different editors, roughly (there were a few for whom I’m not sure who the editor was / who to credit).

 

So there you have it: my writing, publishing and reading, by the numbers, for 2016. (I was going to include other media consumed, like music, movies, and television, but I didn’t do as good of a job compiling those numbers in 2016. Oh well!)

 

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I had the brilliant idea a few weeks ago that it might be a nice year-end change-up to my regular interview posts to have my various nieces and nephews (both the ones related to me by blood and the ones who are kids of friends) quiz me about my writing, interviewing and reading habits. While I didn’t hear back from everyone (*cough*AlexDevinMaxA*cough*), I got a lot of good questions with only a few repetitions. Today’s post is the older batch of kids, ages 13 to 20.

niece Renee, my sister, myself, nephew Vinny

Anyone who has read THE FIRFLAKE has seen the dedication (“For Mom and Dad, who taught me how to believe, and for Buddy and Squirmy Worm, who reminded me when I forgot.”) Buddy and Squirmy Worm are our family nicknames for my nephew Vinny and niece Renee. Vinny’s questions start off today’s post, and Renee gets the lead-off tomorrow when the younger kids have their say.

VINNY (age 14): What inspired you to write?

ANTHONY: Comic books. That’s the short answer, anyway. The first stories I remember writing were all with Marvel and DC superheroes. I can remember a summer visit to the Cornelia cousins on Long Island, and using their house as the secret base in a story featuring a group of Marvel’s third-string characters (Marvel Man (now Quasar), Blue Streak, The Vamp, and someone else). I had to be in 5th or 6th grade then. I also remember being in the lunch-room at Mahopac Junior High and writing a story about Bat-Girl (the Barbara Gordon version), and trying to draw the logo they used for her in Batman Family at the time. Those stories are all long-since lost; they were all hand-written in loose-leaf binders and spiral-bound notebooks and who knows where they ended up.

VINNY: Will you ever venture into the horror genre?

That depends on what type of horror you mean. Will I ever write a slasher-flick like the Jason movies? Probably not. But the short story “Canopus” right here on the website is suspenseful-horror, and my mystery novel AMBERGRIN HALL has at least a few horrific moments (and a hint of the supernatural). And as you may remember, I’m still supposed to be co-writing a zombie novel with Aunt Nina if I ever get off my buttocks and work on it. (By the way, Vin, kudos for using the word “venture.” Haha)

LAURA (age 20): When you get a creative idea, what sparks in your mind and says “THATS IT! There needs to be a book about this!”

ANTHONY: Ah, the famous “AHA!” moment. I’m not sure I actually get those. I hear other writers talk about them, but my epiphanies are smaller. I get an idea and it’s not “OH MY GOD THIS HAS TO BE A BOOK” so much as “oh, there’s a neat idea, let’s see where it goes.” The moment a story “clicks” for me is usually well after I’ve started it, and then I get that “Oh, yeah, this works!” spark.

LAURA: Out of all of the places you have traveled to, which place gave you the most inspiration when it comes to writing?

ANTHONY: Inspiration always seems to be stronger in the places that feel like home. The scenery change can be subtle (the slightly different small towns elsewhere in northwest NJ / southern NY) or dramatic (an apartment in a city somewhere in the country), but when I’m closer to family I’m more inspired to write. Outside of NY/NJ, the places I get the most writing done are, in no particular order: Palmdale CA, Chicago IL, Portland OR, and Kenosha WI.

DANNY (age 19): How do you avoid repetition in your writing?

ANTHONY: Hire a good editor.

DANNY: How do you avoid repetition in your writing?

ANTHONY: Wow, déjà vu. You want a more serious answer? Being in a local writers’ group (“The Write Direction,” and thank you Marie Collinson, Rosemary Foley and Jessie Peck-Martin!) and having a few “beta-readers” via email — folks who are looking not just at story as a whole but for clarity of language and awkward repetitive moments.

DANNY: How do you avoid repetition in your writing?

ANTHONY: Yes, folks, Danny is the one who seems to have inherited my sense of humor. Or he’s bucking for a job as my editor. Alright, Dan, any OTHER questions?

DANNY: Yes. How do you stay confident with your own writing?

ANTHONY: Oh, good one. The truth is, I don’t. I’m not sure any writer ever does. It’s sort of like stage fright for an actor. Helen Hayes, near the end of her long and varied career, said “I get sick with stage fright. Noel Coward threw up before every show, he got so sick. God made stage fright.” Carol Channing followed that up with “She was right about that. God made stage fright. I’ve noticed over a lifetime those that do not have stage fright, are not that good on stage.” It’s the same for me. Doesn’t matter that I’ve got had non-fiction, short fiction, and a short novel published. Every time I write something, there’s always that “oh my god, does this suck bat-guano” question lingering in the back of my head. And even after it’s been published, it’s the same. Just this month, knowing Marianne Burnham and her talented family had a copy of THE FIRFLAKE, I was constantly thinking “what if these wonderful new friends of mine, who were so excited to buy the book, end up hating it?” They didn’t hate it, but that’s beside the point.

JAKE (age 20): Are you working on a follow up to THE FIRFLAKE and/or are you going to try to go in a different direction with your writing?

ANTHONY: Yes. Don’t you love when people answer “either/or” questions that way? Seriously, THE FIRFLAKE is pretty complete unto itself. As much as I love Papa Knecht, Mama Alvarie, Engleberta and the rest, I’m pretty sure (at least right now) that their story is complete. However, I do have another, longer, Christmas novel nearing completion. Where THE FIRFLAKE is a book meant to be read by parents to children, CHRISTMAS GHOSTS is aimed straight at the middle-grade / young-adult market. It’s about sixth grader Colum McCann, who is still hurting about the unexpected death of the older brother he worshipped, and how he discovers a secret about Christmas Eve that could give him the chance to say goodbye. Beyond that, I’d say my writing is constantly headed in other directions. AMBERGRIN HALL is a college-set mystery-thriller. I just sold a science-fiction short story. I’m working on a sequence of connected fantasy and sf stories. I never know what genre I’ll be writing in next. The authors I most idolize (Stephen King, Neil Gaiman, Orson Card, Lawrence Block) all have the ability to write in more than one genre, and to write in more than one style.

JAKE: Is there a specific artist or genre of music that you like to listen to when you write?

ANTHONY: Generally speaking, no. In the past, I’ve gone from working in complete silence to working with only instrumental music in the background. IF I’m going the instrumental route, I tend to rotate between classical stuff like the Carmina Burana and Dvorak’s New World Symphony (both of which I’ve loved since high school, thank you Terry Wynne and Darrell Long respectively) and movie or tv soundtracks. For horror-story-moodiness, nothing beats Wojciech Kilar’s soundtrack for the Francis Ford Coppola version of DRACULA. Michael Giacchino’s LOST soundtracks to seasons one through three are frequently playing as well. When I write my annual holiday poem, there’s always seasonal music playing. In a broader sense, I draw inspiration from the music I love, whether I’m writing at that moment or not. Right now, that ranges from all-time favorites like Rosanne Cash, Jennifer Holliday, Styx and Supertramp to friends like The Dalliance, Casey Stratton, Burnham and Matt Johnson.

JAKE: How would you describe your relationship with Orson Scott Card? I remember my mom telling me he posted on your Facebook wall a while ago which I thought was awesome.

ANTHONY: Over the past few years, I’ve had a chance to interact with Orson a couple of times. Some of his books would easily make any Top 25 list I might put together (particularly Ender’s Game, Lost Boys, and the whole Alvin Maker series). I’ve learned a lot about craft reading his books, and he’s graciously answered my fan-boy questions about his work and even about the Mormon religion. He’s never been anything but polite and friendly towards me, and I appreciate that from any well-known person (meeting Neil Gaiman was equally as gratifying, for instance. And Jennifer Holliday and John Glover and Ellen Datlow, as well.). Orson has made some pretty controversial statements in the recent past about homosexuality and “hating the sin but not the sinner,” (that’s not a direct quote, it should be noted) that I obviously don’t agree with – but that doesn’t detract from my love of his books and how I feel about the times we have interacted. (In fact, I think the Facebook post your mom was referencing was my quote “Gravity doesn’t care who you fall for,” which Orson liked.)

JAKE: How have your past experiences working with children influenced your writing?

ANTHONY: Immensely. You’ve been in the audience when I’ve told campfire stories. There’s no denying that some of my current style is a direct development from that experience. I also think the child and teen characters I write are more realistic because of all the actual kids and teens I am proud to call my nieces and nephews. Whether you were aware of it or not, you and your brother and the rest were the testing ground for the voice I use in a lot of my short stories. And speaking of your brother…

GABE P. (age 16): As you know, I am a high school student, and often times I find myself, along with other high school students, frustrated with teachings about writing in English class. How much of what you learned in school applies to your current writing career, and since then what has affected your writing habits and style?

ANTHONY: I had some really great English teachers in high school: Chris and Eugenia DelCampo (no relation) and PJ Burgh specifically. I learned a lot about literary analysis from them. My love of Mark Twain is all Mrs. DelCampo’s fault. My love of the theater and Shakespeare comes from the other two. I know the basics of writing an essay that I learned in high school served me well when I was writing non-fiction articles for various company newsletters and for Camping magazine. But if I’m being honest: I don’t remember actually studying creative writing in high school, at least not in any of our regular classes. Jerry Hahn and I co-wrote an adaptation of Snow White our senior year of high school that was produced as the fall play, but that’s about the only school-assignment type creative writing I remember doing. All the super-hero stuff I wrote in high school was on my own. The first creative writing classes I took were at Elmira College: Creative Writing with Professor Kerry Driscoll, a Playwriting Directed Study with Professor Jerry Whalen, a Science Fiction class with Doctor Bruce Barton in which we built our own worlds from scratch. Also, being a member of the Super-Team Amateur Press Alliance (STAPA) since 1982, and being in various writers’ groups over the years.

GABE P: Many writers I have seen in the past have conveyed a bit of their personalities in their writing such as Christopher Moore with his wittiness, or Oscar Wilde with his pompous disposition. If there is a characteristic of your personality that you would want your readers to take away from your writing, what would it be?

ANTHONY: Well, I hope my punny, somewhat dorky, sense of humor shines through in most of my work. But I don’t think I intentionally put a characteristic of myself out there as part of the planning for a story. Another Elmira professor of mine, Malcolm Marsden, told me that he enjoyed reading every paper I wrote because I always revealed a bit about myself and my own search for identity as I was analyzing the book or author in question. I think that’s still true. In THE FIRFLAKE, it might be Engleberta’s insecurity about being the best Watcher she can be; in AMBERGRIN HALL, there’s a bit of my quest for identity and love of folk music and the theater in Garrett and in Ezra; in “Canopus,” well… there’s a lot of me in the narrator of that story. I’m still constantly questioning who I am and where I am, and I think that comes out in my fiction.

GABE P: Do you ever find yourself unintentionally emulating an element from another writer’s work, or are you always aware of where you are drawing your influence from at a given moment?

ANTHONY: Unintentionally, all the time. I’ll reread something I wrote and think “wow, that’s a bit of Stoker / Butcher / whoever right there, isn’t it?” Sometimes, of course, that means rewriting because I don’t really want to sound like anybody else … and sometimes it gets left in because that little homage is exactly what I want. Then there are the times when yes, I am intentionally emulating a style. AMBERGRIN HALL has some intentionally Gothic moments in it that recall Stoker, Conan Doyle, Bronte. THE FIRFLAKE is one massive homage to the classic Rankin-Bass claymation Christmas specials. CHRISTMAS GHOSTS is intentionally Dickensian, and “Canopus” has a bit of Lovecraft in there.

GABE P.: I can imagine that when you read, you read pieces from genres all over the map. Is there one genre that you are particularly drawn to?

ANTHONY: I do try to be as widely-read as possible. That being said, in 2011 I’d say at least half of what I read was firmly in the science fiction and fantasy realms. Part of that is because I started writing book reviews for ICARUS: the magazine of gay speculative fiction this year, and that’s two books every quarter that need to be science fiction/fantasy/horror. But it’s also because those are the genres I’ve always loved. Take a look at my home library one of these days and most of it is genre fiction, including mysteries and pulp-adventure.

And now, let’s hear from the 13 and 14 year olds…

GABE O. (age 13): When did you start writing?

ANTHONY: I’ve been writing as long as I can remember. Definitely by the time I was your age, but surely younger.

GABE O.: How do you beat writer’s block?

ANTHONY: With a rather large canoe paddle.

AIDAN (age 14): No, seriously, how do you cure writer’s block?

ANTHONY: It’s an ancient family recipe: salt and other spices rubbed in, and then you let the writer’s block sit and dry for a while, and then…

DANNY (age 19): I think what they mean is, what is your most helpful routine to do when you find yourself with writer’s block?

ANTHONY: Obviously, it’s to make jokes about it. Writer’s block is not so scary when you realize that everyone goes through it occasionally and the best thing to do sometimes is walk away from the project you’re blocked on and just do something else. Go for a walk. Work on a different project. Spend several hours playing Scrabble on Facebook, chatting on Twitter, etc. Or just read. At one point when I was blocked on a short story, I walked away and sat down with a book in a completely different genre and read for a little while, and that seemed to “cleanse the palette” so to speak.

EDDY (age 14): What gives you your inspiration to write?

ANTHONY: I talked early about what inspired me to become a writer. What continues to inspire me? Part of it is that I can’t imagine NOT writing something every day. Some days that urge is fulfilled by my day job (writing for the company newsletter, etc) and some days it’s fulfilled by conducting an interview with a writer, artist, singer, actor or other creative type I respect. And then some days, I’m inspired because I know you all enjoy reading what I write. Encouragement from family and friends helps me continue to enjoy writing, even if I never get published.

AIDAN: So where do you find and how do you come up with ideas for your next story/book?

ANTHONY: Everything, honestly, is capable of giving me inspiration. Sometimes it’s a physical thing: AMBERGRIN HALL has its roots in an old unused building on the Elmira College campus and “Canopus” is based in part on an island in the middle of Lake Mahopac. Sometimes it’s a person: “That Happy Kid” was based on a teenager I used to pass every day commuting home from work. Sometimes it’s a news article: my one-act play “Sneakers in the Sand” and my story “Invisible Me” were based on things I read in the newspaper. So there’s no one thing, really.

EDDY: How many books have you written/published?

ANTHONY: Perfect question to end today’s post on, Eddy! I have one book out there, THE FIRFLAKE: A Christmas Story, and folks can find it if they go up to this site’s navigation bar and click on the tab with the book’s title on it. I also have a short story coming out in the SPACE BATTLES anthology sometime in 2012, and sometime early in the year you should be able to see a music video I scripted for The Dalliance on Youtube. Hopefully, next year will see more of my fiction out there.

That was a much longer post than I expected! Tomorrow (Monday), I’ll post what the younger kids asked me.

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Giving Thanks

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Tomorrow is Thanksgiving Day 2011 here in the U.S.. Other countries celebrate a Thanks Giving Day of one kind or another in other months, of course, but tomorrow is our official day to give thanks.

On the one hand, I love the day: family, friends, food, parades (if I’m awake enough to see them). On the other hand … shouldn’t we give thanks EVERY day for the blessings in our lives?

Personally, I do give thanks every day. Sometimes it’s just in my head, sometimes it’s spoken or written to the person I’m thankful for or posted in a place where they can see it. And really, I think that’s the point of Thanksgiving Day: to proclaim a bit more publicly what we’re thankful for every day.

So what am I thankful for this year?

I am thankful for my health. I still have to medicate to deal with high cholesterol, I still get migraines, and I still carry tons of stress that results in aching shoulders and ground teeth. But I’m also 6 years cancer-free, and I do not take that fact for granted.

I am thankful for not only being gainfully employed in a climate where so many are struggling to find any work at all (never mind work that pays all the bills), but also for being employed by a company that actually cares about its employees. I am well aware that in a different employment situation, the personal challenges of this past year would have resulted in being handed my walking papers. Our company president and my direct boss are amazing and they’ve earned my loyalty. And my co-workers rock and roll. (Yes, I know you’re reading this, and yes, I mean it.)

I am thankful for all of those who willingly provide service to others often at the risk of their own health, safety or finances. I have cousins and friends among the firefighters, EMTs, emergency room and hospital ward staff, police, every branch of the armed forces (yes, including the Coast Guard and various reserves), and teachers who put themselves out there every day often to the brink of exhaustion in order to provide service.

I am thankful for the music that fills my ears, the moving images that entertain my eyes, and the words that challenge my brain, and for the singers, songwriters, musicians, actors, directors, artists, editors, and writers who create them.

I am thankful for Twitter and Facebook. Twitter has connected me to so many wonderful people, famous and not, who have livened my nights and expanded my horizons. Without Twitter I would not be enjoying interviewing folks like Lawrence Block, Linda Potievin, Jennifer Holliday, Burnham, Hollywood Ending, and Ellen Datlow. Likewise, I would not now have friends like Christie Yant, Bryan Thomas Schmidt, Marianne Burnham, Desiree Russell, and so many others. Without Facebook, I’d have a much harder time keeping my family and friends abreast of where I am on any given day (difficult to keep track of thanks to the traveling nature of my day job), and my Scrabble skills would surely have atrophied by now. And thanks to both sites, I’ve been introduced to so much new music and new writing, I can’t begin to list it all.

And last but not least, I am thankful for my family and friends. I’m not perfect, I know, and there are times when you all scratch your heads and wonder “what was he thinking” as I repeat cycles I thoughts I’d broken out of ages ago. But you are there for me, even when I don’t think I deserve it. I know, whether I say it or not, how truly blessed I am in the mountain of loved ones I have caring for me both nearby and long-distance. There are too many of you to name, but you know who you are.

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Writing Full Circle

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Before this past November, I hadn’t attempted to write actual science fiction (hard or soft) in …. thirty years, I’d say, give or take a half-decade.

So, you’re thinking, Anthony, really … as a genre fan, you’re saying the last time you attempted to write a science fiction story was when you were fifteen years old? And my answer is: Yep. Exactly.

I can even remember the plot of that magnum opus, and the influences I was pulling from.

I was reading John Jakes’ KENT FAMILY CHRONICLES, devouring that multi-generational saga (partly for the history, partly for the sex scenes – come on, I was a teenage boy – and partly for the hoped-for revelation that these folks were somehow related to Jonathan, Martha and Clark – come on, I was a geeky teenage boy). I intended to create a multi-generational future saga to bookend Jakes’ tale of America’s past. It would center on a human family who becomes embroiled in Earth’s attempts to colonize not only our own solar system but planets beyond.

The television adaptation of Ray Bradbury’s THE MARTIAN CHRONICLES aired around that time as well. My story needed an initial protagonist, a man at the center of it all who started the dynasty that would take to the stars. Christopher Connelly played Ben Driscoll in CHRONICLES and around the same time guest-starred on THE LOVE BOAT as a character named Rory Daniels. “Rory Driscoll” sounded like a great name to me for a dashing dynasty-starter. (Looking back at Connelly’s IMDB page, one wonders why I didn’t name him “Moses Driscoll” or “Ben Pray,” combining his CHRONICLES character with his other lead TV role of the time, Moses Pray on PAPER MOON. I know I watched MOON, but I guess five years was long enough to forget he played Jodie Foster’s father. But I digress…)

I wrote the first book, which I believe came in at a whopping 200 double-spaced typewritten pages. Rory becomes a part of the out-reaching colonization effort, encounters a secret civilization living among the larger asteroids, and helps build relations with that race which provides Earth with the tech to travel beyond our solar system. (Then, as now, I was not much of a researcher. What did I know about the nature of the asteroid belt and the likelihood of life, even accidentally-stuck-there life?) I was asked by my English teacher, Mrs. Eugenia DelCampo, to let her read it, because she knew Alfred Bester and might be able to offer a young writer some initial advice. I gave up on doing homework that night in favor of taking a pencil to the manuscript and covering up all the embarrassing sex scenes … there ended up being a lot of blacked-out paragraphs!

[Another digression: I did actually speak to Mister Bester on the phone once, thanks to Mrs. DelCampo. This would have been only three years or so before he passed away. He was pleasant, and supportive, despite what I’m sure was an intrusion into his nightly routines. I don‘t remember specifics, but I do remember him offered advice on clarity of word-choice when speaking on the phone: I’d said that I was ‘writing back and forth’ with Superman writer Eliot S! Maggin, and Bester thought I’d said ‘riding back and forth.’ When I explained I meant letters, he said “say ‘corresponding.’ It sounds more professional.”]

I never did write book two of that saga. In fact, not only do I no longer have that manuscript anywhere … I also have no idea where the story would have gone. Rory Driscoll, and his wife Cedar, stuck around though. While I aborted the attempt to write hard science fiction, I started toying with an idea for super-heroes in space.

Super-heroes in outer space? Sure. As part of the Super-Team Amateur Press Alliance (STAPA), I wrote prose stories featuring my own original creations, The Vanguards. I had plans to send them into outer space to meet a group of heroes I called Denthen’s Gladiators. The connection was going to be another character I’d created named Meld – a human scientist working on a space radio array in outer orbit who gets hit with a teleportation beam and ends up melded with a wolf-like alien life form. Meld owed a lot to my obsession with Burroughs’ John Carter books and DC Comics’ Adam Strange, especially in that incarnation. Meld would eventually get separated back into his component parts, with the human half returning to Earth and the alien half regaining his role as the leader of his system’s premiere superhero team. The human scientist’s name? Rory Driscoll, of course.

In November, I was stuck for an idea for National Novel Writing Month and decided to take Rory Driscoll into the “swords/guns and planets” genre, following in John Carter, Carson Napier and Adam Strange’s footsteps. I couldn’t quite get the idea to gel – it became more of a mystery about an amnesiac woman named Cedar whom Rory eventually marries than it was an SF story. So at month’s end, I set it aside.

And then earlier this year I was invited to submit a story to an anthology called SPACE BATTLES.

“Science Fiction?” I said. “What do I know about science fiction?”
Turns out, enough to get the story accepted for publication. I can’t say much about the story itself, but I can say this: it takes place in the Denthen star system.

Thirty years later, I’m back to dealing with Rory Driscoll and that alien star system all over again.

Full circle….

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